Munich/London: Prestel, 2012. First edition, English language edition, folio, pp.303,(i), black hardcover, gilt, colour plates and b/w illustrations; ownership autograph to front free endpaper, a fine, fresh copy, in near-fine unclipped dust-jacket.

London: Browse & Darby. First edition, 4to., unpaginated, ochre-green cloth, gilt, colour plates; includes two exhibition invitations, slight tone to edges, else a fine copy, in near-fine unclipped pictorial dust-jacket, which is lightly marked to spine.

London: Thames and Hudson, 1995. Oblong 4to., pp.ix,185, grey hardcover, gilt, colour plates and b/w illustrations; very slight foxing to fore-edges, slight rubbing to extremities, a very good copy indeed, in a very good+ unclipped dust-jacket.

London/New York: Merrell. First edition, 4to., pp.239, grey paper-covered boards lettered in blind, colour illustrations throughout; a fresh and near fine copy, in near-fine unclipped dust-jacket.

London: Tate Publishing, 2015. 4to., pp.176, paperback, many colour plates; ownership signature to front wrapper verso, spine lightly creased, else a very good+ copy.

London: Messum’s, 2014. 4to., unpaginated, paperback, colour plates; with loosely inserted signed letter from the artist, ticks against several of the plates’ titles, an otherwise fine copy.

Inverness, CA: Lucid Art Foundation. 4to., pp.348, grey cloth lettered in black and white, colour frontispiece, colour plates; a fine copy, in near-fine unclipped dust-jacket.

London: Scala Arts & Heritage Publishers Ltd, 2014. First edition, 4to., pp.160, paperback, many colour plates; slight surface soiling to wrappers, spine slightly sunned, else very good indeed.

Toronto: Art Gallery of Ontario, 2008. 4to., pp.221, paperback, 66 colour plates, 41 smaller b/w and colour figures; a near-fine copy with very slight rubbing to extremities.

London: Tate Publishing, 2006. 4to.,pp. 224, pictorial wrappers, colour illustrations, b/w frontispiece, pictorial endpapers; spine very slightly rolled, a very good, clean copy.

London: National Portrait Gallery, 2017. 4to.,pp. 216, pictorial hardcover, colour illustrations and frontispiece; a near-fine copy. No dust-jacket.

London: Booth-Clibborn Editions, 1998. Second impression, folio, pp.334, red cloth lettered in black, gilt, and blind, colour-illustrated throughout, including pop-ups and pull tabs, two loose folding plates to rear of volume; a fresh and near-fine copy, in very good+ unclipped dust-jacket, which has one small nick to rear of jacket.

London: Cypher Liberty, 1998. Limited edition of 150 copies of which this is No.90, Large 8vo.,pp. xxi,201, yellow cloth, black lettering, b/w illustrations, pictorial title pages; light foxing to upper edge of text block, a very good copy. No dust-jacket, but in a clear plastic covering which has a small piece missing to foot of spine and a few tears, with the remainder of a label to rear.

Otley: Smith Settle, 1995. 8vo.,pp. 113, hardcover, gilt, b/w and colour illustrations, colour frontispiece; signed by the artist with inscription to half title page, light rubbing to corners of boards, otherwise near-fine, in a near-fine unclipped pictorial dust-jacket.

London: The Cotswold Gallery, 1930. 4to., pp.xv,184, pictorial bevelled red buckram, gilt, t.e.g., tipped-in colour frontispiece, tipped-in colour plates plus b/w plates, pictorial head- and tailpieces; foxing to prelims and fore-edges, light toning to margins, a little light rubbing and marking to cloth, overall a very good copy indeed.

London: Phaidon, 2014. 4to., pp.251, paperback with dust-jacket, colour-illustrated; near-fine.

London: Hart Gallery. 4to.,pp. unpaginated, exhibition catalogue, colour illustrations, colour frontispiece; a very good copy.

Studio Fine Arts/Jardine Press Ltd. Oblong 4to., pp.(viii),203, beige cloth lettered in black and terracotta, colour plates and b/w illustrations, pictorial endpapers; artist’s inscription to half title (‘To Jane/James Dodds’), a fine copy, in vg+ unclipped dust-jacket.

Taschen Wildenstein Institute, 1999. Folio., pp.378, red hardcover lettered in white, colour and b/w illustrations; crease to headband, with slight tear to head of upper joint, a very good copy, in an unclipped dust-jacket, again with creasing and tear at head of spine, else vg.