Langford Press, 2009. Reprint, 4to., pp.168, purple hardcover, gilt, colour-illustrated throughout; a fresh and near-fine copy, in very good unclipped dust-jacket, with a couple of small closed tears to edges, and now in a protective cover.

London: Tate Publishing, 2015. 4to., pp.176, paperback, many colour plates; ownership signature to front wrapper verso, spine lightly creased, else a very good+ copy.

London: Scala Arts & Heritage Publishers Ltd, 2014. First edition, 4to., pp.160, paperback, many colour plates; slight surface soiling to wrappers, spine slightly sunned, else very good indeed.

Huddersfield: Kirklees Cultural Services, 1997. Oblong 4to., pp.40, pictorial wrappers, colour plates throughout; ink signature to half-title, very slightly rubbed to extremities, a very good copy indeed.

ACC Art Books, 2016. Large 4to., pp.287, red hardcover, gilt, colour frontispiece, many numerous colour and b/w plates; very slight rubbing and brusing to extremities, very slight soiling to boards, a near fine copy, in an unclipped pictorial dust-jacket which is very slightly rubbed, overall very good indeed.

London: Tate Publishing, 2007. 4to., pp.xvii,447, card wrappers, colour and b/w plates; ink ownership autograph to front free endpaper, slight thumbing to edges, light creasing to spine, a very good+ copy.

London: Newport Street Gallery, 2019. 4to., unpaginated, pictorial hardcover, many colour illustrations; a fine copy.

London: Royal Academy of Arts, 2010. 4to., pp.159, grey cloth, black lettering, many colour illustrations; ownership autograph to front free endpaper, else a fine copy in a vg unclipped dust-jacket, which has a few small marks to rear.

London: The Architectural Press, 1925. Large 4to., pp.xvi,212, red cloth, gilt, colour frontispiece, b/w plates throughout; small sticker to front paste-down endpaper, marking to front free endpaper, light thumbing and offsetting throughout, rear board working loose, light wear to extremities and light soiling to boards, a good + copy. No dust-jacket.

London: Hurst and Blackett, 1862. Two volumes, 8vo., pp.xv,416;vi,425, publisher’s half red leather, four raised bands, gilt, marbled boards, speckled edges, 7 b/w plates, including frontispiece to Volume I.; ink ownership autograph to both volumes, paste action to endpapers, extremities rubbed, with wear to paper covering along edges of boards, spines uniformly sunned, a near very good set, which is internally clean.

London: The Cotswold Gallery, 1930. 4to., pp.xv,184, pictorial bevelled red buckram, gilt, t.e.g., tipped-in colour frontispiece, tipped-in colour plates plus b/w plates, pictorial head- and tailpieces; foxing to prelims and fore-edges, light toning to margins, a little light rubbing and marking to cloth, overall a very good copy indeed.

London: Thames and Hudson, 1986. 4to., pp.48, blue cloth, light blue lettering, 1 b/w illustration, 16 colour illustrations; a fine copy in a vg unclipped dust-jacket, which is sunned to spine.

New Haven & London: Yale University Press, 1984. Two volume set. 4to., pp.xx,324;unpaginated plates, hardcover, gilt, many b/w and colour plates to plates volume; a fine set in near-fine unclipped dust-jackets, with creasing to front overleaf of plates volume, in slipcase.

Kerber Art, 2012. exhibition catalogue. 4to., pp. 130, paperback, many colour illustrations; one small mark to front wrapper, else very good indeed.

Cologne: Snoeck, 2011. Oblong 4to., pp.87, purple hardcover with decorative inlay, colour plates; ownership inscription to front free endpaper, light bending to boards, extremities slightly rubbed, a very good copy indeed. No dust-jacket.

Much Hadham: The Henry Moore Foundation, in Association with Lund Humphries, 2000. 4to., pp.152, black hardcover, gilt, many b/w and colour plates; slight soiling to top edge of text block, very slight rubbing to extremities, a very good copy indeed, in an unclipped pictorial dust-jacket which is slightly rubbed and has light moulding to interior, overall good+.

London: Royal Academy of Arts, 2019. 4to., pp.189, green cloth with inlaid colour plates, lettering in black; slight mark to front board, a little light marking to fore-edges, an otherwise a fine copy.

London: Phaidon Press, 1994. 4to., pp. 240, black hardcover, many colour plates and b/w illustrations; foxing to top edge, also a few marks to bottom of fore-edge of text block, not affecting margins, else a near-fine copy in a vg unclipped dust-jacket.

Readex Books, 1977. 4to., pp.xvii,120,120,107, paperback, b/w facsimile accompanied by transcription; partial sunning to wrappers, with crease to upper corner of front wrapper, and just slight creasing to other corners, internally fresh, overall a very good copy.

London: Lund Humphries, in association with the Barbican Art Gallery, 1993. Reprinted, 4to., pp.144, pictorial wrappers, colour and b/w illustrations; sunning to spine, lightly rubbed, else very good indeed.