Leicester: Dryad Press, 1954. First edition, 8vo.,pp. 50, decorative hardcover, b/w illustrations; off setting to endpapers, rubbed to extremities of boards, light wear to corners, overall a very good copy. No dust-jacket.

Farnham: Lund Humphries, 2013. 4to.,pp. 216, pictorial hardcover, white lettering, b/w and colour illustrations, colour frontispiece, decorative endpapers; a very good, clean copy. No dust-jacket.

New York: The Panurge Press, 1932. Limited edition, no.252 of 1000 copies, 8vo., pp.246, uncut, quarter black cloth, gilt, decorative yellow cloth boards, text printed in blue; toning to fore-edges, very slight roll to spine, rubbing to lower corner of front board, a bright and very good+ copy.

London: Hodder and Stoughton. First edition, 4to., pp.197, pictorial green cloth, gilt, colour plates, colour frontispiece, with tissue protective guards, b/w illustrations, decorative endpapers; ownership ink stamp to front free endpaper, webbing occasionally slightly visible to inner hinge, lightly toned to edges of text block, lightly rubbed to extremities and lightly sunned to spine, light wear to head and foot of spine and corners, a very good copy.

Oxford: The Shakespeare Head Press, 1943. First edition, scarce, 8vo.,pp. 39, pictorial boards, colour illustrations, pictorial title page and endpapers; toning to margins, slightly scuffed to rear endpapers at lower margin, sellotape to spine where paper covered spine has chipped and worn, loss to head and foot of spine and lettering faded, rubbed to extremities, with light scuff marks to corners.

London: Grafton, imprint of HarperCollins, 1992. First edition, 8vo.,pp. 64, pictorial hardcover, colour illustrations; ownership inscription to front free endpaper, a few small indentations along margins of boards, very slight tobacco odour, a good copy. No dust-jacket.

London: The Medici Society Ltd, 1970. Signed, limited edition, no.508 of 1050 copies, numbered and signed by Francis Russell Flint to colophon, folio, pp.264, quarter red morocco with 5 raised bands, gilt, pictorial grey cloth boards, t.e.g., marbled endpapers, colour and b/w plates, pictorial title and vignettes; rubbing to corners of boards, a few small, mostly slight scuffs to spine, a fresh and overall near-fine copy.

Edinburgh/London: T.N. Foulis, 1908. Slim 8vo., pp.39, grey cloth, gilt, with inlaid colour plate to front board, tipped-in colour plates by Jessie M. King, mounted on grey paper - frontispiece, pictorial title, Contents page, and three further colour plates, small b/w headpiece; neat ink ownership gift inscription, dated 1908, to front free endpaper, small (later) ownership nameplate to front paste-down endpaper, toning to free endpapers and prelim blank, rubbing to extremities, slight marking to rear board, a very good, internally fresh copy.

Paris: Librairie Hachette, 1904. Large 8vo., pp. 317, red cloth, with decorative gilt and gilt lettering to spine, marbled endpapers, gilt to edges of text block, b/w illustrations; two ownership address labels to front paste down endpaper, toned to margins throughout, slight markings to inner plain front free endpaper which has some previous ownership inscription removed, rubbed to extremities with light wear to corners and light markings to boards, overall a very good copy.

Paris: L’Edition D’Art, H. Piazza. First, limited edition, no.20 of 525 copies on japon paper, large 8vo., pp.197, uncut, paper wrappers, gilt, colour illustrations, b/w illustrations and decorations, one of only 25 extra-illustrated copies; internally fresh and fine, a very good copy indeed.

Nouvelle Revue Francaise, 1919. First edition, square folio, pp.(liv) unpaginated, recased in black cloth, preserving original covers, which are pasted down to boards, pochoir colour plates throughout, designed by Legrand and hand-coloured by Jean Saudé, colour endpapers, printed on Bellenand Lafuma paper (the ‘Lafuma’ mark visible to front cover); light wear to page edges, with closed tears to margins of paste-down endpapers, and light loss to corners of cover image, light toning to margins, crease to lower corners towards rear of volume, the stencil designs remaining vivid and bright, a near- to very good copy, housed in a black cloth solander case, with facsimile reproduction of front cover pasted down to front panel.

Prague: Artia Graphic Design, 1965. First edition thus, 4to., pp.82, decorative cream cloth blocked in black, ribbon bookmark, 6 b/w plates plus b/w vignettes; light spotting to top edges of cloth, else fine, in mylar wrapper, housed in very good decorative slipcase, which is rubbed to extremities.

London: Duckworth & Co. First edition, 4to., pp.126, cloth-backed pictorial paper-covered boards, 11 wood-engraved plates by Paul Nash, as well as front cover illustration; partial toning and foxing to endpapers and half title, lower corners of boards lightly bumped, with light toning to margins of boards, internally clean, a very good copy, in good(+) unclipped pictorial dust-jacket, which is toned, with light chipping to the extremities, slight loss at head and foot of spine, and with 4cm closed tear to front of jacket (not affecting the plate).

London: Cecil Palmer. First edition, 4to., pp.56, pictorial paper-covered boards, lavishly illustrated, with pictorial title, colour frontispiece and 11 further colour plates, pictorial endpapers, and richly illustrated text; ink ownership gift inscription to reverse of frontispiece, occasional light fingermarking, foxing to fore-edges of text-block and boards, rubbing and light wear to extremities, internally fresh, a very good copy indeed.

London: Eyre and Spottiswoode, 1945. Second printing, 8vo., pp.212, green cloth lettered in white, b/w frontispiece and numerous illustrations within; light bruising to corners, a very good copy, in unclipped pictorial dust-jacket, which has loss to head/foot of spine and corners of front panel, as well as 5cm closed tear and crease from front lower margin.

Dean and Co, 1845. Tall 8vo., pp.8, sewn pictorial wrappers, illustrated with one full-page and 7 half-page hand-coloured wood engravings; light partial water-staining from fore-margins, light surface soil to wrappers, with a little chipping along spine, illustrations bright, a good+ copy of this very scarce pamphlet.

Paris, 1930. Large 8vo., pp.112, printed paper wrappers, 4 colour plates, numerous b/w plates; light toning to page margins, foxing to wrappers, otherwise an unusually fine copy.

London: Jonathan Cape, 1924. First edition, 8vo., pp.69, uncut, quarter green cloth with printed paper label to spine, cream paper-covered boards, woodcut illustrations; partial toning to free endpapers, foxing to edges, slight wrinkle to paper label, else very good indeed, in vg complete dust-jacket, which has two small closed tears to upper edge, and light surface soil to pale paper, with light stain to spine/rear inner margin (now in a protective cover).

London: Kegan Paul, Trench, Trubner and Co. Ltd, 1898. Limited edition of 660 copies, 8vo., pp.xii,324 in full vellum wrappers, gilt, b/w frontispiece, decorative title page, 3 further b/w plates with tissue-guards, illuminated letters and tailpieces, titles printed in red; foxing to plate at p.111, with toning to adjacent text, superficial split to vellum at foot of spine, a near-fine copy of this scarce volume.

Sparham, Norwich: The Mainstone Press, 2010. Tall 8vo., pp.47, paperback, b/w illustrations; a fresh and near-fine copy, in dust-jacket.