London: Petersburg Press, in association with the Kasmin Gallery, 1970. First edition, 16mo., unpaginated, full navy blue leatherette binding, 39 illustrations after original copper-engraved etchings by David Hockney; slight tone to margins, a near-fine copy.

London: W. Swan Sonnenschein and Co, 1882. First edition, 8vo., pp.202, pictorial teal blue cloth, gilt, a.e.g.; decorated endpapers, b/w frontispiece with tissue guard, b/w plates; contemporary ink ownership inscription to upper margin of title page, front free endpaper disbound and neatly re-affixed, spine rolled, corners lightly worn, with rubbing at head and tailband, some light thumbing and foxing within, a good+ copy of this scarce volume, which includes the plays Alice thro’ the Lokking-Glass, Dame Holle, Princess and White Wolf, and King Thrushbill.

London: Ward, Lock & Co, 1923. 4to.,pp.263, pictorial hardcover, red cloth, black lettering, monochrome illustrations, colour plates, pictorial endpapers; toning and foxing to edges of text blocks, rubbing to extremities, a very good copy, in a very good unclipped pictorial dust-jacket, which is rubbed to extremities, with some repair and strengthening tape to wrapper verso and to head and foot of spine.

London: Cecil Palmer. Deluxe edition, no. 75 of 250 copies, signed by author and artist, 4to., pp.46, pictorial hardcover, decorative gilt, uncut, 10 colour plates; toning to endpapers, occasional foxing throughout, more pronounced foxing to edges of text block, light rubbing and toning to extremities of paper covered boards, overall still a very good copy of this scarce volume, in a fair unclipped dust-jacket, lightly worm with creasing and closed tears to extremities, light toning and a few marks.

London: The Bodley Head, 1986. First UK edition, 8vo.,pp. 185, green cloth, gilt, colour illustrations, pictorial endpapers and title page; a very good copy, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities with light wear to upper corner of front hinge and to front lower edge.

London: John Lehmann, 1947. First edition in a second state binding, tall 8vo., pp.86, unlettered grey hardcover, colour plates and b/w illustrations, pictorial endpapers; light toning to half title, light toning at head and foot of spine, very slight bruising at extremities, a very good+ copy, in a price-clipped pictorial dust-jacket, which has chipping to corners and loss at head and foot of spine, otherwise complete and very good.

London: Unwin Hyman, 1987. Fiftieth anniversary edition, first printing, 8vo.,pp. xvi,256, hardcover, gilt, b/w illustrations, maps to endpapers; ownership inscription to front free endpaper, light toning and foxing to edges of text block, small stain to margin of p.254, a very good copy, in a very good unclipped pictorial dust-jacket, which is rubbed to extremities, with light wear to rear corner of head of spine and to upper corners.

New York: Crown Publishers, 1971. Folio, pictorial wrappers, full-colour plates; some marking to fore-margins throughout, most notably to folding plate at rear of volume, small creases have developed in the laminate coating of the wrappers, otherwise a very good copy.

London: Hodder and Stoughton. First edition with the Dulac illustrations, 4to.,pp. unpaginated, green cloth with gilt decoration and lettering to spine and front board, colour plates with individual tissue guards, some monochrome illustrations within text, colour frontispiece, decorative endpapers; very light toning to margins, light creasing to some of the tissue guards, light rubbing to extremities of boards, very light toning to spine making to gilt on the spine slightly dulled, otherwise a very good bright copy. No dust-jacket.

London: George Routledge and Sons, 1875. 8vo., pp. xii,207,31 (adverts), pictorial brown cloth, gilt lettering, decorated spine, b/w plates, b/w frontispiece; adverts dated 1875, blind stamp to front free endpaper, cracking to inner hinge with webbing visible but all contents firm, ink stain to lower margin of plate facing p.113, toning and soiling to margins, foxing to plate facing p.80, rubbing to extremities, toned to spine, overall very good. No dust-jacket.

London: Catalpa Press. Limited edition, no.495 of 1000 copies, folio, paper wrappers with mounted plate, unpaginated, 13 plates + pictorial title, half-title, frontispiece; contents fine, wrappers show light discolouration to margins, with 3cm closed tear to fore-edge of rear wrapper and light chipping to edges, else very good.

1930. Signed, limited edition, no. 361 of 450 copies, brown cloth with inlaid plate, gilt, tipped-in b/w plates thoughout; rubbing to extremities, a very good copy, in an unclipped pictorial dust-jacket, which is chipped and worn to edges, with 3cms loss at head of spine, and creasing to front panel.

Sheffield: Stephenson, Blake & Co, The Letter Foundry, 1924. 4to.,pp. xiv,702, green cloth, gilt, b/w and colour figures, b/w lettertype, b/w frontispiece, decorative endpapers; light toning to margins and edges of text block, rubbed to extremities, light wear to corners, small area of ink marking to spine, otherwise a very good copy. No dust-jacket.

London: Ernest Benn Limited, 1965. Second impression (first published in 1953), English text, 4to., pp.(26), cloth-backed pictorial boards with decorative aperture to front board, cut-out details throughout, full colour illustrations; contents (a single quire) loose within boards, crease to lower inner corners throughout, a little rubbing to extremities, and just slight surface soil to covers, a very good copy.

Farnham: Lund Humphries, 2013. 4to.,pp. 216, pictorial hardcover, white lettering, b/w and colour illustrations, colour frontispiece, decorative endpapers; a very good, clean copy. No dust-jacket.

Lincoln: Usher Gallery, 1987. 8vo.,pp. 48, pictorial wrappers, b/w illustrations, pictorial title page; lightly rubbed and soiled to margins of wrappers, otherwise a very good copy.

Oxford: The Shakespeare Head Press, 1943. First edition, scarce, 8vo.,pp. 39, pictorial boards, colour illustrations, pictorial title page and endpapers; toning to margins, slightly scuffed to rear endpapers at lower margin, sellotape to spine where paper covered spine has chipped and worn, loss to head and foot of spine and lettering faded, rubbed to extremities, with light scuff marks to corners.

Cleveland and New York: World Publishing Company, 1946. First edition, tall 8vo., pp.52, pictorial paper-covered boards, colour illustrations; a very good copy, in lightly worn pictorial dust-jacket, which has closed tears and light loss to extremities.

London: The Folio Society, 2004. Limited edition, no. 431 of 1010 copies, two volumes, 8vo., Facsimile volume: pp.119r,119v, bound in publisher’s cream morocco binding with three raised bands and inlaid red morocco panel to front board, stamped in blue, black, and gilt, a.e.g., ribbon bookmark, gilt detailing within, accompanying Commentary volume: pp. xxii,119r,119v, green cloth, gilt. A fine set, in near-fine green cloth solander case, with inlaid red leather title panel to spine.

Nouvelle Revue Francaise, 1919. First edition, square folio, pp.(liv) unpaginated, recased in black cloth, preserving original covers, which are pasted down to boards, pochoir colour plates throughout, designed by Legrand and hand-coloured by Jean Saudé, colour endpapers, printed on Bellenand Lafuma paper (the ‘Lafuma’ mark visible to front cover); light wear to page edges, with closed tears to margins of paste-down endpapers, and light loss to corners of cover image, light toning to margins, crease to lower corners towards rear of volume, the stencil designs remaining vivid and bright, a near- to very good copy, housed in a black cloth solander case, with facsimile reproduction of front cover pasted down to front panel.