London: Edward Arnold, Publisher to the India Office, 1895. First edition, 8vo., pp.(iv),328, uncut, pictorial brown cloth, gilt, frontispiece and pictorial title, b/w plates and illuminated letters; colour postcard tipped in the rear paste-down endpaper, foxing to prelims, with ownership inscriptions to front free endpaper, rubbing to extremities, gilt to spine a little dulled, a good++ copy.

London: Routledge, Warne, & Routledge, 1858. Tall 8vo., pp.(viii), pictorial paper wrappers, 8 hand-coloured wood-engravings by Edmund Evans; edgeworn, (occasionally extensive) horizontal closed tears from fore-edges, with archival tape repairs, a good+ copy of this extremely scarce illustrated chapbook.

London: The Cresset Press Ltd., printed at The Alcuin Press, 1929. 8vo., unpaginated, patterned cloth, with stamped title-label to front board, and cream leather label to spine, gilt, t.e.g., 12 b/w wood-engraved plates; owner’s name gilt-lettered to lower corner of front board, slight tone to edges, slight sunning to spine, a very good, clean copy, in worn glassine wrapper.

London: Humphrey Milford, Oxford University Press, 1927. Limited edition, no. 28 of 375 copies, tall 8vo., pp.32, quarter orange buckram, gilt, orange paper-covered boards, coloured frontispiece and 4 further hand-coloured plates; toning and some foxing to endpapers, light foxing within, spine just lightly sunned, with light surface soil to boards and wear to paper covering at lower corners of boards, overall a very good copy, in good(+) unclipped pictorial dust-jacket, partially toned, with closed tears and light loss to upper margin.

London: Lovat Dickson and Thompson Limited, 1934. First edition, 8vo., pp.51, pictorial white paper-covered boards illustrated and lettered in black, b/w in-text illustrations; light wear and discolouration to edges of boards, light foxing to endpapers, a very good copy, with remant of original glassine dust-jacket (the front of jacket intact, the rear of jacket missing, and all now covered with a plastic wrapper).

London: Sidgwick and Jackson, 1913. 12mo., pp.v,185, vellum-backed with paper-covered boards, lettered in gilt, with pictorial insignia to spine in red, untrimmed edges, top edges red, ribbon bookmark, 5 b/w illustrations to beginning of volume, headpieces and vignettes to text, pictorial endpapers; light foxing to margins, light toning to spine, a very good+ copy.

London: Duckworth & Co. First edition, 4to., pp.126, cloth-backed pictorial paper-covered boards, 11 wood-engraved plates by Paul Nash, as well as front cover illustration; partial toning and foxing to endpapers and half title, lower corners of boards lightly bumped, with light toning to margins of boards, internally clean, a very good copy, in good(+) unclipped pictorial dust-jacket, which is toned, with light chipping to the extremities, slight loss at head and foot of spine, and with 4cm closed tear to front of jacket (not affecting the plate).

London: R. Ackermann’s Repository of Arts, printed by J. Diggens, 1815. First edition, two volumes bound as one, pp.vii,295,(iv),299,(iv)Index, paper-backed plain card boards, 74 hand-coloured plates, including frontispiece, additional engraved title; prelims working loose, a fine unsophisticated copy in the original boards.

London: Kegan Paul, Trench, Trubner and Co. Ltd, 1898. Limited edition of 660 copies, 8vo., pp.xii,324 in full vellum wrappers, gilt, b/w frontispiece, decorative title page, 3 further b/w plates with tissue-guards, illuminated letters and tailpieces, titles printed in red; foxing to plate at p.111, with toning to adjacent text, superficial split to vellum at foot of spine, a near-fine copy of this scarce volume.

London: Eyre and Spottiswoode, 1945. Second printing, 8vo., pp.212, green cloth lettered in white, b/w frontispiece and numerous illustrations within; light bruising to corners, a very good copy, in unclipped pictorial dust-jacket, which has loss to head/foot of spine and corners of front panel, as well as 5cm closed tear and crease from front lower margin.

London: Grafton, imprint of HarperCollins, 1992. First edition, 8vo.,pp. 64, pictorial hardcover, colour illustrations; ownership inscription to front free endpaper, a few small indentations along margins of boards, very slight tobacco odour, a good copy. No dust-jacket.

London: Country Life, 1939. First edition, 8vo., pp.83, blue-grey cloth lettered in black, colour frontispiece, 3 further colour plates and numerous b/w illustrations; ink ownership autograph to front paste-down endpaper (covered by flap of dust-jacket), spine lightly rolled, with sunning/toning to spine, a slight surface soil to boards, overall a very good copy, in pictorial price-clipped dust-jacket, which has creasing and tears to edges, with some loss, and apx. 4mms loss to head of spine.

London: Cassell and Company, Limited, 1897. First edition, 8vo., pp.190,(xviii)publisher’s adverts, pictorial blue cloth, gilt, with blindstamped decoration to rear board, t.e.g., colour frontispiece with tissue guard, 3 further colour plates and 19 b/w plates, decorative endpapers; light blindstamp to front free endpaper, finger mark to title verso, light foxing to fore-edges, slight rubbing to extremities, a near-fine copy. The first book to include colour plates by Rackham.

London: Cecil Palmer & Hayward, 1916. First edition, 4to., pp.78, pictorial brown cloth stamped in black, small pictorial paper title label to spine, colour frontispiece and 3 further colour plates, all with tissue guards, pictorial title printed in orange, and decorative pictorial borders throughout; light toning to margins, light marking to front board, light rubbing to extremities, a very good copy, in unclipped pictorial dust-jacket, bearing the same design as the front board, which is a little chipped and worn to the extremities, with a few neat paper-reinforcements to reverse of closed tears, but overall very good.

London: Collins, 1936. Signed, limited edition, no. 32 of 75 copies signed by author and artist, folio, pp.98, quarter green leather, gilt, green cloth boards, t.e.g., colour frontispiece, colour and b/w plates, b/w illustrations; small ownership autograph to front free endpaper, foxing to fore-edges, rubbing to head and tailbands, with a few further small scuffs to leather, a very good copy. Housed in rather worn card slipcase, with remnants of removed label to side panel.

London: William Heinemann, 1906. Signed, limited edition, no. 48 of 100 copies, 4to., pp.viii,305, uncut, full vellum, gilt, t.e.g., tipped-in colour frontispiece and plates with caption sheets; loss to corner of mounted plate at p.163, paper-cracking to front inner hinge, with webbing visible (board firm), surface soil and light wear to edges of endpapers, a very good copy.

Dean and Co, 1845. Tall 8vo., pp.8, sewn pictorial wrappers, illustrated with one full-page and 7 half-page hand-coloured wood engravings; light partial water-staining from fore-margins, light surface soil to wrappers, with a little chipping along spine, illustrations bright, a good+ copy of this very scarce pamphlet.

London: Blighty, City Magazines Ltd. Small 4to., pp.98, paperback with pictorial colour wrappers, b/w illustrations throughout as well as folding colour plate; light surface soiling to wrappers, internally clean and overall a very good copy.