London: Browse & Darby. First edition, 4to., unpaginated, ochre-green cloth, gilt, colour plates; includes two exhibition invitations, slight tone to edges, else a fine copy, in near-fine unclipped pictorial dust-jacket, which is lightly marked to spine.

London/New York: Merrell. First edition, 4to., pp.239, grey paper-covered boards lettered in blind, colour illustrations throughout; a fresh and near fine copy, in near-fine unclipped dust-jacket.

Cambridge: The Fitzwilliam Museum, 2007. Square 4to., pp.48, paperback; very good indeed.

London: Messum’s, 2014. 4to., unpaginated, paperback, colour plates; with loosely inserted signed letter from the artist, ticks against several of the plates’ titles, an otherwise fine copy.

Venice: Bompiani, 2002. 4to., pp. 567, pictorial paperback, many colour illustrations; lightly rubbed with a small crease to right corner of front wrapper, else a very good copy indeed.

London: Royal Academy of Arts, 2014. Exhibition catalogue, 4to., pp.142, colour plates throughout; a fine copy, in fine unclipped dust-jacket.

Inverness, CA: Lucid Art Foundation. 4to., pp.348, grey cloth lettered in black and white, colour frontispiece, colour plates; a fine copy, in near-fine unclipped dust-jacket.

California, Robertson Gallery. 4to.,pp. unpaginated, pictorial wrappers, colour illustrations throughout; creasing to wrappers, o/w a very good copy.

Munich/London: Prestel, 2006. Exhibition catalogue, 4to., pp.524, russet cloth lettered in cream, colour-illustrated; a fine, fresh copy in fine unclipped dust-jacket.

Koln: Walther, Konig, Verlag, 2022. 4to.,pp. 191, pictorial hardcover, colour illustrations and frontispiece; light rubbing to corners, otherwise near-fine. No dust-jacket.

New York: Museum of Modern Art, 1992. Third impression, folio, pp.480, black hardcover, gilt, colour plates, b/w illustrations; slight crease to upper corners, a very good copy indeed, in a very good unclipped dust-jacket.

Toronto: Art Gallery of Ontario, 2008. 4to., pp.221, paperback, 66 colour plates, 41 smaller b/w and colour figures; a near-fine copy with very slight rubbing to extremities.

London: Tate Publishing, 2006. 4to.,pp. 224, pictorial wrappers, colour illustrations, b/w frontispiece, pictorial endpapers; spine very slightly rolled, a very good, clean copy.

London: National Portrait Gallery, 2017. 4to.,pp. 216, pictorial hardcover, colour illustrations and frontispiece; a near-fine copy. No dust-jacket.

London: Thames and Hudson. First paperback edition, 4to., pp.240 paperback, 209 illustrations, including 83 colour and 126 duotone illustrations; very good indeed.

London: Booth-Clibborn Editions, 1998. Second impression, folio, pp.334, red cloth lettered in black, gilt, and blind, colour-illustrated throughout, including pop-ups and pull tabs, two loose folding plates to rear of volume; a fresh and near-fine copy, in very good+ unclipped dust-jacket, which has one small nick to rear of jacket.

London: Cypher Liberty, 1998. Limited edition of 150 copies of which this is No.90, Large 8vo.,pp. xxi,201, yellow cloth, black lettering, b/w illustrations, pictorial title pages; light foxing to upper edge of text block, a very good copy. No dust-jacket, but in a clear plastic covering which has a small piece missing to foot of spine and a few tears, with the remainder of a label to rear.

New York: Thames & Hudson, 2005. 4to., pp. 256, black hardcover, small decorative blind of two dolphins to front board, silver lettering, colour frontispiece, many colour illustrations; a fine copy in a vg+ dust-jacket with some light surface marks and scratches.

New Haven: Yale University Press, 2010. 4to.,pp. 220, black hardcover, white lettering, b/w illustrations, b/w frontispiece; ownership autograph to front free endpaper which also imprints through to half title page, otherwise a near-fine copy, in a very good unclipped pictorial dust-jacket, which is lightly creased along rear lower edge.

Otley: Smith Settle, 1995. 8vo.,pp. 113, hardcover, gilt, b/w and colour illustrations, colour frontispiece; signed by the artist with inscription to half title page, light rubbing to corners of boards, otherwise near-fine, in a near-fine unclipped pictorial dust-jacket.