Royal Academy of Arts, 2015. Exhibition catalogue, 4to., pp.270, cloth with inlaid pictorial plate to front board, colour plates; a fine copy.

Tate Publishing, 2009. 4to., pp.167,(10), paperback, colour-illustrated; ownership autograph to first leaf, occasional marginal marking and underlining (largely unmarked), light creasing to spine, else very good.

Koln: DuMont Buchverlag, 1984. 4to.,pp. 303, grey pictorial hardcover, black lettering, b/w and colour illustrations, b/w frontispiece; very slight knock to rear spine along hinge, light toning to edges of text block, a very good copy, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

New Haven: Yale University Press, 2010. 4to.,pp. 220, black hardcover, white lettering, b/w illustrations, b/w frontispiece; ownership autograph to front free endpaper which also imprints through to half title page, otherwise a near-fine copy, in a very good unclipped pictorial dust-jacket, which is lightly creased along rear lower edge.

Cornwall: Belgrave St Ives Modern & Contemporary Art, 2017. 8vo., unpaginated, printed wrappers, numerous colour plates; very slight shelf-wear to extremities, a near fine copy.

London: Lion and Unicorn Press, Royal College of Art, 1964. Limited edition, no. 212 of 400 copies, folio, pp.16 (text), 60 offset lithographic plates printed on Suede Basingwerk paper, pictorial cloth; very good indeed.

The Arkwright Arts Trust and Bradford Art Galleries and Museums, 1990. 4to., pp. 128, pictorial wrappers, b/w and colour illustrations, b/w frontispiece; light crease to front lower corner, otherwise a very good, clean copy.

London: Whitechapel Gallery, 1955. 8vo., pp. 28, printed wrappers, b/w illustrations, b/w frontispiece; light rubbing and soiling to wrappers, otherwise very good.

United Kingdom: Sutton Publishing, 1997. 8vo., pp.xx,196, green hardcover, gilt, decorative endpapers, b/w photograph frontispiece of John Piper, many b/w and colour illustrations; a very good copy in very good unclipped dust-jacket showing slight wear to edges and a few scratches.

Munich/London: Prestel, 2006. Exhibition catalogue, 4to., pp.524, russet cloth lettered in cream, colour-illustrated; a fine, fresh copy in fine unclipped dust-jacket.

London: Royal Academy of Arts, 2013. 4to., pp.128, grey cloth, red gilt, colour plates; a fine, fresh copy, in fine unclipped dust-jacket.

London: Unicorn Press, 2012. 4to., pp.120, pictorial card wrappers, colour plates; a fine copy.

Christian Brandstatter Verlag, 2006. 4to., pp.255, grey cloth lettered in black, colour plates; fine, in a very good unclipped dust-jacket.

London: Tate Publishing, 2011. 4to.,pp. 240, pictorial wrappers, b/w and colour illustrations, colour frontispiece; light shelf wear, otherwise a clean and very good copy.

Ostfildern: Hatje Cantz, 2013. 4to.,pp. 199, pictorial wrappers, b/w and colour illustrations, colour frontispiece; a near-fine copy.

London: Thames & Hudson, 2000. 4to.,pp. 299, brown hardcover, gilt, colour illustrations; torn along inner hinge of front endpapers, otherwise very good and clean, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

London: Tate Publishing, 2006. 4to.,pp. 224, pictorial wrappers, colour illustrations, b/w frontispiece, pictorial endpapers; spine very slightly rolled, a very good, clean copy.

Venice: Bompiani, 2002. 4to., pp. 567, pictorial paperback, many colour illustrations; lightly rubbed with a small crease to right corner of front wrapper, else a very good copy indeed.

New York: Thames & Hudson, 2005. 4to., pp. 256, black hardcover, small decorative blind of two dolphins to front board, silver lettering, colour frontispiece, many colour illustrations; a fine copy in a vg+ dust-jacket with some light surface marks and scratches.

London/New York: Merrell, 2005. 4to., pp. 192, navy hardcover, silver lettering, many colour illustrations; a fine copy, in a near fine unclipped dust-jacket.