1800. Hand-coloured copper engraved plate, from H.C. Andrews’ The Botanist’s Repository (1797-1815), drawn and engraved by the artist. Double-mounted in an acid-free mount: the plate measures W 21 x L 26.3 cms; the total size in mount is W 35.6 x L 41.6 cms. Prints will be sent securely packaged in sturdy cardboard packaging. Please note that additional shipping charges may apply, depending on the destination.

1803. Hand-coloured copper engraved plate, from H.C. Andrews’ The Botanist’s Repository (1797-1815), drawn and engraved by the artist. Double-mounted in an acid-free mount: the plate measures W 20.2 x L 25.2 cms; the total size in mount is W 35.7 x L 40.5 cms. Prints will be sent securely packaged in sturdy cardboard packaging. Please note that additional shipping charges may apply, depending on the destination.

1804. Hand-coloured copper engraved plate, from H.C. Andrews’ The Botanist’s Repository (1797-1815), drawn and engraved by the artist. Double-mounted in an acid-free mount: the plate measures W 20 x L 25.8 cms; the total size in mount is W 35.5 x L 41.2 cms. Prints will be sent securely packaged in sturdy cardboard packaging. Please note that additional shipping charges may apply, depending on the destination.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. In double acid-free mount with stiff card backing. The mount measures 56 x 43.5 cms, the plate itself 40.8 x 28.5 cms.

1930. Original woodcut, printed onto Japan paper. From a limited edition of 450 copies. Mounted in a double acid-free mount, measuring W 32.7 x L 38.1 cms; the plate itself measures W 16.4 x L 22.2 cms. Extra postage may be required.

1803. Hand-coloured copper engraved plate, from H.C. Andrews’ The Botanist’s Repository (1797-1815), drawn and engraved by the artist. Double-mounted in an acid-free mount: the plate measures W 20.2 x L 25.2 cms; the total size in mount is W 35.7 x L 40.5 cms. Prints will be sent securely packaged in sturdy cardboard packaging. Please note that additional shipping charges may apply, depending on the destination.

1845. Large lithographic print, hand-coloured, drawn by R.R. McIan and engraved by L. Dickinson; double-mounted in acid-free mount with strong card backing, measures 44.4 x 56 cms (plate itself 29.2 x 40.5 cms) Published in 1845 on the centenary of the Jacobite Rising, The Clans of the Scottish Highlands includes text by James Logan, completed posthumously. Its striking images of Highland clansmen fuelled the romantic revival of interest in Gaeldom which was championed by Queen Victoria, to whom the book was dedicated. PLEASE NOTE: MAY REQUIRE EXTRA POSTAGE

1845. Large lithographic print, hand-coloured, drawn by R.R. McIan and engraved by L. Dickinson; double-mounted in acid-free mount with strong card backing, measures 44.4 x 56 cms (plate itself 29.2 x 40.5 cms) Published in 1845 on the centenary of the Jacobite Rising, The Clans of the Scottish Highlands includes text by James Logan, completed posthumously. Its striking images of Highland clansmen fuelled the romantic revival of interest in Gaeldom which was championed by Queen Victoria, to whom the book was dedicated. PLEASE NOTE: MAY REQUIRE EXTRA POSTAGE

1845. Large lithographic print, hand-coloured, drawn by R.R. McIan and engraved by L. Dickinson; double-mounted in acid-free mount with strong card backing, measures 44.4 x 56 cms (plate itself 29.2 x 40.5 cms) Published in 1845 on the centenary of the Jacobite Rising, The Clans of the Scottish Highlands includes text by James Logan, completed posthumously. Its striking images of Highland clansmen fuelled the romantic revival of interest in Gaeldom which was championed by Queen Victoria, to whom the book was dedicated. PLEASE NOTE: MAY REQUIRE EXTRA POSTAGE

1845. Large lithographic print, hand-coloured, drawn by R.R. McIan and engraved by L. Dickinson; double-mounted in acid-free mount with strong card backing, measures 44.4 x 56 cms (plate itself 29.2 x 40.5 cms) Published in 1845 on the centenary of the Jacobite Rising, The Clans of the Scottish Highlands includes text by James Logan, completed posthumously. Its striking images of Highland clansmen fuelled the romantic revival of interest in Gaeldom which was championed by Queen Victoria, to whom the book was dedicated. PLEASE NOTE: MAY REQUIRE EXTRA POSTAGE

London: Day & Son, 1868. Original chromolithographic print, plate LXVII from Owen Jones’ seminal compendium of decorative design, The Grammar of Ornament, first published in 1856, and this print taken from the 1868 edition, lavishly printed on creamy paper stock, and remaining crisp and bright. Measures 48 x 37.8cms in acid-free mount with sturdy card backing, the plate itself measuring 32.5 x 22.1cms. Postage charges will apply.

London: Day & Son, 1868. Original chromolithographic print, plate LXVII Part II from Owen Jones’ seminal compendium of decorative design, The Grammar of Ornament, first published in 1856, and this print taken from the 1868 edition, lavishly printed on creamy paper stock, and remaining crisp and bright. Measures 48 x 37.8cms in acid-free mount with sturdy card backing, the plate itself measuring 32.5 x 22.1cms. Postage charges will apply.

1930. Original woodcut, printed onto Japan paper. From a limited edition of 450 copies. Mounted in a double acid-free mount, measuring W 28.3 x L 33 cms; the plate itself measures W 12.4 x L 17 cms. [Nb. Extra postage may be required.]

London: Day & Son, 1868. Original chromolithographic print, plate XLII Part II from Owen Jones’ seminal compendium of decorative design, The Grammar of Ornament, first published in 1856, and this print taken from the 1868 edition, lavishly printed on creamy paper stock, and remaining crisp and bright. Measures 48 x 37.8cms in acid-free mount with sturdy card backing, the plate itself measuring 32.5 x 22.1cms. Postage charges will apply.

London: Day & Son, 1868. Original chromolithographic print, plate XLII from Owen Jones’ seminal compendium of decorative design, The Grammar of Ornament, first published in 1856, and this print taken from the 1868 edition, lavishly printed on creamy paper stock, and remaining crisp and bright. Measures 48 x 37.8cms in acid-free mount with sturdy card backing, the plate itself measuring 32.5 x 22.1cms. Postage charges will apply.

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. Print measures 28.5 x 40.8 cms; in double mount measures 43.5 x 56 cms.

London: Day & Son, 1868. Original chromolithographic print, plate XLVII from Owen Jones’ seminal compendium of decorative design, The Grammar of Ornament, first published in 1856, and this print taken from the 1868 edition, lavishly printed on creamy paper stock, and remaining crisp and bright. Measures 48 x 37.8cms in acid-free mount with sturdy card backing, the plate itself measuring 32.5 x 22.1cms. Postage charges will apply.

1803. Hand-coloured copper engraved plate, from H.C. Andrews’ The Botanist’s Repository (1797-1815), drawn and engraved by the artist. Double-mounted in an acid-free mount: the plate measures W 20.3 x L 26.4 cms; the total size in mount is W 35.6 x L 41.6 cms. Prints will be sent securely packaged in sturdy cardboard packaging. Please note that additional shipping charges may apply, depending on the destination.