Please note: if purchased separately, we will need to add the cost of postage before processing your order; if purchased with a book, no further postage charge will apply.

Please note: if purchased separately, we will need to add the cost of postage before processing your order; if purchased with a book, no further postage charge will apply.

Please note: if purchased separately, we will need to add the cost of postage before processing your order; if purchased with a book, no further postage charge will apply.

1845. Large lithographic print, hand-coloured, drawn by R.R. McIan and engraved by L. Dickinson; double-mounted in acid-free mount with strong card backing, measures 44.4 x 56 cms (plate itself 29.2 x 40.5 cms) Published in 1845 on the centenary of the Jacobite Rising, The Clans of the Scottish Highlands includes text by James Logan, completed posthumously. Its striking images of Highland clansmen fuelled the romantic revival of interest in Gaeldom which was championed by Queen Victoria, to whom the book was dedicated. PLEASE NOTE: MAY REQUIRE EXTRA POSTAGE

1896. Original Art Nouveau lithograph hand coloured using the pochoir stencil technique. Print measures 28.5 x 40.8 cms; in double mount measures 43.5 x 56 cms.

1803. Hand-coloured copper engraved plate, from H.C. Andrews’ The Botanist’s Repository (1797-1815), drawn and engraved by the artist. Double-mounted in an acid-free mount: the plate measures W 21 x L 26.3 cms; the total size in mount is W 35.6 x L 41.6 cms. Prints will be sent securely packaged in sturdy cardboard packaging. Please note that additional shipping charges may apply, depending on the destination.

1930. Original woodcut, printed onto Japan paper. From a limited edition of 450 copies. the plate measures W 36.1 x L 31.7 cms; the total size in mount is W 19.7 x L 15.2 cms.[Nb. Extra postage may be required.]

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

1891. Original chromo-lithograph by the artist May Rivers, one of 25 plates designed to accompany the text of The Fruit Grower’s Guide (1891-1894) by John Wright. Measurements: 35 cm x 42 cm in acid-free mount, the plate itself measuring 20 cm x 26.9 cm.

1803. Hand-coloured copper engraved plate, from H.C. Andrews’ The Botanist’s Repository (1797-1815), drawn and engraved by the artist. Double-mounted in an acid-free mount: the plate measures W 20.2 x L 25.2 cms; the total size in mount is W 35.7 x L 40.5 cms. Prints will be sent securely packaged in sturdy cardboard packaging. Please note that additional shipping charges may apply, depending on the destination.

1831. A scarce original hand-coloured stipple engraving, from the series ‘The Costume of China’, by Pu-Qua. Measures x in (acid-free) mount. Will be carefully packaged for shipment. Postage charge may vary, depending on the destination.

1798. Hand-coloured copper engraved plate, from H.C. Andrews’ The Botanist’s Repository (1797-1815), drawn and engraved by the artist. Double-mounted in an acid-free mount: the plate measures W 19.5 x L 25.8 cms; the total size in mount is W 34.3 x L 40.4 cms. Prints will be sent securely packaged in sturdy cardboard packaging. Please note that additional shipping charges may apply, depending on the destination.