Koln: Verlag der Buchhandlung Walther Konig, 2011. 4to., pp.512, pale grey hardcover lettered in red, colour and b/w plates including folding plates; a near-fine copy, in a very good+ unclipped dust-jacket, which has slight creasing to head of spine and small nick to foot of spine.

Kendal: Abbot Hall Art Gallery, 2003. Exhibition catalogue, 4to., pp.80, pictorial wrappers, colour plates, including folding plates, b/w illustrations; slight tone to edges, slight mark to rear wrapper, a very good copy indeed.

London;: Lund Humphries, 2017. Exhibition catalogue, 4to., pp.120, pictorial paperback, colour and b/w plates; ink ownership autograph to half title, a near-fine copy.

Kerber Art/Jewish Museum Berlin, 2013. 4to., pp. 263, quarter cloth, colour pictorial paper covered boards, many colour plates; a fine copy.

Port Reading: Antique Collector’s Club in cooperation with The Art Renewal Center, 2015. 8vo., pp. 534, black hardcover, gilt, colour pictorial endpapers, colour frontispiece, many colour and b/w illustrations; very light rubbing to extremities, a near fine copy in a very good unclipped pictorial dust-jacket, lightly rubbed with many light surface marks/scratches.

Andoversford: The Whittington Press, 1988. 4to.,pp. 191, decorative card covered boards, b/w and colour illustrations and tipped in plates, b/w fold-outs; a near-fine copy, in a very good+ unclipped pictorial dust-jacket, which is lightly curled to upper margin, with two small closed tears.

New York: Museum of Modern Art (distributed by Thames and Hudson Ltd.), 2002. Exhibition catalogue, 4to., pp.340, grey cloth lettered in silver, pictorial endpapers, colour and b/w plates; ownership autograph to front free endpaper, a little light thumbing to fore-edges, spine just very slightly rolled, otherwise a near-fine copy, in a very good unclipped dust jacket, which is lightly sunned to the spine.

Munchen/London: Prestel, 2003. Exhibition catalogue, text in English and German, 4to., pp.296, red hardcover lettered in black, colour plates; ownership autograph to front free endpaper, slight tone to edges, an otherwise fine copy, in very good+ unclipped dust-jacket, just slightly rubbed to edges.

London: Thames and Hudson, 2007. First edition, 4to., pp.503,(i) yellow cloth, black lettering; a fine copy, in a near-fine unclipped dust-jacket, just very slightly rubbed to extremities.

London: Reaktion Books, 2011. 4to.,pp. 312, hardcover, silver lettering, colour and b/w illustrations, colour frontispiece; ownership autograph to front free endpaper, otherwise near-fine, in a near-fine unclipped pictorial dust-jacket.

Royston: The Penchant Press, 2008. 4to., pp.144, navy hardcover, gilt, colour plates throughout; a fine copy, in fine unclipped dust-jacket.

London: Thames and Hudson. First paperback edition, 4to., pp.240 paperback, 209 illustrations, including 83 colour and 126 duotone illustrations; very good indeed.

London/New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1981. First edition, 4to., pp.xxviii,668;unpaginated, comprising 1193 b/w and colour plates, green cloth, gilt; very slight spotting to edges, a fine set, in fine unclipped dust-jackets.

Princeton: Princeton University Press, 1980. 4to., pp.xxii,283, pale blue cloth with title band stamped in black, gilt, colour frontispiece, 231 unpaginated b/w plates; foxing to top edges and lightly to fore-edges, else fine, in very good unclipped dust-jacket, which is lightly toned to spine.

Salisbury: Michael Russell, 1989. Signed by the author, 8vo., pp.viii,416, green hardcover, colour and b/w plates; a near-fine copy, in very good unclipped dust-jacket, which is just lightly rubbed at corners.

David & Charles, 1994. 4to.,pp. 128, hardcover, white lettering, b/w and colour illustrations, colour frontispiece; a near-fine copy, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

London: Royal Academy of Arts, 2014. Exhibition catalogue, 4to., pp.142, colour plates throughout; a fine copy, in fine unclipped dust-jacket.

London: Thames and Hudson, 1993. 4to.,pp. 431, blue cloth, pale blue lettering to spine and pictorial detail to front board, b/w and colour illustrations; ownership autograph to front free endpaper, a very good copy, in a very good unclipped pictorial dust-jacket.

Washington D.C: The Phillips Collection, 1990. 4to.,pp. 192, pictorial wrappers, b/w and colour illustrations; light creasing to spine, a very good copy.

New York: The Metropolitan Museum of Art, 2002. 4to, pp.xiv,322, dark blue cloth, gilt lettering, b/w and colour illustrations; neat owner’s inscription to free front endpaper, otherwise a near fine copy in a near-fine unclipped pictorial dust-jacket.