London: T.C. & E.C, Jack, 1904. First edition, 8vo.,pp. xv,211, pictorial hardcover, gilt lettering and gilt to upper edge, colour plates and frontispiece, pictorial endpapers, toned and foxed to edges of text block and margins, with heavier foxing to half title page and endpapers, rubbed and lightly toned to extremities, otherwise a very good copy. No dust-jacket.

London: The Medici Society Ltd, 1970. Signed, limited edition, no.508 of 1050 copies, numbered and signed by Francis Russell Flint to colophon, folio, pp.264, quarter red morocco with 5 raised bands, gilt, pictorial grey cloth boards, t.e.g., marbled endpapers, colour and b/w plates, pictorial title and vignettes; rubbing to corners of boards, a few small, mostly slight scuffs to spine, a fresh and overall near-fine copy.

Edinburgh/London: T.N. Foulis, 1908. Slim 8vo., pp.39, grey cloth, gilt, with inlaid colour plate to front board, tipped-in colour plates by Jessie M. King, mounted on grey paper - frontispiece, pictorial title, Contents page, and three further colour plates, small b/w headpiece; neat ink ownership gift inscription, dated 1908, to front free endpaper, small (later) ownership nameplate to front paste-down endpaper, toning to free endpapers and prelim blank, rubbing to extremities, slight marking to rear board, a very good, internally fresh copy.

London/New York: Frederick Warne & Co. Ltd, 1950. Square 8vo., pictorial paper-covered boards, unpaginated, comprises 15 colour plates with adjacent b/w illustration to colour, plus centrefold with 2 b/w images to colour, colour pictorial title with adjacent b/w pictorial title; the lettering to the b/w title page has been partially coloured, otherwise the images are clean, rubbing to extremities, slight bumping to upper edge of front board, foxing to pale covers, a good++ copy of this scarce volume.

London: The Trianon Press, for The William Blake Trust. Limited facsimile edition, no.72 of 558, folio., pp.25(plates),(8)trial proofs,(9)commentary & bibliographical history, quarter morocco, gilt, hand-marbled paper-covered boards, in matching marbled paper covered handmade slipcase, printed on Arches pure rag paper, each leaf watermarked with Blake’s monogram, 25 full colour plates (each printed on separate leaf with verso blank), reproduced by collotype and hand stencil; spine slightly darkened & with very minor marking, an internally fine copy, in a very good slipcase.

12mo.,pp.14, pamphlet, with b/w figures and loose leaf explaining the ‘Amazing Dancing Doll Illusion’, plus a cut out figure blocked in red, blue and yellow with moveable legs; light indentation marks to cover of pamphlet, otherwise near-fine, in a brown paper envelope with title lettered in red to front, very good.

Paris: A la Librairie d’Education de Pierre Blanchard, 1820. 12mo., pp.180, full tree calf with black title label to spine, gilt, with gilt border to boards and gilt decorations to compartments, marbled endpapers and edges, engraved vignette to title, 4 engraved plates each with 2 illustrations; small ink ownership autograph to upper margin of front free endpaper verso, foxing to edges/very margins, spine is bright, a very good+ copy of this scarce title.

Paris: Librairie Hachette, 1904. Large 8vo., pp. 317, red cloth, with decorative gilt and gilt lettering to spine, marbled endpapers, gilt to edges of text block, b/w illustrations; two ownership address labels to front paste down endpaper, toned to margins throughout, slight markings to inner plain front free endpaper which has some previous ownership inscription removed, rubbed to extremities with light wear to corners and light markings to boards, overall a very good copy.

Paris: L’Edition D’Art, H. Piazza. First, limited edition, no.20 of 525 copies on japon paper, large 8vo., pp.197, uncut, paper wrappers, gilt, colour illustrations, b/w illustrations and decorations, one of only 25 extra-illustrated copies; internally fresh and fine, a very good copy indeed.

