New York: The Panurge Press, 1932. Limited edition, no.252 of 1000 copies, 8vo., pp.246, uncut, quarter black cloth, gilt, decorative yellow cloth boards, text printed in blue; toning to fore-edges, very slight roll to spine, rubbing to lower corner of front board, a bright and very good+ copy.

London: (Leadenhall Press). Later facsimile by the Leadenhall Press of the 1811 J. Harris/B. Crosby edition, 12mo., pp.68,(iv)adverts, decorative paper-covered card wrappers with printed paper label to front and pictorial vignette pasted down to rear, 29 engraved illustrations; some wear to paper covering of spine, light rubbing to extremities, otherwise very good indeed.

London: The Dropmore Press, 1947. Limited edition, no.390 of 550 copies, 4to., pp.59, blue cloth, lettered in gilt and with pictorial emblem in gilt to front board, decorative gilt inner dentelles, handmade paper, with wood engravings by John O’Connor, including dedication page, pictorial title, 6 full-page plates, plus illuminated letter and decorative tailpiece; foxing to edges, else very good indeed, in vg unclipped dust-jacket, which has foxing to pale paper.

London: Jonathan Cape, 1924. First edition, 8vo., pp.69, uncut, quarter green cloth with printed paper label to spine, cream paper-covered boards, woodcut illustrations; partial toning to free endpapers, foxing to edges, slight wrinkle to paper label, else very good indeed, in vg complete dust-jacket, which has two small closed tears to upper edge, and light surface soil to pale paper, with light stain to spine/rear inner margin (now in a protective cover).

New York: Viking, 1985. First edition, signed by author and illustrator, 8vo., pp.160, black hardcover, gilt, double-page pictorial title in colour, colour and b/w illustrations within; slight soiling to top-edge, front free endpaper bears a neat gift inscription to the previous owner, with presentation inscription from Richard Adams and John Lawrence to the title page, a very good copy in a very good, price-clipped pictorial jacket.

London: Frederick Muller Ltd. Signed, limited edition, no.39 of 250 copies signed by author and illustrator, small 4to., pp.50, quarter cream cloth, gilt, marbled paper-covered boards, wood-engraved plates and in-text illustrations; slight evidence of tape-marks to paste-down endpapers, light wear to paper at corners of boards, overall very good indeed.

High Wycombe: Limited Editions Club, 1933. Limited edition, no.551 of 1500 copies, printed on Barcham Green paper and signed by the artist, small 8vo, pp.ix,149, publisher’s full pictorial pigskin, pictorial title, engraved plates; neat pictorial ownership bookplate to front paste-down endpaper, slight foxing to paste-down endpapers, light chipping to head and foot of spine, slight rubbing to spine, a fresh and near-fine copy.

Paris: L’Edition D’Art, H. Piazza. First, limited edition, no.20 of 525 copies on japon paper, large 8vo., pp.197, uncut, paper wrappers, gilt, colour illustrations, b/w illustrations and decorations, one of only 25 extra-illustrated copies; internally fresh and fine, a very good copy indeed.

London: Cecil Palmer. First edition, 4to., pp.56, pictorial paper-covered boards, lavishly illustrated, with pictorial title, colour frontispiece and 11 further colour plates, pictorial endpapers, and richly illustrated text; ink ownership gift inscription to reverse of frontispiece, occasional light fingermarking, foxing to fore-edges of text-block and boards, rubbing and light wear to extremities, internally fresh, a very good copy indeed.

London: Thomas Nelson and Sons. 4to., pp.(20),(20), cloth-backed pictorial boards, 20 colour plates (rectos) with accompanying verse to versos, neat ink ownership gift inscription to front paste-down endpaper (dated ‘[19]04’), free endpapers toned, the ‘s’ of ‘Bubbles’ to front board has been coloured red, wear to corners, light wear to paper covering alone edges, light wear to head- and tailbands, surface soil to pale paper of rear board, a little light fingermarking to margins, overall a good+ copy.

London: The Victoria and Albert Museum. Signed, limited edition, no.390 of 500 copies signed by illustrator, 8vo., pp.75, dark green cloth with inlaid pictorial label, gilt-lettered to spine, wood engraved plates and illuminated letters, pictorial endpapers; a fine, fresh copy, in very good matching green cloth slipcase, which is lightly marked to cloth.

The Golden Cockerel Press. Limited edition, no. 197 of 200 copies, 8vo., pp.20,(i)colophon, cream cloth, gilt, t.e.g., deckle-edged paper, engraved frontispiece by Eric Gill, 4 further engravings by Gill; slight toning to spine and margins of the cloth boards, a very good copy indeed, in unclipped dust-jacket, which is toned to spine and margins, with partial loss to spine (12mms loss at tailband, and apx. 20mms loss at headband), with light loss and small closed tears to other extremities, good+ and now in protective cover.

London: George G. Harrap and Co. Signed, limited deluxe edition, no.283 of 525, signed by Pogany, 4to., unpaginated, publisher’s full pictorial vellum, gilt, pictorial endpapers, tipped-in colour plates, b/w plates, decorations in colour throughout; a fine copy.

London: Kegan Paul, Trench, Trubner & Co. Ltd. Later issue, but pre-1912 (when the publisher’s name changed), same format as the first edtion with full page colour advert (for Perrier water) to rear of volume, but without adverts to versos of plates, oblong folio, cloth-backed pictorial boards, 12 full colour plates; toning to endpapers and title, light evidence of carefully removed newspaper article to front paste-down endpaper, very light surface soil to boards and rubbing to corners, the plates are all very clean, a very good, bright copy.

London: J.M. Dent & Sons Ltd. First edition, 8vo., pp.159, deluxe pictorial full blue morocco, gilt, 5 raised bands, gilt decorations to compartments, colour frontispiece plate, pictorial endpapers and numerous in-text illustrations (monochromatic; printed in brown); a fine copy.

London: W. Brown. First edition, 8vo., pp.vi,181, quarter unlettered cloth, paper-covered boards, illustrated with 90 woodcut illustrations, including frontispiece and pictorial title; rubbing and wear to extremities, with some loss to paper covering of boards, water-staining to front board/front endpapers, internally clean and very good, a good copy overall.

Paris, 1930. Large 8vo., pp.112, printed paper wrappers, 4 colour plates, numerous b/w plates; light toning to page margins, foxing to wrappers, otherwise an unusually fine copy.

London: W. & R. Chambers, Ltd. Oblong 4to., pp.unpaginated, pictorial paper-covered boards, 13 full-page colour plates, further b/w illustrations; owner’s inscription and ink-sketch to front paste-down endpaper, light wear to edges, 3cm surface loss to paper-covering at tailband, exposing card beneath, contents bright and clean, a very good copy.