London: Max Parrish, 1953. Square 8vo., pp.36, grey cloth lettered in black, colour illustrations throughout; partial sunning to spine, creasing and small chip to rear free endpaper, in worn unclipped dust-jacket, which has large area of loss to rear upper margin, loss also to front upper margin, with large tear, and creasing, rubbing and small closed tears to extremities.

Cambridge: Rampant Lions Press, in association with Faber and Faber Limited, 1996. Limited edition, no. 100 of 200 copies produced for sale, folio, pp.47, bound by The Fine Bindery, Wellingborough, quarter brown buckram with gilt-lettered leather label, decorative paper-covered boards designed and produced by Victoria Hall, Norwich, deckle-edges paper; a fine copy, in near-fine slipcase.

Cambridge: Cambridge University Press, 1935. First edition thus, 8vo.,pp. xi,76, blue cloth, with dark blue lettering to spine, b/w woodcuts, colour woodcut to frontispiece; ownership inscription to front free endpaper, foxing and toning to endpapers and to edges, webbing visible occasionally to inner hinge, a very good copy, in a good unclipped pictorial dust-jacket, which is foxed and rubbed with creasing to spine, wear to corners and to head of spine, with creased tears to rear upper margin.

London: John F. Shaw (1928) and Co. Ltd. 4to., pp.unpaginated, quarter brown cloth, lettered in black, with pictorial paper-covered front board, colour frontispiece, colour plates, b/w illustrations accompany text throughout; prize bookplate to front paste-down endpaper, foxing to early and closing leaves, light wear to paper covering of boards at extremities, a good++ copy.

Tower Press. Oblong 8vo., pictorial covers, staples to rear cover, b/w illustrations, 2 colour plates with glitter decoration; toning to margins, crease to rear cover, rusting to staples (slightly staining rear wrapper), otherwise very good.

London: Frederick Warne & Co., Ltd, 1946. First UK edition, 8vo., pp.48, pictorial paper-covered boards, colour illustrations; light foxing to edges, slight undulation to contents at inner margin, overall a very good copy indeed, in very good+ unclipped dust-jacket, which has small closed tear to rear upper edge, small closed tear to front lower edge, and is now in protective cover.

Paris: Delagrave, 1936. First edition, folio., pp.vi,40, pictorial paper-covered boards, colour plates throughout, pictorial title; foxing to endpapers, toning to edges, toning to margins of boards, light wear to edges, a little light marking to boards, a very good copy.

London: Jonathan Cape, 1928. First edition, 8vo., pp.448, green cloth, gilt, colour frontispiece and a further 7 colour plates, numerous b&w illustrations and ornaments; light toning to endpapers, spine a little darkened, light mottling to boards, light rubbing to extremities, a very good copy, without dust-jacket.

London: Raphael Tuck and Sons, Ltd, 1920. Small 4to., pp.138,(vi) publisher’s pictorial adverts, glazed pictorial boards with blue cloth backstrip, lettering in black, illustrated with colour plates, b/w plates, and numerous in-text illustrations; foxing to fore-edges, a little paper-splitting along front inner hinge, light wear to extremities, including breaks to cloth at the head and the foot of the upper joint, with the joint itself remaining firm, superficial scratches and surface-soil to the boards, overall a very good copy of this scarce title. Jennie Harbour was employed by Raphael Tuck from 1919, producing the illustrations to My Favourite Book of Fairy Tales (1921), and went on to illustrate the Newbery Classics edition of The Yellow Fairy Book (1927), which also contained stories by Hans Andersen.

London: Faber and Faber, 1984. First edition, small 4to., pp.(xxx), glazed pictorial boards, colour frontispiece and pictorial title, full colour illustrations throughout; a near-fine copy.

London: Grafton, imprint of HarperCollins, 1992. First edition, 8vo.,pp. 64, pictorial hardcover, colour illustrations; ownership inscription to front free endpaper, a few small indentations along margins of boards, very slight tobacco odour, a good copy. No dust-jacket.

London: Macmillan & Co., Ltd, 1922. Bayntun/Riviere binding, 8vo., pp.269,(i), bound into navy calf by Bayntun/Riviere, with decorated gilt spine and inner dentelles, five raised bands, red gilt-lettered label to spine, t.e.g., marbled endpapers with binder’s gilt device in leather to front paste-down endpaper, decorative title, b/w plates, illustrations and head- and tailpieces; a fine copy.

London: T.C. & E.C, Jack, 1904. First edition, 8vo.,pp. xv,211, pictorial hardcover, gilt lettering and gilt to upper edge, colour plates and frontispiece, pictorial endpapers, toned and foxed to edges of text block and margins, with heavier foxing to half title page and endpapers, rubbed and lightly toned to extremities, otherwise a very good copy. No dust-jacket.

London: The Medici Society Ltd, 1970. Signed, limited edition, no.508 of 1050 copies, numbered and signed by Francis Russell Flint to colophon, folio, pp.264, quarter red morocco with 5 raised bands, gilt, pictorial grey cloth boards, t.e.g., marbled endpapers, colour and b/w plates, pictorial title and vignettes; rubbing to corners of boards, a few small, mostly slight scuffs to spine, a fresh and overall near-fine copy.

Edinburgh/London: T.N. Foulis, 1908. Slim 8vo., pp.39, grey cloth, gilt, with inlaid colour plate to front board, tipped-in colour plates by Jessie M. King, mounted on grey paper - frontispiece, pictorial title, Contents page, and three further colour plates, small b/w headpiece; neat ink ownership gift inscription, dated 1908, to front free endpaper, small (later) ownership nameplate to front paste-down endpaper, toning to free endpapers and prelim blank, rubbing to extremities, slight marking to rear board, a very good, internally fresh copy.

London/New York: Frederick Warne & Co. Ltd, 1950. Square 8vo., pictorial paper-covered boards, unpaginated, comprises 15 colour plates with adjacent b/w illustration to colour, plus centrefold with 2 b/w images to colour, colour pictorial title with adjacent b/w pictorial title; the lettering to the b/w title page has been partially coloured, otherwise the images are clean, rubbing to extremities, slight bumping to upper edge of front board, foxing to pale covers, a good++ copy of this scarce volume.

London: The Trianon Press, for The William Blake Trust. Limited facsimile edition, no.72 of 558, folio., pp.25(plates),(8)trial proofs,(9)commentary & bibliographical history, quarter morocco, gilt, hand-marbled paper-covered boards, in matching marbled paper covered handmade slipcase, printed on Arches pure rag paper, each leaf watermarked with Blake’s monogram, 25 full colour plates (each printed on separate leaf with verso blank), reproduced by collotype and hand stencil; spine slightly darkened & with very minor marking, an internally fine copy, in a very good slipcase.

12mo.,pp.14, pamphlet, with b/w figures and loose leaf explaining the ‘Amazing Dancing Doll Illusion’, plus a cut out figure blocked in red, blue and yellow with moveable legs; light indentation marks to cover of pamphlet, otherwise near-fine, in a brown paper envelope with title lettered in red to front, very good.

Paris: A la Librairie d’Education de Pierre Blanchard, 1820. 12mo., pp.180, full tree calf with black title label to spine, gilt, with gilt border to boards and gilt decorations to compartments, marbled endpapers and edges, engraved vignette to title, 4 engraved plates each with 2 illustrations; small ink ownership autograph to upper margin of front free endpaper verso, foxing to edges/very margins, spine is bright, a very good+ copy of this scarce title.