Drama

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  • SHAKESPEARE’S PLAY OF THE TEMPEST. by Arranged for representation at The Princess Theatre, with historical and explanatory notes by, KEAN, Charles.
    Arranged for representation at The Princess Theatre, with historical and explanatory notes by, KEAN, Charles.
    SHAKESPEARE’S PLAY OF THE TEMPEST. As first performed on Wednesday, July 1, 1857.

    London: John K. Chapman And Co, 1857. Second edition, 8vo.,pp. ix,69, printed wrappers; light toning and occasional light creasing to margins, toned and rubbed to extremities, with a few dark toning stains to margins, spine rubbed with light wear along hinges and pieces missing to the paper spine at head and foot, all contents firm, a good copy.

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  • THE ELDER STATESMAN: A Play. by ELIOT, T.S.
    ELIOT, T.S.
    THE ELDER STATESMAN: A Play.

    London: Faber and Faber, 1959. First edition, 8vo., pp.108, red cloth, gilt; ownership autograph to front free endpaper, toned and lightly foxed to endpapers, light toning throughout with a little foxing to margins, light sunning to spine, overall very good, in a good+ unclipped dust-jacket, which is rubbed and toned to spine and extremities with foxing to fore-edges.

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  • SCHALKWYK, David.
    SHAKESPEARE, LOVE AND SERVICE.

    Cambridge: Cambridge University Press, 2010. 8vo., pp.x,317, hardcover, silver lettering; a very good copy, in a very good unclipped pictorial dust-jacket.

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  • INADMISSABLE EVIDENCE. by OSBORNE, John.
    OSBORNE, John.
    INADMISSABLE EVIDENCE. A Play.

    London: Faber and Faber, 1965. First edition, 8vo., pp.115, green cloth, gilt; light foxing to edges, a near-fine copy, in a very good unclipped pictorial dust-jacket, just lightly rubbed to edges.

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  • PLATONOV. by CHEKHOV, Anton. Translated by MAGARSHACK, David.
    CHEKHOV, Anton. Translated by MAGARSHACK, David.
    PLATONOV. A Play in Four Acts and Five Scenes.

    1964. First edition, 8vo., pp.195, brown cloth, gilt; edges foxed, else near-fine, in an unclipped dust-jacket, whch has 1.5cm closed tear to upper fold of spine, sunning to spine, and foxing to the fore-margins, still very good.

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  • RACINE, Jean. Translated with introduction and notes by, KNIGHT, R.C.
    FOUR GREEK PLAYS. Andromache, Iphigenia, Phaedra, Athaliah.

    Cambridge University Press. 8vo., pp.xv,223, paperback; light toning to margins, sunning and light creasing to extremities, otherwise very good.

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  • NOT I. by BECKETT, Samuel.
    BECKETT, Samuel.
    NOT I.

    London: Faber and Faber, 1973. First edition, 8vo., pp. 15, paperback; light foxing to rear, internally clean and very good.

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  • WATT. by BECKETT, Samuel.
    BECKETT, Samuel.
    WATT.

    New York: Grove Press Inc, 1959. First US edition, 8vo., pp. 254, paperback; small bookplate to half title page, toning and foxing to edges of text block, rubbed to extremities, lightly sunned to spine with creasing along hinges, light stain mark to front cover, overall very good.

    View basket More details Price: £48.00
  • BECKETT, Samuel.
    ENDS AND ODDS. PLAYS AND SKETCHES.

    London: Faber & Faber, 1977. First edition, 8vo.,pp.,104, blue hardcover, gilt; foxing to upper edges of text block, lightly toning to margins, a very good copy, in a very good unclipped pictorial dust-jacket.

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  • THE UNNAMABLE. by BECKETT, Samuel. Translated from the French by the Author.
    BECKETT, Samuel. Translated from the French by the Author.
    THE UNNAMABLE.

    New York: Grove Press Inc, 1958. First English edition, 8vo., pp.179, paperback; small ownership autograph to half title page, toned and lightly foxed to edges of text block with toning to margins, text otherwise clean, rubbed to extremities with light wear to head of spine and light creasing along hinge, otherwise very good.

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  • THREE OCCASIONAL PIECES. by BECKETT, Samuel.
    BECKETT, Samuel.
    THREE OCCASIONAL PIECES.

