Munchen/London: Prestel, 2003. Exhibition catalogue, text in English and German, 4to., pp.296, red hardcover lettered in black, colour plates; ownership autograph to front free endpaper, slight tone to edges, an otherwise fine copy, in very good+ unclipped dust-jacket, just slightly rubbed to edges.

London: Thames and Hudson, 2007. First edition, 4to., pp.503,(i) yellow cloth, black lettering; a fine copy, in a near-fine unclipped dust-jacket, just very slightly rubbed to extremities.

London: Reaktion Books, 2011. 4to.,pp. 312, hardcover, silver lettering, colour and b/w illustrations, colour frontispiece; ownership autograph to front free endpaper, otherwise near-fine, in a near-fine unclipped pictorial dust-jacket.

Royston: The Penchant Press, 2008. 4to., pp.144, navy hardcover, gilt, colour plates throughout; a fine copy, in fine unclipped dust-jacket.

London: Thames and Hudson. First paperback edition, 4to., pp.240 paperback, 209 illustrations, including 83 colour and 126 duotone illustrations; very good indeed.

Princeton: Princeton University Press, 1980. 4to., pp.xxii,283, pale blue cloth with title band stamped in black, gilt, colour frontispiece, 231 unpaginated b/w plates; foxing to top edges and lightly to fore-edges, else fine, in very good unclipped dust-jacket, which is lightly toned to spine.

Salisbury: Michael Russell, 1989. Signed by the author, 8vo., pp.viii,416, green hardcover, colour and b/w plates; a near-fine copy, in very good unclipped dust-jacket, which is just lightly rubbed at corners.

David & Charles, 1994. 4to.,pp. 128, hardcover, white lettering, b/w and colour illustrations, colour frontispiece; a near-fine copy, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

London: Royal Academy of Arts, 2014. Exhibition catalogue, 4to., pp.142, colour plates throughout; a fine copy, in fine unclipped dust-jacket.

London: Thames and Hudson, 1993. 4to.,pp. 431, blue cloth, pale blue lettering to spine and pictorial detail to front board, b/w and colour illustrations; ownership autograph to front free endpaper, a very good copy, in a very good unclipped pictorial dust-jacket.

New York: The Metropolitan Museum of Art, 2002. 4to, pp.xiv,322, dark blue cloth, gilt lettering, b/w and colour illustrations; neat owner’s inscription to free front endpaper, otherwise a near fine copy in a near-fine unclipped pictorial dust-jacket.

USA: McFarland & Company, 2007. 8vo., pp.,xv,493, pictorial hardcover, colour and b/w illustrations, a near fine copy. No dust-jacket.

Leeds: The University Gallery, 1996. Exhibition catalogue, 4to., pp.48, paperback, colour plates and b/w illustrations; a very good copy.

London: Waddington Custot Galleries, 2013. Exhibition catalogue, 4to., pp.111, navy hardcover lettered in gilt; light marking to boards, else fine. No dust-jacket, as issued. Includes pictorial exhibition invitation.

London: Tate, 2015. Exhibition catalogue, 4to., pp.176, paperback (card wrappers), colour plates; near-fine.

London: Browse & Darby. First edition, 4to., unpaginated, ochre-green cloth, gilt, colour plates; includes two exhibition invitations, slight tone to edges, else a fine copy, in near-fine unclipped pictorial dust-jacket, which is lightly marked to spine.

London: Alphabooks, A&C Black, 1987. First edition, signed presentation copy by the artist, 4to.,pp. 224, brown cloth, crea, lettering, b/w illustrations with some colour illustrations, b/w frontispiece; signed dedication inscription by the artist to frontispiece verso, some adhesive markings to front and rear paste down endpapers, otherwise a clean and very good copy, in a very good unclipped pictorial dust-jacket, which is lightly toned to extremities.

Dublin: Irish Museum of Modern Art, 2007. 8vo.,pp. 176, paperback, b/w and colour illustrations, colour frontispiece; light creasing to spine, a very good copy.

Bristol: Sansom and Company, 2009. 4to., pp.215,(i), black hardcover lettered in silver, colour plates throughout; a fine copy, in near-fine unclipped dust-jacket, which is just lightly toned to fore-margin and spine.