London: Constable & Company, 1915. First edition, with colour plates by W. Heath Robinson, Large 8vo.,pp. x,319, pictorial green cloth, with gilt lettering, colour plates, b/w illustrations, colour frontispiece; webbing visible to inner hinge, all content firm, toning and foxing to edges of text block and to margins, rubbing to extremities, with very minor wear to head and foot of spine and corners, gilt to spine slightly dulled, a very good copy. No dust-jacket.

London: J.M. Dent & Sons Ltd, 1958. 8vo., pp.115, green hardcover, gilt, 6 colour plates; light evidence of removed bookplate to front free endpaper, handwritten number to upper margin and sellotape stain to lower margin of front paste-down endpaper, ‘2K’ written to upper margin of front free endpaper, foxing to prelims and edges, stitching visible between front free endpaper and half title, a little light marking to margins, else very good, in price-clipped dust-jacket, which has light surface soil, else very good.

London: The Dropmore Press, 1947. Limited edition, no.390 of 550 copies, 4to., pp.59, blue cloth, lettered in gilt and with pictorial emblem in gilt to front board, decorative gilt inner dentelles, handmade paper, with wood engravings by John O’Connor, including dedication page, pictorial title, 6 full-page plates, plus illuminated letter and decorative tailpiece; foxing to edges, else very good indeed, in vg unclipped dust-jacket, which has foxing to pale paper.

London: John Lane, The Bodley Head Limited, 1923. Square 8vo., pictorial blue cloth, 6 colour plates and 35 b/w illustrations; vertical crease to inner margin of colour plate opposite p.60, with repair to the margin, repaired closed tear to upper margin of b/w plate at p.112, two ink ownership inscriptions to front free endpaper, foxing to prelims and fore-edges, rubbing to extremities, with slight wear to cloth along lower edges, a good+ copy of a scarce title.

London: John Lane at The Bodley Head, 1923. First edition, Scarce, re-cased, 8vo., pp. x,177, pictorial blue cloth, black lettering, colour plates, b/w illustrations, colour frontispiece; ownership autograph and small inscription to front free endpaper, toning and foxing to title page, edges of text block, endpapers and occasionally quite significantly foxed to margins with occasional lighter foxing present throughout, plate to p.60 has a crease and neat repair to the margin, plate to p.112 with small marginal repair, very slight cracking to upper inner section of inner hinge, rubbing to extremities with light wear to corners and along lower edges of boards, light toning to spine, otherwise a very good copy. No dust-jacket.

Upper Denby: Simon Lawrence, The Fleece Press, 2014. One of a limited edition of 250 copies, square octavo, a concertina of 25 colour plates after original watercolours by Emily Sutton, showcasing favourite transferware designs from the artist’s private collection, cased in pictorial boards, and housed in a matching green cloth slipcase by Smith Settle, with inlaid pictorial title plate; a fine copy of this collectable work by York-based artist Emily Sutton. Signed to colophon.

London: Cassell and Company, Limited, 1897. First edition, 8vo., pp.190,(xviii)publisher’s adverts, pictorial blue cloth, gilt, with blindstamped decoration to rear board, t.e.g., colour frontispiece with tissue guard, 3 further colour plates and 19 b/w plates, decorative endpapers; light blindstamp to front free endpaper, finger mark to title verso, light foxing to fore-edges, slight rubbing to extremities, a near-fine copy. The first book to include colour plates by Rackham.

London: William Heinemann, 1906. Signed, limited edition, no. 48 of 100 copies, 4to., pp.viii,305, uncut, full vellum, gilt, t.e.g., tipped-in colour frontispiece and plates with caption sheets; loss to corner of mounted plate at p.163, paper-cracking to front inner hinge, with webbing visible (board firm), surface soil and light wear to edges of endpapers, a very good copy.

London: Ward, Lock & Co, 1923. 4to.,pp.263, pictorial hardcover, red cloth, black lettering, monochrome illustrations, colour plates, pictorial endpapers; toning and foxing to edges of text blocks, rubbing to extremities, a very good copy, in a very good unclipped pictorial dust-jacket, which is rubbed to extremities, with some repair and strengthening tape to wrapper verso and to head and foot of spine.

Wien: Burgverlag/Richter & Zollner, 1922. 4to., unpaginated, cloth-backed patterned pictorial boards, 14 lithographic colour plates, each preceded by a text-leaf, pictorial endpapers; gutter slightly visible between leaves, occasional slight creasing to upper corners, light wear to extremities, including small tears to cloth at head and foot of spine, and wear to paper along edges, a very good copy of this scarce Christmas volume, which is illustrated with artwork by the Youth Art Class at the Austrian School of Arts and Crafts at the Ostreiche Museum in Vienna.

London: Methuen and Co, 1926. First edition, deluxe issue, 8vo., pp.xi,158, full pictorial blue calf, a.e.g., pictorial endpapers, b/w illustrations; light toning and foxing to prelims/closing leaves, just occasional slight foxing to margins within, fingermarking to p.3, else internally fresh, spine sunned, with light sunning to very inner margins of boards, light rubbing to extremities, with slight wear to tail of spine, overall a very good copy indeed.

1930. Signed, limited edition, no. 361 of 450 copies, brown cloth with inlaid plate, gilt, tipped-in b/w plates thoughout; rubbing to extremities, a very good copy, in an unclipped pictorial dust-jacket, which is chipped and worn to edges, with 3cms loss at head of spine, and creasing to front panel.