Cornwall: Belgrave St Ives Modern & Contemporary Art, 2017. 8vo., unpaginated, printed wrappers, numerous colour plates; very slight shelf-wear to extremities, a near fine copy.

The Arkwright Arts Trust and Bradford Art Galleries and Museums, 1990. 4to., pp. 128, pictorial wrappers, b/w and colour illustrations, b/w frontispiece; light crease to front lower corner, otherwise a very good, clean copy.

Philadelphia: University of Pennsylvania Press, 2005. 4to.,pp. 255, pictorial wrappers, b/w and colour illustrations; ownership autograph to front wrapper verso underneath front inner fold, light rubbing to extremities, otherwise a near-fine copy.

New Haven/London: Yale University Press, for The Jewish Museum, New York, 2009. 4to., pp.xi,332, black cloth lettered in red, ownership autograph to front free endpaper, else clean and near-fine, in unclipped dust-jacket, which has creasing and 4cm closed tear to spine, else very good.

London: Thames and Hudson, 2000. 8vo., pp.406,(xvi), grey hardcover lettered in black, 16 b/w plates to rear of volume; a fine, fresh copy, in very good+ unclipped dust-jacket.

Edinburgh/Brighton/London: Scottish National Gallery of Modern Art/University of Brighton/The Paragon Press, 1997. Exhibition catalogue, 4to., pp.155, paperback, colour plates; ownership autograph to half title, a fresh and near-fine copy.

Farnham: Lund Humphries, 2011. First edition, 4to., pp.192, white paper-covered boards lettered in grey and black, colour and b/w plates; ownership autograph to upper margin of recto frontispiece, small bruise to upper edge of rear board, light bruising to corners, internally fine, overall a very good(+) copy.

London: George Bell and Sons, 1894. Folio, pp.xii,109, rebound in half red morocco, gilt, marbled boards, t.e.g., b/w and duochrome plates, some with caption sheets, further b/w illustrations; foxing to prelims, occasional foxing to margins, slight sunning to spine, else fresh and very good indeed.

Ronald Feldman Fine Arts, Inc, 1997. 4t0., pp. 304, black cloth, white lettering, title in blind to front board, b/w and colour illustrations; a fine copy in a very good+ unclipped dust-jacket with light rubbing and a small mark to front.

Ipswich: Leiston Press, 2014. 4to., pp.48, many colour illustrations; a very good copy indeed.

Salzburg: Galerie Thaddeus Ropac, 2008. Exhibition catalogue, 4to., bilingual German and English edition, pp.129, grey hardcover, colour and b/w plates; ownership autograph to front free endpaper, a fine copy, in fine unclipped dust-jacket.

London: Tate Publishing, 2011. 4to.,pp. 240, pictorial wrappers, b/w and colour illustrations, colour frontispiece; light shelf wear, otherwise a clean and very good copy.

London: Tate, 2015. Exhibition catalogue, 4to., pp.176, paperback (card wrappers), colour plates; near-fine.

Milan: Skira, 2008. Exhibition catalogue, English edition, 4to., pp.250, black cloth lettered in navy, colour plates throughout, including folding plates; slight tone to edges, a fresh and near-fine copy, in near-fine unclipped dust-jacket.

London: Lund Humphries, 1955. Reprint (first published 1948; this volume covers work from 1911 to 1948), 4to., grey cloth lettered in black, colour frontispiece, colour and b/w plates; mildly ex library, with inkstamp and residue of removed bookplate to front free endpaper, otherwise unmarked, a clean and good+ copy. No dust-jacket.

London: Reaktion Books, 2011. 4to.,pp. 312, hardcover, silver lettering, colour and b/w illustrations, colour frontispiece; ownership autograph to front free endpaper, otherwise near-fine, in a near-fine unclipped pictorial dust-jacket.

London: (Woolley Dale Press), 1987. Limited edition, no. 65 of 100 copies, 8vo., five volumes in varicoloured card wrappers, each with an inlaid colour plate to front wrapper, colour-illustrated throughout, folded synopsis leaf; just very slight sunning to spines, a near-fine set, in navy slipcase, with title label to spine.

Christian Brandstatter Verlag, 2006. 4to., pp.255, grey cloth lettered in black, colour plates; fine, in a very good unclipped dust-jacket.

Bristol: Sansom and Company, 2000. Signed first edition, oblong 4to., pp.144, green cloth lettered in black, colour plates; light spotting to endpapers, a fresh and near-fine copy, in vg+ unclipped dust-jacket.

London: Merrell Holberton/Birmingham Museums and Art Gallery, 1993. Exhibition catalogue, 4to., pp.192, paperback, colour and b/w illustrations; ownership inscription to half title, otherwise clean, a very good copy.