USA: McFarland & Company, 2007. 8vo., pp.,xv,493, pictorial hardcover, colour and b/w illustrations, a near fine copy. No dust-jacket.

London: D Giles Ltd, 2018. First edition, 8vo., pp.156, paperback, colour illustrations, a fine copy.

Hull: Ferens Gallery, 1936. 8vo., pp.44, printed wrappers, inlaid colour frontispiece, 2 colour plates and 2 b/w plates; foxing to wrappers, a very good copy.

Leeds: The University Gallery, 1996. Exhibition catalogue, 4to., pp.48, paperback, colour plates and b/w illustrations; a very good copy.

London: Thames and Hudson, 2012. 4to., pp.240, paperback, colour illustrations throughout; near-fine.

New York/New Haven/London: Metropolitan Museum of Art/Yale University Press, 2005. Exhibition catalogue, 4to., pp.xvii,301, green cloth, gilt, colour plates; ownership autograph to front free endpaper, else fine, in near-fine unclipped dust-jacket.

London: Waddington Custot Galleries, 2013. Exhibition catalogue, 4to., pp.111, navy hardcover lettered in gilt; light marking to boards, else fine. No dust-jacket, as issued. Includes pictorial exhibition invitation.

London: Tate, 2015. Exhibition catalogue, 4to., pp.176, paperback (card wrappers), colour plates; near-fine.

London: Browse & Darby. First edition, 4to., unpaginated, ochre-green cloth, gilt, colour plates; includes two exhibition invitations, slight tone to edges, else a fine copy, in near-fine unclipped pictorial dust-jacket, which is lightly marked to spine.

London: Alphabooks, A&C Black, 1987. First edition, signed presentation copy by the artist, 4to.,pp. 224, brown cloth, crea, lettering, b/w illustrations with some colour illustrations, b/w frontispiece; signed dedication inscription by the artist to frontispiece verso, some adhesive markings to front and rear paste down endpapers, otherwise a clean and very good copy, in a very good unclipped pictorial dust-jacket, which is lightly toned to extremities.

Dublin: Irish Museum of Modern Art, 2007. 8vo.,pp. 176, paperback, b/w and colour illustrations, colour frontispiece; light creasing to spine, a very good copy.

London: Seeley Service & Co, 1932. First edition, 8vo., pp.288, uncut, partially unopened, green cloth, gilt, colour frontispiece, b/w plates; contemporary ink ownership inscription to front free endpaper, some foxing to prelims and occasionally within, a very good copy, in unclipped pictorial dust-jacket, which is toned to spine, with closed tears to front upper edge, else very good.

Bristol: Sansom and Company, 2009. 4to., pp.215,(i), black hardcover lettered in silver, colour plates throughout; a fine copy, in near-fine unclipped dust-jacket, which is just lightly toned to fore-margin and spine.

London: Jonathan Cape. First edition, 4to., pp.205, blue hardcover, gilt, colour illustrated; slight crease to tip of headband, a fresh and near-fine copy, in a very good unclipped dust-jacket, which is slightly sunned to spine.

New Haven/London: Yale University Press, 1992. Folio, pp.463, green cloth lettered in silver, colour and b/w plates; a very good fresh copy, in unclipped dust-jacket, which is lightly creased to margins, else vg.

Taschen Wildenstein Institute, 1999. Folio., pp.378, red hardcover lettered in white, colour and b/w illustrations; crease to headband, with slight tear to head of upper joint, a very good copy, in an unclipped dust-jacket, again with creasing and tear at head of spine, else vg.

London: Albemarle Gallery, in association with Alan Kluckow Fine Art, 2007. Exhibition catalogue, pp.64, lime green cloth, colour plates; title page inscribed, ‘Best wishes/John Meyer/2007’, a fine, fresh copy, in vg+ unclipped dust-jacket.

London: Phaidon, 2014. 4to., pp.251, paperback with dust-jacket, colour-illustrated; near-fine.

Washington: National Gallery of Art, 2014. 4to., pp.xix,192, black cloth lettered in white, colour-illustrated; a fresh and near-fine copy, in unclipped pictorial dust-jacket, which has 4cm closed tear to front lower corner, else near-fine.