London: Weidenfeld and Nicolson, 1970. First edition, oblong 4to., pp.50, red hardcover, gilt, b/w illustrations throughout; light foxing to endpapers, else very good, in good price-clipped pictorial dust-jacket, which has multiple tears to edges (rear of jacket has 3 fairly extensive closed tears), some with light loss, and whole jacket is now mounted onto a paper backing.

London/Edinburgh: T.N. Foulis, 1916. First edition, small 8vo., pp.(ii),152,(iv) adverts, bound in decoratively blindstamped reverse calf wrappers, gilt, t.e.g., untrimmed paper, 6 tipped-in colour illustrations by Jessie M. King (frontispiece, decorative title, one double-page plate and 3 single-page plates, all with tissue-guards); neat ink ownership gift inscription, dated 1916, to foot of front free endpaper, toning to half title and final page of adverts, toning at inner hinges, spine lightly sunned, a very good copy indeed.

London: A & C Black Ltd, 1934. First edition thus, 8vo., pp.140, yellow cloth, black lettering, eleven b/w wood engravings by John Farleigh; neat ownership nameplate to front paste-down endpaper, foxing to top edges, some foxing within, largely to early leaves, slight toning to endpapers, a very good copy, in a very good price-clipped pictorial dust-jacket, rubbed with very slight chipping to extremities, and now in protective covering.

Paris: Alcools. Limited edition of 145 copies, 4to.,pp. 153, leaves unbound and uncut, resting in green card boards with green cloth covered spine, in a plain green card slip-case, monochrome plates throughout and to frontispiece, pictorial half title page; very lightly toned and foxed to edges, extremities of boards lightly rubbed, otherwsie near-fine, in a very good rubbed slip-case.

London: Duckworth And Co, 1921. First edition thus, 8vo.,pp. 275, green cloth, gilt lettering, pictorial emblem to front board, b/w and colour illustrations, colour frontispiece, pictorial endpapers; light toning and foxing to edges of text block and occasionally to margins, webbing visible to inner hinge at rear, all contents firm, rubbing to extremities, a very good copy. No dust-jacket.

London: Frederick Muller Ltd. Signed, limited edition, no.39 of 250 copies signed by author and illustrator, small 4to., pp.50, quarter cream cloth, gilt, marbled paper-covered boards, wood-engraved plates and in-text illustrations; slight evidence of tape-marks to paste-down endpapers, light wear to paper at corners of boards, overall very good indeed.

London: The Dropmore Press, 1947. Limited edition, no.390 of 550 copies, 4to., pp.59, blue cloth, lettered in gilt and with pictorial emblem in gilt to front board, decorative gilt inner dentelles, handmade paper, with wood engravings by John O’Connor, including dedication page, pictorial title, 6 full-page plates, plus illuminated letter and decorative tailpiece; foxing to edges, else very good indeed, in vg unclipped dust-jacket, which has foxing to pale paper.

New York: George H. Doran Company, 1927. First edition, 8vo., pp.xii,287, green cloth, gilt, colour frontispiece, 11 further colour plates; cut edges, slight toning throughout, hinge very slightly visible, very slight roll to spine, light shelf-wear to extremities, a very good copy, now in a protective cover. No dust-jacket.

London: Cassell and Company, Limited, 1897. First edition, 8vo., pp.190,(xviii)publisher’s adverts, pictorial blue cloth, gilt, with blindstamped decoration to rear board, t.e.g., colour frontispiece with tissue guard, 3 further colour plates and 19 b/w plates, decorative endpapers; light blindstamp to front free endpaper, finger mark to title verso, light foxing to fore-edges, slight rubbing to extremities, a near-fine copy. The first book to include colour plates by Rackham.

London: William Heinemann, 1906. Signed, limited edition, no. 48 of 100 copies, 4to., pp.viii,305, uncut, full vellum, gilt, t.e.g., tipped-in colour frontispiece and plates with caption sheets; loss to corner of mounted plate at p.163, paper-cracking to front inner hinge, with webbing visible (board firm), surface soil and light wear to edges of endpapers, a very good copy.

1930. Signed, limited edition, no. 361 of 450 copies, brown cloth with inlaid plate, gilt, tipped-in b/w plates thoughout; rubbing to extremities, a very good copy, in an unclipped pictorial dust-jacket, which is chipped and worn to edges, with 3cms loss at head of spine, and creasing to front panel.