London: J.M. Dent & Co, 1895. First edition, 12mo., pp.57, pictorial cream cloth stamped in blue, b/w frontispiece, pictorial title, plates and in-text illustrations, pictorial endpapers in green; toning to endpapers, light surface soiling to pale cloth, slight crease to upper corner of front board, a very good copy.

London: Michael Joseph, 1954. First edition, 8vo.,pp. 102, pictorial hardcover, blue lettering, pictorial endpapers; ownership autograph to front free endpaper and to front free endpaper verso, scuffed along top edge of front board, otherwise very good, in a very good price-clipped pictorial dust-jacket, which is lightly sunned to spine and lightly rubbed to corners.

London: Dean and Son Ltd, 1952. Small 4to., pp.92, pictorial boards, colour-illustrated throughout; rear free endpaper price-clipped, light sellotape-marking to free endpapers, light wear to extremities, slight creasing to boards, otherwise a very good copy.

Nouvelle Revue Francaise, 1919. First edition, square folio, pp.(liv) unpaginated, recased in black cloth, preserving original covers, which are pasted down to boards, pochoir colour plates throughout, designed by Legrand and hand-coloured by Jean Saudé, colour endpapers, printed on Bellenand Lafuma paper (the ‘Lafuma’ mark visible to front cover); light wear to page edges, with closed tears to margins of paste-down endpapers, and light loss to corners of cover image, light toning to margins, crease to lower corners towards rear of volume, the stencil designs remaining vivid and bright, a near- to very good copy, housed in a black cloth solander case, with facsimile reproduction of front cover pasted down to front panel.

London: John Murray, 1952. First edition, small 4to., pp.(ii),30, pictorial paper-covered boards, colour pictorial title, colour and b/w illustrations on alternate double-pages throughout; 1.5cm closed tear to upper LH corner of front free endpaper, foxing to endpapers, light surface soil to rear board, rubbing and light wear to extremities, with partial wear to paper covering of spine, and loss to paper (for 4cms) at upper section of upper joint, an attractive and good+ copy.

Prague: Artia Graphic Design, 1965. First edition thus, 4to., pp.82, decorative cream cloth blocked in black, ribbon bookmark, 6 b/w plates plus b/w vignettes; light spotting to top edges of cloth, else fine, in mylar wrapper, housed in very good decorative slipcase, which is rubbed to extremities.

London: Duckworth & Co. First edition, 4to., pp.126, cloth-backed pictorial paper-covered boards, 11 wood-engraved plates by Paul Nash, as well as front cover illustration; partial toning and foxing to endpapers and half title, lower corners of boards lightly bumped, with light toning to margins of boards, internally clean, a very good copy, in good(+) unclipped pictorial dust-jacket, which is toned, with light chipping to the extremities, slight loss at head and foot of spine, and with 4cm closed tear to front of jacket (not affecting the plate).

New York: George Braziller, 1969. First edition, red cloth, gilt, top edges yellow, colour plates, b/w and dichromatic illustrations; light mustiness, else near-fine, in unclipped pictorial dust-jacket, which has 4cm closed tear to foot of front flap-fold, 2cm closed tear to foot of spine, a few further tiny closed nicks to edges, and light sunning to spine, else complete and very good indeed.

London: Faber and Faber, 1980. First edition, oblong squat 4to., pp.(30), glazed pictorial boards, colour frontispiece, colour plates and b/w illustrations throughout; a very good, clean copy.

London: Cecil Palmer. First edition, 4to., pp.56, pictorial paper-covered boards, lavishly illustrated, with pictorial title, colour frontispiece and 11 further colour plates, pictorial endpapers, and richly illustrated text; ink ownership gift inscription to reverse of frontispiece, occasional light fingermarking, foxing to fore-edges of text-block and boards, rubbing and light wear to extremities, internally fresh, a very good copy indeed.

London: Eyre and Spottiswoode, 1945. Second printing, 8vo., pp.212, green cloth lettered in white, b/w frontispiece and numerous illustrations within; light bruising to corners, a very good copy, in unclipped pictorial dust-jacket, which has loss to head/foot of spine and corners of front panel, as well as 5cm closed tear and crease from front lower margin.