Drama

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  • THE HOTEL: A Play. by WOOLF, Leonard.
    WOOLF, Leonard.
    THE HOTEL: A Play.

    London: The Hogarth Press, 1939. First edition, 8vo., pp.104, pink cloth, blue lettering; toned and foxed to edges of text block, light toning to endpapers, otherwise clean and a very good copy, in a good+ unclipped dust-jacket, which is toned to spine and rear, with heavy foxing along fore-edges and lighter splashes of foxing to front and rear.

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  • RACINE, Jean. Translated with introduction and notes by, KNIGHT, R.C.
    FOUR GREEK PLAYS. Andromache, Iphigenia, Phaedra, Athaliah.

    Cambridge University Press. 8vo., pp.xv,223, paperback; light toning to margins, sunning and light creasing to extremities, otherwise very good.

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  • NOT I. by BECKETT, Samuel.
    BECKETT, Samuel.
    NOT I.

    London: Faber and Faber, 1973. First edition, 8vo., pp. 15, paperback; light foxing to rear, internally clean and very good.

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  • WATT. by BECKETT, Samuel.
    BECKETT, Samuel.
    WATT.

    New York: Grove Press Inc, 1959. First US edition, 8vo., pp. 254, paperback; small bookplate to half title page, toning and foxing to edges of text block, rubbed to extremities, lightly sunned to spine with creasing along hinges, light stain mark to front cover, overall very good.

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  • BECKETT, Samuel.
    ENDS AND ODDS. PLAYS AND SKETCHES.

    London: Faber & Faber, 1977. First edition, 8vo.,pp.,104, blue hardcover, gilt; foxing to upper edges of text block, lightly toning to margins, a very good copy, in a very good unclipped pictorial dust-jacket.

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  • THE UNNAMABLE. by BECKETT, Samuel. Translated from the French by the Author.
    BECKETT, Samuel. Translated from the French by the Author.
    THE UNNAMABLE.

    New York: Grove Press Inc, 1958. First English edition, 8vo., pp.179, paperback; small ownership autograph to half title page, toned and lightly foxed to edges of text block with toning to margins, text otherwise clean, rubbed to extremities with light wear to head of spine and light creasing along hinge, otherwise very good.

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  • THREE OCCASIONAL PIECES. by BECKETT, Samuel.
    BECKETT, Samuel.
    THREE OCCASIONAL PIECES.

    London: Faber and Faber, 1982. First edition, 8vo., pp.32, stapled wrappers; light rubbing along spine, otherwise a very good and clean copy.

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  • ALL STRANGE AWAY. by BECKETT, Samuel.
    BECKETT, Samuel.
    ALL STRANGE AWAY.

    London: John Calder, 1979. First edition thus, 8vo., pp. 44, hardcover, gilt; light toning to head and foot of spine, a very good and clean copy, in a very good unclipped dust-jacket, which has some light surface markings and light sunning to spine.

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  • HOW IT IS. by BECKETT, Samuel. Translated from the French by the Author.
    BECKETT, Samuel. Translated from the French by the Author.
    HOW IT IS.

    London: John Calder, 1964. First edition, 8vo., pp.160, grey hardcover, gilt; light toning and foxing to edges of text block and to endpapers, otherwise a very good copy, in a very good unclipped pictorial dust-jacket, light rubbing and soiling to extremities with rubbing along spine, overall very good.

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  • PLAY. by BECKETT, Samuel.
    BECKETT, Samuel.
    PLAY. And Two Short Pieces for Radio (Words and Music and Cascando).

    London: Faber and Faber, 1964. 8vo., pp.48, red cloth, gilt; just slight foxing to endpages, a fresh and near-fine copy, in a very good complete and unclipped pictorial dust-jacket, with three small closed tears to margins of rear panel, and light rubbing to extremities.

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  • WAITING FOR GODOT, by BECKETT, Samuel.
    BECKETT, Samuel.
    WAITING FOR GODOT, A Tragicomedy In Two Acts.

    London: Faber And Faber Ltd. Third impression, 8vo., pp.94, Naples yellow cloth, lettered in red; light foxing and toning to free endpapers, slight foxing to fore-edges, else very good indeed, in complete and unclipped dust-jacket, which has light rubbing and chipping to extremities (without loss), and light foxing to rear upper margin.

