Switzerland: Editions du Griffon Neuchatel, 1962. 4to., pp.129, grey cloth lettered in white, numerous b/w plates as well as several colour plates; slight tone to upper edges, a fresh and near-fine copy, in very good unclipped dust-jacket, which is just lightly toned to margins.

London: Hart Gallery. 4to.,pp. unpaginated, exhibition catalogue, colour illustrations, colour frontispiece; a very good copy.

New York: Solomon R. Guggenheim Museum/Electa, 1989. Exhibition catalogue, 4to., pp.297, paperback, colour and b/w plates; small ownership autograph to prelim blank, slight crease to lower corners, a very good, clean copy.

Milan: Skira, 2008. Exhibition catalogue, English edition, 4to., pp.250, black cloth lettered in navy, colour plates throughout, including folding plates; slight tone to edges, a fresh and near-fine copy, in near-fine unclipped dust-jacket.

London/New York: Merrell. First edition, 4to., pp.239, grey paper-covered boards lettered in blind, colour illustrations throughout; a fresh and near fine copy, in near-fine unclipped dust-jacket.

London: Lund Humphries, 1955. Reprint (first published 1948; this volume covers work from 1911 to 1948), 4to., grey cloth lettered in black, colour frontispiece, colour and b/w plates; mildly ex library, with inkstamp and residue of removed bookplate to front free endpaper, otherwise unmarked, a clean and good+ copy. No dust-jacket.

Chicago/London: University of Chicago Press, 1991. Tall 8vo., pp.x,299, backed in dark red cloth, gilt, paper-covered boards, 4 colour plates and 127 b/w illustrations; a few pages with light pencil-marking, else fresh and very good indeed, in very good+ unclipped dust-jacket, which has crease to front flap.

Wakefield: Yorkshire Sculpture Park, 2001. Exhibition catalogue, 4to., pp.79, paperback, colour-illustrated; ownership autograph concealed within flap of front wrapper, a near-fine copy.

London: Tate Publishing, 2016. Exhibition catalogue, 4to., pp.240, paperback, b/w frontispiece, colour plates and b/w illustrations; light crease to spine, a fresh and otherwise fine copy.

Salzburg: Galerie Thaddeus Ropac, 2008. Exhibition catalogue, 4to., bilingual German and English edition, pp.129, grey hardcover, colour and b/w plates; ownership autograph to front free endpaper, a fine copy, in fine unclipped dust-jacket.

Edinburgh/Brighton/London: Scottish National Gallery of Modern Art/University of Brighton/The Paragon Press, 1997. Exhibition catalogue, 4to., pp.155, paperback, colour plates; ownership autograph to half title, a fresh and near-fine copy.

London: National Portrait Gallery, 2012. Exhibition catalogue, 4to., pp.256, grey hardcover lettered in silver, colour-illustrated throughout; ownership autograph to front free endpaper, a fine, fresh copy, in fine unclipped dust-jacket.

London: Royal Academy of Arts, 2018. Exhibition catalogue, 4to., pp.232, paperback, colour-illustrated throughout; light creasing to spine, a fresh and near-fine copy.

Inverness, CA: Lucid Art Foundation. 4to., pp.348, grey cloth lettered in black and white, colour frontispiece, colour plates; a fine copy, in near-fine unclipped dust-jacket.

London: Whitechapel Gallery. Exhibition catalogue, square 8vo., pp.20 + b/w plates, paperback (pictorial card wrappers); two leaves of plates are loose but present, else very good.

Studio Fine Arts/Jardine Press Ltd. Oblong 4to., pp.(viii),203, beige cloth lettered in black and terracotta, colour plates and b/w illustrations, pictorial endpapers; artist’s inscription to half title (‘To Jane/James Dodds’), a fine copy, in vg+ unclipped dust-jacket.

Harmondsworth: Penguin Books. First edition, oblong 8vo., pp.18(text),(32)plates, paperback in pictorial dust-jacket, 16 colour plates and 16 b/w plates; a very good copy in near-complete unclipped dust-jacket, which has light loss at head and foot of spine as well as front upper corner, a few small closed tears to edges, now in protective cover and overall vg.

London, Reaktion Books. 4to.,pp. 163,brown cloth, cream lettering, b/w and colour illustrations, b/w figures; a fine copy, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities and has a small closed tear to front upper margin.

London, Lord’s Gallery, 1887. 12mo.,pp. paperback, exhibition catalogue, b/w illustrations; rubbed to spine and extremities, soiling to rear, otherwise very good.

Merivale Editions, 1927. Limited edition of 500 copies, 8vo., pp.(ii),(5)Introduction,(9)b/w plates, paperback (plain wrappers), decorative dust-jacket with printed paper label; dust-jacket rubbed to head and tail of spine, with very slight crease to upper corners throughout, an o/w a fine copy.