Harrogate: The Mercer Art Gallery, in association with The Guildhall Art Gallery, 2011. 4to.,pp. xi,180, pictorial wrappers, b/w and colour illustrations, colour frontispiece; a near-fine copy.

London: Royal Academy of Arts, 2014. Exhibition catalogue, 4to., pp. 142, red hardcover, title in blind, silver lettering, many full colour plates; ownership gift inscription to front free endpaper, a fine copy in a fine unclipped dust-jacket.

Ostfildern: Hatje Cantz, 2013. 4to.,pp. 199, pictorial wrappers, b/w and colour illustrations, colour frontispiece; a near-fine copy.

Rizzoli, 2009. 4to., pp.429, grey cloth lettered in silver; a fresh and near-fine copy, in very good+ unclipped dust-jacket, just lightly creased to extremities.

London: Thames & Hudson, 2000. 4to.,pp. 299, brown hardcover, gilt, colour illustrations; torn along inner hinge of front endpapers, otherwise very good and clean, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

London: Tate Publishing, 2006. 4to.,pp. 224, pictorial wrappers, colour illustrations, b/w frontispiece, pictorial endpapers; spine very slightly rolled, a very good, clean copy.

Venice: Bompiani, 2002. 4to., pp. 567, pictorial paperback, many colour illustrations; lightly rubbed with a small crease to right corner of front wrapper, else a very good copy indeed.

New York: Thames & Hudson, 2005. 4to., pp. 256, black hardcover, small decorative blind of two dolphins to front board, silver lettering, colour frontispiece, many colour illustrations; a fine copy in a vg+ dust-jacket with some light surface marks and scratches.

London/New York: Merrell, 2005. 4to., pp. 192, navy hardcover, silver lettering, many colour illustrations; a fine copy, in a near fine unclipped dust-jacket.

New Haven: Yale University Press, 2000. 4to., pp. vii,175, navy hardcover, gilt, many colour and b/w illustrations; a few tiny marks to top edge, and a very minor bruise to upper margin of boards, otherwise a clean near fine copy in a near fine unclipped dust-jacket

New York: The Metropolitan Museum of Art, 1979. 4to., pp.222, black hardcover, red lettering, many colour illustrations; a few small marks to front free endpaper, otherwise internally clean, a few very light marks to boards, else a near-fine copy, in a very good unclipped dust-jacket with a few marks to front and rear now in a protective cover.

New York: Museum of Modern Art, 1992. Third impression, folio, pp.480, black hardcover, gilt, colour plates, b/w illustrations; slight crease to upper corners, a very good copy indeed, in a very good unclipped dust-jacket.

London: Tate Gallery, 2019. 4to., pp.240, pictorial boards, colour plates throughout; very good indeed. No dust-jacket, as issued.

Munich: Hirmer, 2012. 4to.,pp. 259, pictorial hardcover, colour illustrations; light shelf wear to boards and light creasing to corners, a very good copy. No dust-jacket.

London: Tate Gallery Publishing, 1999. First edition, 4to.,pp. 296, green cloth, gilt, colour illustrations, b/w and colour illustrations, b/w frontispiece; a near-fine copy, in a very good unclipped pictorial dust-jacket.

London: Royal Academy of Arts, 2000. 4to.,pp. 355, brown cloth, cream lettering, b/w and colour illustrations; a near-fine copy, in a near-fine unclipped pictorial dust-jacket.

London: National Portrait Gallery, 2017. 4to.,pp. 216, pictorial hardcover, colour illustrations and frontispiece; a near-fine copy. No dust-jacket.

London: Marlborough Fine Art, 1973. Large 8vo.,pp. 27, pictorial wrappers, b/w and colour illustrations; light staining and shelf wear to wrappers, otherwise very good.

London: Pace Gallery, 2021. First edition, 4to.,pp. unpaginated, pictorial hardcover, black lettering, colour illustrations; a near-fine copy. No dust-jacket.

London: Royal Academy of Arts, 2022. Large 8vo.,pp. 150, pictorial hardcover, white lettering, b/w and colour illustrations, b/w frontispiece; light shelf wear to boards, a very good copy. No dust-jacket.