London: Duckworth, 1929. First edition with the Keith Henderson illustrations, 8vo.,pp. 368, patterned paper covered boards, purple cloth spine, gilt lettering, b/w illustrations and frontispiece; lightly toned to margins, sunned to spine, lightly rubbing to extremities, otherwise very good, in a good+ unclipped pictorial dust-jacket, which is rubbed to extremities, sunned to spine with a small rectangular hole cut out of the just above the publishers emblem to the spine of the jacket.

London: Macmillan And Co, 1929. Limited edition of 1500 copies, signed by the artist, 8vo.,pp. x,484,patterned paper covered boards, cream vellum spine with gilt lettering, b/w illustrations, b/w frontispiece, from woodcuts by Claire Leighton; Claire Leighton’s signature to publication page, with two ownership autographs to front free endpaper, endpapers lightly toned and soiled, light toning to edges of text block, spine lightly discoloured and runckled, small chip to head of spine, light rubbing to extremities of boards and light wear to corners, a very good copy. No dust-jacket.

London: Weidenfeld and Nicolson, 1970. First edition, oblong 4to., pp.50, red hardcover, gilt, b/w illustrations throughout; light foxing to endpapers, else very good, in good price-clipped pictorial dust-jacket, which has multiple tears to edges (rear of jacket has 3 fairly extensive closed tears), some with light loss, and whole jacket is now mounted onto a paper backing.

London/Edinburgh: T.N. Foulis, 1916. First edition, small 8vo., pp.(ii),152,(iv) adverts, bound in decoratively blindstamped reverse calf wrappers, gilt, t.e.g., untrimmed paper, 6 tipped-in colour illustrations by Jessie M. King (frontispiece, decorative title, one double-page plate and 3 single-page plates, all with tissue-guards); neat ink ownership gift inscription, dated 1916, to foot of front free endpaper, toning to half title and final page of adverts, toning at inner hinges, spine lightly sunned, a very good copy indeed.

London: A & C Black Ltd, 1934. First edition thus, 8vo., pp.140, yellow cloth, black lettering, eleven b/w wood engravings by John Farleigh; neat ownership nameplate to front paste-down endpaper, foxing to top edges, some foxing within, largely to early leaves, slight toning to endpapers, a very good copy, in a very good price-clipped pictorial dust-jacket, rubbed with very slight chipping to extremities, and now in protective covering.

London: Chatto and Windus. Twelfth edition, 16mo., pp.113, pictorial olive-green cloth stamped and lettered in black and red, 27 colour plates; ink ownership autograph to front free endpaper, two creases to upper corner of front free endpaper, fingermarking and occasional light marking throughout, just slightly shaken, ink-stain to lower margin of front board, rubbing to extremities, a good(+) copy.

Paris: Alcools. Limited edition of 145 copies, 4to.,pp. 153, leaves unbound and uncut, resting in green card boards with green cloth covered spine, in a plain green card slip-case, monochrome plates throughout and to frontispiece, pictorial half title page; very lightly toned and foxed to edges, extremities of boards lightly rubbed, otherwsie near-fine, in a very good rubbed slip-case.

London: The Cresset Press Ltd., printed at The Alcuin Press, 1929. 8vo., unpaginated, patterned cloth, with stamped title-label to front board, and cream leather label to spine, gilt, t.e.g., 12 b/w wood-engraved plates; owner’s name gilt-lettered to lower corner of front board, slight tone to edges, slight sunning to spine, a very good, clean copy, in worn glassine wrapper.

London: Frederick Muller Ltd. Signed, limited edition, no.39 of 250 copies signed by author and illustrator, small 4to., pp.50, quarter cream cloth, gilt, marbled paper-covered boards, wood-engraved plates and in-text illustrations; slight evidence of tape-marks to paste-down endpapers, light wear to paper at corners of boards, overall very good indeed.

London: Edward Arnold, Publisher to the India Office, 1895. First edition, 8vo., pp.(iv),328, uncut, pictorial brown cloth, gilt, frontispiece and pictorial title, b/w plates and illuminated letters; colour postcard tipped in the rear paste-down endpaper, foxing to prelims, with ownership inscriptions to front free endpaper, rubbing to extremities, gilt to spine a little dulled, a good++ copy.

London: The Dropmore Press, 1947. Limited edition, no.390 of 550 copies, 4to., pp.59, blue cloth, lettered in gilt and with pictorial emblem in gilt to front board, decorative gilt inner dentelles, handmade paper, with wood engravings by John O’Connor, including dedication page, pictorial title, 6 full-page plates, plus illuminated letter and decorative tailpiece; foxing to edges, else very good indeed, in vg unclipped dust-jacket, which has foxing to pale paper.

London: Cassell and Company, Limited, 1897. First edition, 8vo., pp.190,(xviii)publisher’s adverts, pictorial blue cloth, gilt, with blindstamped decoration to rear board, t.e.g., colour frontispiece with tissue guard, 3 further colour plates and 19 b/w plates, decorative endpapers; light blindstamp to front free endpaper, finger mark to title verso, light foxing to fore-edges, slight rubbing to extremities, a near-fine copy. The first book to include colour plates by Rackham.

London: William Heinemann, 1909. First edition, 4to.,pp. 136, pictorial cloth, gilt, colour plates, colour frontispiece, pictorial endpapers; plates protective leaves occasionally creased, lightly toned and foxed to endpapers, light rubbing to extremities and toning to spine, a very good copy. No dust-jacket.

London: William Heinemann, 1906. Signed, limited edition, no. 48 of 100 copies, 4to., pp.viii,305, uncut, full vellum, gilt, t.e.g., tipped-in colour frontispiece and plates with caption sheets; loss to corner of mounted plate at p.163, paper-cracking to front inner hinge, with webbing visible (board firm), surface soil and light wear to edges of endpapers, a very good copy.