London: Sidgwick and Jackson, 1913. 12mo., pp.v,185, vellum-backed with paper-covered boards, lettered in gilt, with pictorial insignia to spine in red, untrimmed edges, top edges red, ribbon bookmark, 5 b/w illustrations to beginning of volume, headpieces and vignettes to text, pictorial endpapers; light foxing to margins, light toning to spine, a very good+ copy.

London, Groombridge & Sons. 12mo.,pp. unpaginated, pictorial card wrapper, b/w and sepia illustrations and frontispeice; toning to margins and light off setting, creasing to lower corners to front and rear near hinge, with partial tearing to hinge and slight loss to head and foot, rubbing to extremities with toning and light soiling to margins of card, a good copy.

London: George Allen & Company, 1911. First edition with the Detmold illustrations, 8vo.,pp. 196, beige pictorial cloth, gilt lettering, colour plates, colour frontispiece; ownership inscription to front free endpaper, off setting and foxing to endpapers and light foxing to margins, light rubbing to extremities, a very good copy. No dust-jacket.

London: Blighty, City Magazines Ltd. Small 4to., pp.98, paperback with pictorial colour wrappers, b/w illustrations throughout as well as folding colour plate; light surface soiling to wrappers, internally clean and overall a very good copy.

Eton College: Spottiswoode & Co., Ltd, 1907. Folio, unpaginated, grey-blue paper-covered boards backed in cream cloth, lettering stamped in black, 21 tipped-in plates with tissue guards; water-marking to lower margins of boards, with tear to lower margin of front board and area of loss to paper covering at front inner margin, scuffs and surface soil to boards, a good copy, with the plates themselves in very good condition.

London: Alexander Moring Limited, The De La More Press. First edition, small 4to., pp.43, cloth, gilt, a.e.g., 6 double-page colour plates and 6 further colour illlustrations, as well as inlaid colour plate to front board; toning to free endpapers, occasional thumb-marking, only very slight wear to extremities, a very good copy.

London: Country Life, 1939. First edition, 8vo., pp.83, blue-grey cloth lettered in black, colour frontispiece, 3 further colour plates and numerous b/w illustrations; ink ownership autograph to front paste-down endpaper (covered by flap of dust-jacket), spine lightly rolled, with sunning/toning to spine, a slight surface soil to boards, overall a very good copy, in pictorial price-clipped dust-jacket, which has creasing and tears to edges, with some loss, and apx. 4mms loss to head of spine.

London: Puffin Books, 2008. First Puffin Edition, Signed by the Illustrator, 4to.,pp. 113, red hardcover, silver lettering, b/w and colour illustrations, pictorial endpapers, pictorial title page; illustrators signature to half title page, light foxing to upper edge of text block, a very good copy, in a very good unclipped pictorial dust-jacket, which has a small creased closed tear to rear lower margin.

London: Faber and Faber, 1972. First edition thus, oblong 8vo., pp.(32), pictorial hardcover, colour plates alternate with black and white illustrations, decorative borders to text leaves adjacent colour plates; ownership gift inscription to corner of front free endpaper, light foxing to edges, a very good copy, in price-clipped dust-jacket, which is foxed to margins, with small closed tear to rear upper edge, and lightly rubbed to edges.

Dean, 1970. Oblong 8vo., pp.(10), glazed pictorial boards, 5 brightly coloured double-page illustrated spreads, 3 of which include pop-ups; light shelfwear to boards and slight bruising to edges, a very good copy.

Tours: Ad. Mame & Cie. Fifth edition, 8vo., pp.281, b/w engraved frontispiece, pictorial title, and 2 plates, colour and gilt embossed paper covered boards, with inlaid colour plate; rubbing to extremities, corners bumped, with small split to rear fore-edge, a very good copy.

New York: Macmillan, 1937. First edition, ex libris Edward Hodnett, author’s presentation inscription to Edward Hodnett, author of books on the history of woodcuts, 4to., pp.xv,160, cloth, gilt, illustrated title page, a further 72 b/w illustrations and plates; toning to endpapers, darker at the gutter, a few light spots of foxing to prelims, rest of text unaffected, internally clean, rubbing to boards and a few small marks and light surface scratches, else a very good copy indeed in a vg+ dust jacket with a few spots foxing to reverse and light toning to front and rear.

London: Thomas Boys, 1821. 12mo., pp.192,(iv)adverts, uncut, leather-backed marbled boards, unlettered spine, complete with 13 engraved illustrations in 12 plates; worn to extremities, boards rubbed, with loss to paper covering at lower margin, a little scruffy within, with some foxing and light surface soil, a good copy.

London: Fanfrolico Press. Limited edition, no. 43 of 370 copies, small 8vo., unpaginated (pp.12), brown cloth, gilt, b/w illustrations by Norman Lindsay; very slightly toned throughout, very slight foxing to front endpapers, very light soiling to endpapers, rubbing to extremities, a very good copy.

New York: Thomas Yoseloff, Inc, 1956. First edition, 8vo., pp.40, brown cloth lettered in black, b/w frontispiece and 4 further b/w plates; slight foxing to endpapers, contents lightly toned, a very good copy, in unclipped pictorial dust-jacket, which has slight chipping to headband and rear upper edge, and slight surface soiling to pale paper, with small mark to front, else vg and now in a protective cover.

Derby: Thomas Richardson, 1830. Second edition, 12mo., pp.128, quarter red roan, gilt, with gilt decoration to spine, marbled boards, complete with engraved frontispiece and pictorial title and 7 further engraved plates; tear with loss to upper corner of p.65, with partial loss to text of Hymn title (Hymn itself complete), slight crease to upper corners throughout, rubbing to boards, with light wear to edges, a very good copy.

London: The Victoria and Albert Museum. Signed, limited edition, no.390 of 500 copies signed by illustrator, 8vo., pp.75, dark green cloth with inlaid pictorial label, gilt-lettered to spine, wood engraved plates and illuminated letters, pictorial endpapers; a fine, fresh copy, in very good matching green cloth slipcase, which is lightly marked to cloth.

New York: The Panurge Press, 1932. Limited edition, no.252 of 1000 copies, 8vo., pp.246, uncut, quarter black cloth, gilt, decorative yellow cloth boards, text printed in blue; toning to fore-edges, very slight roll to spine, rubbing to lower corner of front board, a bright and very good+ copy.

London: Christopher Sandford at the Golden Cockerel Press, 1954. Limited edition, no.227 of 260 copies, 4to., pp.(ii),158, full pictorial vellum, gilt, mould-made paper, pictorial frontispiece and title, b/w wood-engraved plates with borders in red, pictorial headpieces to prelims; just slight bruising to upper corners of boards, very slight surface soil to boards, overall a fine, fresh copy. Designed and produced by Christopher Sandford; composition and presswork under the supervision of K.S. Tollit at The Chiswick Press.