    London: Faber and Faber, 1982. First edition, 8vo., pp.32, stapled wrappers; light rubbing along spine, otherwise a very good and clean copy.

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  • ALL STRANGE AWAY. by BECKETT, Samuel.
    BECKETT, Samuel.
    ALL STRANGE AWAY.

    London: John Calder, 1979. First edition thus, 8vo., pp. 44, hardcover, gilt; light toning to head and foot of spine, a very good and clean copy, in a very good unclipped dust-jacket, which has some light surface markings and light sunning to spine.

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  • HOW IT IS. by BECKETT, Samuel. Translated from the French by the Author.
    BECKETT, Samuel. Translated from the French by the Author.
    HOW IT IS.

    London: John Calder, 1964. First edition, 8vo., pp.160, grey hardcover, gilt; light toning and foxing to edges of text block and to endpapers, otherwise a very good copy, in a very good unclipped pictorial dust-jacket, light rubbing and soiling to extremities with rubbing along spine, overall very good.

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  • PLAY. by BECKETT, Samuel.
    BECKETT, Samuel.
    PLAY. And Two Short Pieces for Radio (Words and Music and Cascando).

    London: Faber and Faber, 1964. 8vo., pp.48, red cloth, gilt; just slight foxing to endpages, a fresh and near-fine copy, in a very good complete and unclipped pictorial dust-jacket, with three small closed tears to margins of rear panel, and light rubbing to extremities.

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  • WAITING FOR GODOT, by BECKETT, Samuel.
    BECKETT, Samuel.
    WAITING FOR GODOT, A Tragicomedy In Two Acts.

    London: Faber And Faber Ltd. Third impression, 8vo., pp.94, Naples yellow cloth, lettered in red; light foxing and toning to free endpapers, slight foxing to fore-edges, else very good indeed, in complete and unclipped dust-jacket, which has light rubbing and chipping to extremities (without loss), and light foxing to rear upper margin.

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  • HIPPOLYTUS TEMPORIZES. by H.D. [DOOLITTLE, Hilda].
    H.D. [DOOLITTLE, Hilda].
    HIPPOLYTUS TEMPORIZES. A Play in Three Acts.

    Redding Ridge: Black Swan Books. First printing of the revised edition, 8vo., pp.156, claret cloth, gilt, b/w frontispiece portrait of the author; very good indeed, in a very good unclipped dust-jacket, with small nick to rear upper edge.

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  • DUNCAN, Bruce.
    LOVERS, PARRICIDES, AND HIGHWAYMEN Aspects of Sturm und Drang Drama.

    Rochester, NY/Woodbridge: Camden House, 1999. 8vo., pp.267, black cloth, gilt, 9 b/w illustrations; ex university library, with inkstamps to front free endpaper and title verso, small barcode sticker to front free endpaper, and security sticker to rear free endpaper, else clean and fine, in vg partially sunned dust-jacket, neither jacket nor book with library markings to their spines. Overall a very good copy.

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  • SHAKESPEARE, CO-AUTHOR: A Historical Study of Five Collaborative Plays. by VICKERS, Brian.
    VICKERS, Brian.
    SHAKESPEARE, CO-AUTHOR: A Historical Study of Five Collaborative Plays.

    Oxford: Oxford University Press, 2004. 8vo.,pp. xvii,558, paperback, b/w tables; light rubbing to extremities, light soiling to edges of text block, otherwise a very good copy.

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  • POLITICAL THEOLOGIES IN SHAKESPEARE’S ENGLAND. by KULLER SHUGER, Debora.
    KULLER SHUGER, Debora.
    POLITICAL THEOLOGIES IN SHAKESPEARE’S ENGLAND. The Sacred and the State in Measure for Measure.

    Basingstoke: Palgrave, 2001. 8vo.,pp. ix,194, paperback; a near-fine copy.

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  • BROKEN HARMONY: Shakespeare and the Politics of Music. by ORTIZ, Joseph M.
    ORTIZ, Joseph M.
    BROKEN HARMONY: Shakespeare and the Politics of Music.

    Ithaca: Cornell University Press, 2011. 8vo.,pp. xiv,261, navy cloth, silver lettering, b/w figures; heavily annotated in ink to front paste down and front free endpapers with light annotation to rear free endpaper, some light pencil annotation to margins of text, lower corners of boards slightly knocked and small sticker marking to rear, otherwise very good. No dust-jacket.

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