London: The Folio Society, 2013. First Folio Society edition, 8vo.,pp.xiv,221, pictorial purple cloth blocked in silver and white, 7 colour plates; a fine copy, in a matching silver slip-case, which has a couple of light scratches to rear edge.

1920. Folio, seventeen plates on Japanese vellum, loose in half cream buckram folder with dark grey boards, gilt-stamped to front board, with silk ribbon ties; ties are partially perished, paper flaps holding the prints wearing through at folds, slight tone to margins of plates, all plates in excellent condition, the folder partially toned and lightly marked, otherwise very good.

London: Unwin Hyman, 1987. Fiftieth anniversary edition, first printing, 8vo.,pp. xvi,256, hardcover, gilt, b/w illustrations, maps to endpapers; ownership inscription to front free endpaper, light toning and foxing to edges of text block, small stain to margin of p.254, a very good copy, in a very good unclipped pictorial dust-jacket, which is rubbed to extremities, with light wear to rear corner of head of spine and to upper corners.

New York: Crown Publishers, 1971. Folio, pictorial wrappers, full-colour plates; some marking to fore-margins throughout, most notably to folding plate at rear of volume, small creases have developed in the laminate coating of the wrappers, otherwise a very good copy.

London: Hodder and Stoughton. First edition with the Dulac illustrations, 4to.,pp. unpaginated, green cloth with gilt decoration and lettering to spine and front board, colour plates with individual tissue guards, some monochrome illustrations within text, colour frontispiece, decorative endpapers; very light toning to margins, light creasing to some of the tissue guards, light rubbing to extremities of boards, very light toning to spine making to gilt on the spine slightly dulled, otherwise a very good bright copy. No dust-jacket.

London: George Routledge and Sons, 1875. 8vo., pp. xii,207,31 (adverts), pictorial brown cloth, gilt lettering, decorated spine, b/w plates, b/w frontispiece; adverts dated 1875, blind stamp to front free endpaper, cracking to inner hinge with webbing visible but all contents firm, ink stain to lower margin of plate facing p.113, toning and soiling to margins, foxing to plate facing p.80, rubbing to extremities, toned to spine, overall very good. No dust-jacket.

London: Catalpa Press. Limited edition, no.495 of 1000 copies, folio, paper wrappers with mounted plate, unpaginated, 13 plates + pictorial title, half-title, frontispiece; contents fine, wrappers show light discolouration to margins, with 3cm closed tear to fore-edge of rear wrapper and light chipping to edges, else very good.

1930. Signed, limited edition, no. 361 of 450 copies, brown cloth with inlaid plate, gilt, tipped-in b/w plates thoughout; rubbing to extremities, a very good copy, in an unclipped pictorial dust-jacket, which is chipped and worn to edges, with 3cms loss at head of spine, and creasing to front panel.

New York: George H. Doran Company, 1927. First edition, 8vo., pp.xii,287, green cloth, gilt, colour frontispiece, 11 further colour plates; cut edges, slight toning throughout, hinge very slightly visible, very slight roll to spine, light shelf-wear to extremities, a very good copy, now in a protective cover. No dust-jacket.

Sheffield: Stephenson, Blake & Co, The Letter Foundry, 1924. 4to.,pp. xiv,702, green cloth, gilt, b/w and colour figures, b/w lettertype, b/w frontispiece, decorative endpapers; light toning to margins and edges of text block, rubbed to extremities, light wear to corners, small area of ink marking to spine, otherwise a very good copy. No dust-jacket.

London: Ernest Benn Limited, 1965. Second impression (first published in 1953), English text, 4to., pp.(26), cloth-backed pictorial boards with decorative aperture to front board, cut-out details throughout, full colour illustrations; contents (a single quire) loose within boards, crease to lower inner corners throughout, a little rubbing to extremities, and just slight surface soil to covers, a very good copy.

London: Chapman And Hall, 1867. First edition, 4to.,pp. xx,266, cream pictorial cloth, gilt, gilt to edges of text block, b/w illustrations and b/w frontispiece; light toning to margins, foxing to half title and front and rear free endpaper verso, light surface water marking and foxing to boards, still a very good, attractive copy. No dust-jacket.

Farnham: Lund Humphries, 2013. 4to.,pp. 216, pictorial hardcover, white lettering, b/w and colour illustrations, colour frontispiece, decorative endpapers; a very good, clean copy. No dust-jacket.

Lincoln: Usher Gallery, 1987. 8vo.,pp. 48, pictorial wrappers, b/w illustrations, pictorial title page; lightly rubbed and soiled to margins of wrappers, otherwise a very good copy.

Oxford: The Shakespeare Head Press, 1943. First edition, scarce, 8vo.,pp. 39, pictorial boards, colour illustrations, pictorial title page and endpapers; toning to margins, slightly scuffed to rear endpapers at lower margin, sellotape to spine where paper covered spine has chipped and worn, loss to head and foot of spine and lettering faded, rubbed to extremities, with light scuff marks to corners.

Cleveland and New York: World Publishing Company, 1946. First edition, tall 8vo., pp.52, pictorial paper-covered boards, colour illustrations; a very good copy, in lightly worn pictorial dust-jacket, which has closed tears and light loss to extremities.

London: The Folio Society, 2004. Limited edition, no. 431 of 1010 copies, two volumes, 8vo., Facsimile volume: pp.119r,119v, bound in publisher’s cream morocco binding with three raised bands and inlaid red morocco panel to front board, stamped in blue, black, and gilt, a.e.g., ribbon bookmark, gilt detailing within, accompanying Commentary volume: pp. xxii,119r,119v, green cloth, gilt. A fine set, in near-fine green cloth solander case, with inlaid red leather title panel to spine.

Nouvelle Revue Francaise, 1919. First edition, square folio, pp.(liv) unpaginated, recased in black cloth, preserving original covers, which are pasted down to boards, pochoir colour plates throughout, designed by Legrand and hand-coloured by Jean Saudé, colour endpapers, printed on Bellenand Lafuma paper (the ‘Lafuma’ mark visible to front cover); light wear to page edges, with closed tears to margins of paste-down endpapers, and light loss to corners of cover image, light toning to margins, crease to lower corners towards rear of volume, the stencil designs remaining vivid and bright, a near- to very good copy, housed in a black cloth solander case, with facsimile reproduction of front cover pasted down to front panel.

London: Duckworth & Co, 1924. First edition, 4to., pp.(21), pictorial paper-covered boards, 10 colour plates, pictorial endpapers; wear with light loss to headband, light wear to tailband, rubbing to extremities, with toning and surface soil to pale boards, clean within, a very good copy.

London: J.M. Dent & Co. First edition, with translator’s ink presentation inscription to head of front free endpaper, tall 8vo., pp.xvii,379, uncut, pictorial pale blue cloth lettered in black, with gilt accents to front board, t.e.g., frontispiece and pictorial title, title in red and black, 22 further b/w plates with decorative borders in red, as well as numerous decorative head and tailpieces; foxing to endpapers and adjacent leaves, light toning to margins, clean within, rubbing to extremities, with some light general surface soil to the pale cloth, spine a little dulled, a near-very good copy of this scarce volume.