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  • ENDGAME. A Play in One Act, followed by ACT WITHOUT WORDS, A Mime for One Player. by BECKETT, Samuel. Translated from the original French by the author.
    BECKETT, Samuel. Translated from the original French by the author.
    ENDGAME. A Play in One Act, followed by ACT WITHOUT WORDS, A Mime for One Player.

    London: Faber and Faber. First edition, 8vo., pp.60, cloth; ex libris Professor David Moody, with small ownership autograph to front free endpaper, foxing to edges, light roll to spine, a very good copy indeed, in a very good dust-jacket, which is rubbed and lightly chipped to extremities, with light foxing to the pale paper.

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  • HIPPOLYTUS TEMPORIZES. by H.D. [DOOLITTLE, Hilda].
    H.D. [DOOLITTLE, Hilda].
    HIPPOLYTUS TEMPORIZES. A Play in Three Acts.

    Redding Ridge: Black Swan Books. First printing of the revised edition, 8vo., pp.156, claret cloth, gilt, b/w frontispiece portrait of the author; very good indeed, in a very good unclipped dust-jacket, with small nick to rear upper edge.

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  • SHAKESPEARE'S OTHER LANGUAGE. by NEVO, Ruth.
    NEVO, Ruth.
    SHAKESPEARE'S OTHER LANGUAGE.

    New York/London: Methuen, 1987. 8vo., pp.(vi),170, red hardcover lettered in red; ownership autograph to front free endpaper, slight toning to edges, still very good, in good complete dust-jacket.

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  • DUNCAN, Bruce.
    LOVERS, PARRICIDES, AND HIGHWAYMEN Aspects of Sturm und Drang Drama.

    Rochester, NY/Woodbridge: Camden House, 1999. 8vo., pp.267, black cloth, gilt, 9 b/w illustrations; ex university library, with inkstamps to front free endpaper and title verso, small barcode sticker to front free endpaper, and security sticker to rear free endpaper, else clean and fine, in vg partially sunned dust-jacket, neither jacket nor book with library markings to their spines. Overall a very good copy.

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  • THE SHAKESPEARE COMPANY 1594-1642. by GURR, Andrew.
    GURR, Andrew.
    THE SHAKESPEARE COMPANY 1594-1642.

    Cambridge: Cambridge University Press, 2004. 8vo.,pp. xvi,339, hardcover, gilt, b/w illustrations; creasing to p.287, otherwise a very good copy,in a very good unclipped dust-jacket, which is lightly rubbed to extremities.

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  • SHAKESPEARE, CO-AUTHOR: A Historical Study of Five Collaborative Plays. by VICKERS, Brian.
    VICKERS, Brian.
    SHAKESPEARE, CO-AUTHOR: A Historical Study of Five Collaborative Plays.

    Oxford: Oxford University Press, 2004. 8vo.,pp. xvii,558, paperback, b/w tables; light rubbing to extremities, light soiling to edges of text block, otherwise a very good copy.

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  • POLITICAL THEOLOGIES IN SHAKESPEARE’S ENGLAND. by KULLER SHUGER, Debora.
    KULLER SHUGER, Debora.
    POLITICAL THEOLOGIES IN SHAKESPEARE’S ENGLAND. The Sacred and the State in Measure for Measure.

    Basingstoke: Palgrave, 2001. 8vo.,pp. ix,194, paperback; a near-fine copy.

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  • BROKEN HARMONY: Shakespeare and the Politics of Music. by ORTIZ, Joseph M.
    ORTIZ, Joseph M.
    BROKEN HARMONY: Shakespeare and the Politics of Music.

    Ithaca: Cornell University Press, 2011. 8vo.,pp. xiv,261, navy cloth, silver lettering, b/w figures; heavily annotated in ink to front paste down and front free endpapers with light annotation to rear free endpaper, some light pencil annotation to margins of text, lower corners of boards slightly knocked and small sticker marking to rear, otherwise very good. No dust-jacket.

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  • SHAKESPEARE AND CLASSICAL COMEDY. by MIOLA, Robert S.
    MIOLA, Robert S.
    SHAKESPEARE AND CLASSICAL COMEDY. The Influence of Plautus and Terence.

    Oxford University Press, 1994. 8vo., pp.xi,234, navy hardcover, gilt; small note to front paste-down endpaper, a very good, clean copy, in a very good unclipped dust-jacket, which is sunned to the spine.

    View basket More details Price: £48.00