1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. Print measures 28.5 x 40.8 cms; in double mount measures 43.5 x 56 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. Print measures 28.5 x 40.8 cms; in double mount measures 43.5 x 56 cms.

1896: Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. Print measures 28.5 x 40.8 cms; in double mount measures 43.5 x 56 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. Print measures 28.5 x 40.8 cms; in double mount measures 43.5 x 56 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. Print measures 28.5 x 40.8 cms; in double mount measures 43.5 x 56 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. Print measures 28.5 x 40.8 cms; in double mount measures 43.5 x 56 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. Print measures 28.5 x 40.8 cms; in double mount measures 43.5 x 56 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1896. Folio size, one of a series of 72 botanical and decorative illustrations created under the editorship of famed Swiss Art Nouveau designer Eugene Grasset, by such eminent names as Maurice Pillard Verneuil. The prints were created utilising the French pochoir stencil technique, painstakingly hand-coloured through a series of intricate stencils. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1896: Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

London: Day & Son, 1868. Original chromolithographic print, plate LI from Owen Jones’ seminal compendium of decorative design, The Grammar of Ornament, first published in 1856, and this print taken from the 1868 edition, lavishly printed on creamy paper stock, and remaining crisp and bright. Measures 48 x 37.8cms in acid-free mount with sturdy card backing, the plate itself measuring 32.5 x 22.1cms. Postage charges will apply.

London: Day & Son, 1868. Original chromolithographic print, plate L from Owen Jones’ seminal compendium of decorative design, The Grammar of Ornament, first published in 1856, and this print taken from the 1868 edition, lavishly printed on creamy paper stock, and remaining crisp and bright. Measures 48 x 37.8cms in acid-free mount with sturdy card backing, the plate itself measuring 32.5 x 22.1cms. Postage charges will apply.