Sheffield: Stephenson, Blake & Co, The Letter Foundry, 1924. 4to.,pp. xiv,702, green cloth, gilt, b/w and colour figures, b/w lettertype, b/w frontispiece, decorative endpapers; light toning to margins and edges of text block, rubbed to extremities, light wear to corners, small area of ink marking to spine, otherwise a very good copy. No dust-jacket.

London: Chapman And Hall, 1867. First edition, 4to.,pp. xx,266, cream pictorial cloth, gilt, gilt to edges of text block, b/w illustrations and b/w frontispiece; light toning to margins, foxing to half title and front and rear free endpaper verso, light surface water marking and foxing to boards, still a very good, attractive copy. No dust-jacket.

Farnham: Lund Humphries, 2013. 4to.,pp. 216, pictorial hardcover, white lettering, b/w and colour illustrations, colour frontispiece, decorative endpapers; a very good, clean copy. No dust-jacket.

Lincoln: Usher Gallery, 1987. 8vo.,pp. 48, pictorial wrappers, b/w illustrations, pictorial title page; lightly rubbed and soiled to margins of wrappers, otherwise a very good copy.

Oxford: The Shakespeare Head Press, 1943. First edition, scarce, 8vo.,pp. 39, pictorial boards, colour illustrations, pictorial title page and endpapers; toning to margins, slightly scuffed to rear endpapers at lower margin, sellotape to spine where paper covered spine has chipped and worn, loss to head and foot of spine and lettering faded, rubbed to extremities, with light scuff marks to corners.

London: The Folio Society, 2004. Limited edition, no. 431 of 1010 copies, two volumes, 8vo., Facsimile volume: pp.119r,119v, bound in publisher’s cream morocco binding with three raised bands and inlaid red morocco panel to front board, stamped in blue, black, and gilt, a.e.g., ribbon bookmark, gilt detailing within, accompanying Commentary volume: pp. xxii,119r,119v, green cloth, gilt. A fine set, in near-fine green cloth solander case, with inlaid red leather title panel to spine.

Nouvelle Revue Francaise, 1919. First edition, square folio, pp.(liv) unpaginated, recased in black cloth, preserving original covers, which are pasted down to boards, pochoir colour plates throughout, designed by Legrand and hand-coloured by Jean Saudé, colour endpapers, printed on Bellenand Lafuma paper (the ‘Lafuma’ mark visible to front cover); light wear to page edges, with closed tears to margins of paste-down endpapers, and light loss to corners of cover image, light toning to margins, crease to lower corners towards rear of volume, the stencil designs remaining vivid and bright, a near- to very good copy, housed in a black cloth solander case, with facsimile reproduction of front cover pasted down to front panel.

London: J.M. Dent & Co. First edition, with translator’s ink presentation inscription to head of front free endpaper, tall 8vo., pp.xvii,379, uncut, pictorial pale blue cloth lettered in black, with gilt accents to front board, t.e.g., frontispiece and pictorial title, title in red and black, 22 further b/w plates with decorative borders in red, as well as numerous decorative head and tailpieces; foxing to endpapers and adjacent leaves, light toning to margins, clean within, rubbing to extremities, with some light general surface soil to the pale cloth, spine a little dulled, a near-very good copy of this scarce volume.

Twyford: The Golden Cockerill Press, 1924. Limited edition of 380 copies, of which this is number 176, with illustrations by Robert Gibbings, 4to.,pp. 64, blue paper covered boards with vellum spine and gilt lettering, b/w illustrations and musical score; light toning to margins, small annotation mark to upper corner of front paste down endpaper, light rubbing and toning to boards and spine, a very good copy. No dust-jacket.

London: J.M. Dent & Sons, 1928. First edition thus, with Edward Bawden illustrations, 4to.,pp. xxvii,338, blue cloth with decorative gilt to front board and gilt lettering to spine, colour and b/w illustrations, colour frontispiece, pictorial front and rear paste down endpapers; toned to margins with light creasing to upper corners, light rubbing to extremities, a very good copy. No dust-jacket.

