London: Merrell Holberton/Birmingham Museums and Art Gallery, 1993. Exhibition catalogue, 4to., pp.192, paperback, colour and b/w illustrations; ownership inscription to half title, otherwise clean, a very good copy.

Wakefield: Yorkshire Sculpture Park, 2001. Exhibition catalogue, 4to., pp.79, paperback, colour-illustrated; ownership autograph concealed within flap of front wrapper, a near-fine copy.

London: Thames & Hudson, 2000. 4to.,pp. 299, brown hardcover, gilt, colour illustrations; torn along inner hinge of front endpapers, otherwise very good and clean, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

London: Unicorn Press, 2012. 4to., pp.120, pictorial card wrappers, colour plates; a fine copy.

Gallimard/Montreal Museum of Fine Arts, 2017. Exhibition catalogue, 4to., pp.413, pictorial paper-covered boards, colour-illustrated throughout; a fine copy.

ACC Art Books, 2016. Large 4to., pp.287, red hardcover, gilt, colour frontispiece, many numerous colour and b/w plates; very slight rubbing and brusing to extremities, very slight soiling to boards, a near fine copy, in an unclipped pictorial dust-jacket which is very slightly rubbed, overall very good indeed.

New York: The Metropolitan Museum of Art, 1979. 4to., pp.222, black hardcover, red lettering, many colour illustrations; a few small marks to front free endpaper, otherwise internally clean, a few very light marks to boards, else a near-fine copy, in a very good unclipped dust-jacket with a few marks to front and rear now in a protective cover.

London: Thames & Hudson, 2004. 4to., pp. 223, burgundy hardcover, gilt, many colour and b/w illustrations; ownership autograph to front free endpaper, light transfer of autograph to half title page, one spot of light rubbing to tail band, else a near-fine copy, in vg unclipped dust-jacket.

Huddersfield: Kirklees Cultural Services, 1997. Oblong 4to., pp.40, pictorial wrappers, colour plates throughout; ink signature to half-title, very slightly rubbed to extremities, a very good copy indeed.

London: Albermarle Gallery, 1989. Exhibition catalogue, 4to., unpaginated, paperback, 10 colour plates plus b/w portrait of the artist; artist’s signed inscription to half title, a fresh and near-fine copy.

London: Waddington Custot Galleries, 2013. Exhibition catalogue, 4to., pp.111, navy hardcover lettered in gilt; light marking to boards, else fine. No dust-jacket, as issued. Includes pictorial exhibition invitation.

London: Timothy Taylor Gallery/Waddington Gallleries, 2004. Exhibition catalogue, small 4to., pp.56, navy cloth, gilt, with small inlaid colour plate to front board, edges in purple, 29 colour plates; front free endpaper inscribed by the artist, a little light marking to front board, else fine. Included is the Private View invitation for the exhibition.

New York: Gagosian Gallery, 1997. Exhibition catalogue, 4to., pp.60, pictorial hardcover, b/w plates; ownership autograph to front free endpaper, a fresh and near-fine copy.

London: Tate Publishing, 2007. 4to., pp.xvii,447, card wrappers, colour and b/w plates; ink ownership autograph to front free endpaper, slight thumbing to edges, light creasing to spine, a very good+ copy.

Cambridge: Cambridge University Press, 1999. 4to., pp. xxvii,548, black hardcover, gilt, many b/w illustrations, several colour illustrations; ownership autograph to front paste-down endpaper; a fine copy in a fine unclipped dust-jacket.

Koln: DuMont Buchverlag, 1984. 4to.,pp. 303, grey pictorial hardcover, black lettering, b/w and colour illustrations, b/w frontispiece; very slight knock to rear spine along hinge, light toning to edges of text block, a very good copy, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

London: Art and Technics, 1950. Small 4to., pp.104 (text pp.7-43, illustrations thereafter), orange cloth, gilt, b/w frontispiece, illustrations; light partial toning to free endpapers and to edges, ownership autograph to front free endpaper, bump to rear board at head of lower joint (with light crease to pages at upper corners), in good unclipped dust-jacket, which is worn with some loss to edges, with light surface soil to pale paper.

Merivale Editions, 1927. Limited edition of 500 copies, 8vo., pp.(ii),(5)Introduction,(9)b/w plates, decorative paper wrappers; slight rubbing to head of fold for spine, a fine copy. Includes advertisement card for the volume.

Merivale Editions, 1927. Limited edition of 500 copies, 8vo., pp.(ii),(5)Introduction,(9)b/w plates, paperback (plain wrappers), decorative dust-jacket with printed paper label; dust-jacket rubbed to head and tail of spine, with very slight crease to upper corners throughout, an o/w a fine copy.

Salisbury: Michael Russell, 1989. Signed by the author, 8vo., pp.viii,416, green hardcover, colour and b/w plates; a near-fine copy, in very good unclipped dust-jacket, which is just lightly rubbed at corners.