London: Arthur Barker. 8vo.,pp. 77, purple cloth, white title label to front board and spine, purple lettering, b/w illustrations; foxing to margins throughout, ownership bookplate to front paste down endpaper, lightly rubbed to boards, otherwise very good, in a good unclipped pictorial dust-jacket, which is rubbed and toned with slight loss to head and foot of spine and corners, with light chipping along edges.

London/Paris/New York: Cassell, Petter, Galpin & Co, 1932. Fifth edition, 12mo., pp.225,4(adverts), pictorial green bevelled cloth, gilt, a.e.g., colour frontispiece and 6 further colour plates, wood-engraved illustrations throughout; owner’s ink inscription, dated 1932, to front free endpaper verso, occasional spotting or marking to fore-margins, contents very slightly shaken but still very good and tight, light rubbing to extremities, with a few (just lightly visible) water-marks to cloth, including ring-mark to front board, overall a very good, fairly bright copy.

London: David Nutt, at the sign of the Phoenix, 1903. First edition, 8vo., pp.216,12 (publisher’s illustrated advertisements), uncut, pictorial ochre cloth blocked in black and red, b/w frontispiece, b/w pictorial title, lettered in red, with tissue guard between, five further b/w plates; contemporary ink gift inscription to half title, light toning to endpapers, p.25 and adjacent plate slightly cropped at lower corner, stain to lower corner of p.3, foxing to fore-edges, foxing and soiling/light marking to cloth, with rubbing to extremities, light roll to spine, a good+ copy of a scarce title.

London: William Darton, Jun, 1815. 12mo., pp.191,(xvii)adverts, quarter red roan, gilt, plain paper-covered boards, engraved frontispiece; neat ink ownership inscription to front paste-down endpaper (dated 1830), rubbing to extremities, with wear to paper covering of boards along edges and at corners, a very good copy. [OSBORNE p.267 for this edition].

London: Thomas Nelson And Sons. 8vo.,pp. 95, pictorial hardcover, b/w illustrations, colour frontispiece; ownership bookplate to front free endpaper, light toning to margins, with occasional light foxing to margins and edges of text block, lightly rubbed to extremities, with foxing to margins of boards, otherwise very good. No dust-jacket.

Peking: The Foreign Language Press. Oblong 12mo., pp.(ii),60, paperback (pictorial wrappers), colour illustrations throughout; small closed tear to head of spine of wrappers, else very good.

London: Macmillan And Co, 1929. Limited edition of 1500 copies, signed by the artist, 8vo.,pp. x,484,patterned paper covered boards, cream vellum spine with gilt lettering, b/w illustrations, b/w frontispiece, from woodcuts by Claire Leighton; Claire Leighton’s signature to publication page, with two ownership autographs to front free endpaper, endpapers lightly toned and soiled, light toning to edges of text block, spine lightly discoloured and runckled, small chip to head of spine, light rubbing to extremities of boards and light wear to corners, a very good copy. No dust-jacket.

Cambridge University Press, 1939. First edition, large 8vo., pp.vii,72, black cloth backstrip, lettered in blue, with pictorial blue paper-covered boards, pictorial title, b/w map, numerous b/w illustrations, including 4 photographic illustrations; light foxing to top edges, light rubbing to extremities, a very good copy indeed, in price-clipped dust-jacket, which has 3cm closed tear to front upper LH corner, and small area of loss at headband, small area of loss to rear upper RH corner, a little rubbing and small closed tears to edges, overall very good, and now in a protective cover.

London: Weidenfeld and Nicolson, 1970. First edition, oblong 4to., pp.50, red hardcover, gilt, b/w illustrations throughout; light foxing to endpapers, else very good, in good price-clipped pictorial dust-jacket, which has multiple tears to edges (rear of jacket has 3 fairly extensive closed tears), some with light loss, and whole jacket is now mounted onto a paper backing.

Boston: James Loring, 1823. 12mo., pp.106, black calf-backed marbled boards, gilt, engraved frontispiece; toning and foxing to margins, wear to extremities of paper covering of boards, rbbing to boards, a very good copy.

London: John Lehmann, 1947. First edition in a second state binding, tall 8vo., pp.86, unlettered grey hardcover, colour plates and b/w illustrations, pictorial endpapers; light toning to half title, light toning at head and foot of spine, very slight bruising at extremities, a very good+ copy, in a price-clipped pictorial dust-jacket, which has chipping to corners and loss at head and foot of spine, otherwise complete and very good.

London: Hamish Hamilton, 1978. First edition, 4to., pp.(32)unpaginated, colour-illustrated throughout, glazed pictorial boards; a near fine copy.

London/Edinburgh: T.N. Foulis, 1916. First edition, small 8vo., pp.(ii),152,(iv) adverts, bound in decoratively blindstamped reverse calf wrappers, gilt, t.e.g., untrimmed paper, 6 tipped-in colour illustrations by Jessie M. King (frontispiece, decorative title, one double-page plate and 3 single-page plates, all with tissue-guards); neat ink ownership gift inscription, dated 1916, to foot of front free endpaper, toning to half title and final page of adverts, toning at inner hinges, spine lightly sunned, a very good copy indeed.

London: Lawrence and Bullen, 1895. First edition, 8vo., pp.62, uncut, pictorial green cloth stamped in navy, and lettered in navy to spine, both boards fully decorated, pictorial headpiece to half title, pictorial title lettered in red, full pictorial and decorative Arts and Crafts style borders to text throughout, as well as 8 black and white plates, pictorial vignette to p.62; toning to free endpapers, light rubbing to extremities, a fresh and bright copy of this scarce volume, a very good copy indeed.

London: A & C Black Ltd, 1934. First edition thus, 8vo., pp.140, yellow cloth, black lettering, eleven b/w wood engravings by John Farleigh; neat ownership nameplate to front paste-down endpaper, foxing to top edges, some foxing within, largely to early leaves, slight toning to endpapers, a very good copy, in a very good price-clipped pictorial dust-jacket, rubbed with very slight chipping to extremities, and now in protective covering.

London: Duckworth & Co, 1924. First edition, 4to., pp.(21), pictorial paper-covered boards, 10 colour plates, pictorial endpapers; wear with light loss to headband, light wear to tailband, rubbing to extremities, with toning and surface soil to pale boards, clean within, a very good copy.

Dundee, Valentine & Sons, Ltd. 12mo., unpaginated, pale brown paper-covered boards with inlaid colour plate, colour frontispiece and 13 further colour plates, pictorial title and colophon, pictorial endpapers, monochromatic illustrations accompany the text throughout; very slight wear at head and tail of spine, light rubbing to extremities, slight toning to endpapers, occasional light thumb marks to margins, overall a very good copy indeed of this scarce and fragile volume.

London: Frederick Warne & Co. First edition thus, first impression with the small advert to front free endpaper verso, 12mo., pp.76, red paper-covered boards with pictorial colour plate laid down, lettering in white, pictorial endpapers (in colour), colour frontispiece, 17 further colour plates, b/w in-text illustrations; sunning to spine and slightly to fore-margins and front upper margin, otherwise very good indeed/near-fine.

Paris: Alcools. Limited edition of 145 copies, 4to.,pp. 153, leaves unbound and uncut, resting in green card boards with green cloth covered spine, in a plain green card slip-case, monochrome plates throughout and to frontispiece, pictorial half title page; very lightly toned and foxed to edges, extremities of boards lightly rubbed, otherwsie near-fine, in a very good rubbed slip-case.