London: John Lane, The Bodley Head, 1920. First edition thus, 8vo.,pp. xi,172, red cloth, black lettering, colour plates and frontispiece, pictorial endpapers; front free endpaper creased with small closed tear to lower margin, slight cracking to inner hinge with webbing visible, all contents firm, foxing to edges of text block and to margins of title and endpapers, with occasional light foxing to margins, light rubbing and toning to extremities, otherwise very good, in a very good unclipped dust-jacket, which is lightly rubbed to extremities.

Leicester: Dryad Press, 1954. First edition, 8vo.,pp. 50, decorative hardcover, b/w illustrations; off setting to endpapers, rubbed to extremities of boards, light wear to corners, overall a very good copy. No dust-jacket.

London: Cassell, Petter And Galpin. Third edition, 4to.,pp. xv,216, brown cloth with pictorial gilt to front board and gilt lettering to spine, gilt to edges of text block, b/w full page illustrations and b/w illustrations within the text, b/w frontispiece; light toning to margins and occasional light foxing, rubbing to extremities of boards and spine, otherwise a very good copy. No dust-jacket.

London: George Routledge And Sons. 8vo.,pp. vi,51, blue cloth, gilt lettering, gilt to edges of text block, b/e illustrations, b/w frontispiece; minor cracking to inner hinge with webbing visible to lower section at front free endpaper, toning and light fixng to margins and endpapers, ownership inscription in pencil to front free endpaper verso, with a small newspaper cutting pasted down to the same page, rubbing to extremities with light toning to spine, overall still a very good copy. No dust-jacket.

London: Blackie And Son, 1911. First edition thus, with colour plates by Frank C Pape, 8vo.,pp. 391, blue pictorial cloth with gilt decoration and lettering, gilt to upper edge, colour plates, b/w illustrations, colour frontispiece, pictorial endpapers; light toning and foxing to margins with heavier marking to p.30-31, light rubbing to extremities, otherwise a very good attractive copy. No dust-jacket.

London: Macmillan And Co, 1906. First edition thus, with Hugh Thomson illustrations, 8vo.,pp. viii,429, dark green cloth with pictorial gilt and lettering, gilt to edges of text block, colour plates, b/w illustrations, colour frontispiece; ownership bookplate to front paste down endpaper, ownership inscription to front free endpaper, some cracking to inner hinge with webbing vissible at front and rear inner hinge, all contents firm, toning and light foxing to endpapers and margins, light rubbing to extremities and gilt to spine slightly faded, light circular stain to front board, otherwise a very good, attractive copy. No dust-jacket.

London: Duckworth And Co, 1921. First edition thus, 8vo.,pp. 275, green cloth, gilt lettering, pictorial emblem to front board, b/w and colour illustrations, colour frontispiece, pictorial endpapers; light toning and foxing to edges of text block and occasionally to margins, webbing visible to inner hinge at rear, all contents firm, rubbing to extremities, a very good copy. No dust-jacket.

Paris: Librairie Hachette, 1904. Large 8vo., pp. 317, red cloth, with decorative gilt and gilt lettering to spine, marbled endpapers, gilt to edges of text block, b/w illustrations; two ownership address labels to front paste down endpaper, toned to margins throughout, slight markings to inner plain front free endpaper which has some previous ownership inscription removed, rubbed to extremities with light wear to corners and light markings to boards, overall a very good copy.

London: Longmans, Green and Co, 1929. First illustrated edition, 8vo., pp.ix,140, red cloth, gilt, coloured top edge, b/w frontispiece, 15 further b/w plates; small ownership plate to front free endpaper, light toning to endpapers and tissue guard, slightly foxed, edges lightly toned, light shelf-wear to boards, spine slightly rolled, overall a very good copy, in an unclipped dust-jacket which is lightly toned and foxed, very slightly soiled to the rear and lightly rubbed to extremities, otherwise very good, now in a protective cover.

The Golden Cockerel Press, 1954. Limited edition of 290 copies, this copy numbered 257, 8vo.,pp. 105, cream vellum, pictorial gilt to front board and gilt lettering to spine, b/w plates and frontispiece; very light toning and soiling to rear boards, otherwise a very good bright copy. No dust-jacket.