Art Monographs

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Showing 1 to 20 of 109
  • Edited by: KLEEBLATT, Norman L. Various contributors.
    ACTION / ABSTRACTION: POLLOCK, DE KOONING, AND AMERICAN ART, 1940-1976.

    New Haven/London: Yale University Press, for The Jewish Museum, New York, 2009. 4to., pp.xi,332, black cloth lettered in red, ownership autograph to front free endpaper, else clean and near-fine, in unclipped dust-jacket, which has creasing and 4cm closed tear to spine, else very good.

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  • Edited by: NAUMANN, Francis M.; OBALK, Hector. Translated by: TAYLOR, Jill.
    AFFECTIONATELY MARCEL. The Selected Correspondence of Marcel Duchamp.

    London: Thames and Hudson, 2000. 8vo., pp.406,(xvi), grey hardcover lettered in black, 16 b/w plates to rear of volume; a fine, fresh copy, in very good+ unclipped dust-jacket.

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  • Foreword by: COXSON, James.
    ALAN DAVIE, 1950-2000: SCHILDERIJEN / PAINTINGS.

    Cobra Editions, 2001. Bilingual (Dutch/English) exhibition catalogue, 4to., pp.48, paperback; near-fine.

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  • [DAVIE, Alan]. Edited by: ELLIOTT, Patrick; TUCKER, Michael.
    ALAN DAVIE DRAWINGS.

    Edinburgh/Brighton/London: Scottish National Gallery of Modern Art/University of Brighton/The Paragon Press, 1997. Exhibition catalogue, 4to., pp.155, paperback, colour plates; ownership autograph to half title, a fresh and near-fine copy.

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  • HARRISON, Michael.
    ALAN REYNOLDS: The Making of a Concretist Artist.

    Farnham: Lund Humphries, 2011. First edition, 4to., pp.192, white paper-covered boards lettered in grey and black, colour and b/w plates; ownership autograph to upper margin of recto frontispiece, small bruise to upper edge of rear board, light bruising to corners, internally fine, overall a very good(+) copy.

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  • BALDRY, Alfred Lys.
    ALBERT MOORE - HIS LIFE AND WORKS.

    London: George Bell and Sons, 1894. Folio, pp.xii,109, rebound in half red morocco, gilt, marbled boards, t.e.g., b/w and duochrome plates, some with caption sheets, further b/w illustrations; foxing to prelims, occasional foxing to margins, slight sunning to spine, else fresh and very good indeed.

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  • ANDERSON, Nancy K.; BROCK, Charles.
    ANDREW WYETH. Looking Out, Looking In.

    Washington: National Gallery of Art, 2014. 4to., pp.xix,192, black cloth lettered in white, colour-illustrated; a fresh and near-fine copy, in unclipped pictorial dust-jacket, which has 4cm closed tear to front lower corner, else near-fine.

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  • DERMUTZ, Klaus.
    ANSELM KIEFER: Maria Durch Ein Dornwald Ging.

    Salzburg: Galerie Thaddeus Ropac, 2008. Exhibition catalogue, 4to., bilingual German and English edition, pp.129, grey hardcover, colour and b/w plates; ownership autograph to front free endpaper, a fine copy, in fine unclipped dust-jacket.

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  • ANSELM KIEFER: IL MISTERO DELLE CATTEDRALI.

    London: White Cube, 2011. 4to, pp.110, publisher’s grey cloth, colour plates throughout, dust-jacket, slightly strange pagination but apparently complete, a fine copy.

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  • SUTHERLAND, Graham.
    APOLLINAIRE: LE BESTIAIRE OU CORTEGE D'ORPHEE. November-December 1979, Marlborough Fine Art.

    London: Marlborough Fine Art, Ltd, 1979. 4to., plain paperback wrappers with dust-jacket, 17 colour plates and numerous monochromatic illustrations; a fine copy.

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  • LAMPERT, Catherine, ed. With essay by T.J. Clark.
    AUERBACH.

    London: Tate, 2015. Exhibition catalogue, 4to., pp.176, paperback (card wrappers), colour plates; near-fine.

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  • Edited by: CHIAPPINI, Rudy.
    BACON.

    Milan: Skira, 2008. Exhibition catalogue, English edition, 4to., pp.250, black cloth lettered in navy, colour plates throughout, including folding plates; slight tone to edges, a fresh and near-fine copy, in near-fine unclipped dust-jacket.

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  • Introduction by: READ, Herbert.
    BEN NICHOLSON - PAINTINGS, RELIEFS, DRAWINGS. Volume I.

    London: Lund Humphries, 1955. Reprint (first published 1948; this volume covers work from 1911 to 1948), 4to., grey cloth lettered in black, colour frontispiece, colour and b/w plates; mildly ex library, with inkstamp and residue of removed bookplate to front free endpaper, otherwise unmarked, a clean and good+ copy. No dust-jacket.

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  • AXTEN, Janet. [Signed by the artist and the author]
    BRYAN PEARCE: THE ARTIST AND HIS WORK.

    Bristol: Sansom and Company, 2000. Signed first edition, oblong 4to., pp.144, green cloth lettered in black, colour plates; light spotting to endpapers, a fresh and near-fine copy, in vg+ unclipped dust-jacket.

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  • Edited by, LIVERSIDGE, Michael; FARRINGTON, Jane.
    CANALETTO & ENGLAND.

    London: Merrell Holberton/Birmingham Museums and Art Gallery, 1993. Exhibition catalogue, 4to., pp.192, paperback, colour and b/w illustrations; ownership inscription to half title, otherwise clean, a very good copy.

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  • LILLEY, Claire; COLLINS, Sarah; BARKER, Ian.
    CARO AT LONGSIDE: SCULPTURE AND SCULPITECTURE.

    Wakefield: Yorkshire Sculpture Park, 2001. Exhibition catalogue, 4to., pp.79, paperback, colour-illustrated; ownership autograph concealed within flap of front wrapper, a near-fine copy.

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  • Edited by GAUSS, Ulrike.
    CHAGALL: THE LITHOGRAPHS.

    Ostfildern-Ruit: Verlag Gerd Hatje. Exhibition catalogue, 4to, pp.413, blue cloth lettered in blind, colour plates; slight tobacco odour and light yellowing to margins, otherwise a very good, clean copy, in vg unclipped dust-jacket.

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  • CHRIS OFILI: WEAVING MAGIC. by EDE, Minna Moore; FINALDI, Gabriele.
    EDE, Minna Moore; FINALDI, Gabriele.
    CHRIS OFILI: WEAVING MAGIC.

    London: The National Gallery/Victoria Miro Gallery, 2017. Small 4to., pp.v,124, full pictorial cloth lettered in white, colour plates - including folding plates - throughout; a fine, fresh copy, with printed paper sleeve over rear board.

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  • [Artist’s signed presentation copy]
    CRAIGIE AITCHISON Recent Paintings. 22 November - 22 December 1989.

    London: Albermarle Gallery, 1989. Exhibition catalogue, 4to., unpaginated, paperback, 10 colour plates plus b/w portrait of the artist; artist’s signed inscription to half title, a fresh and near-fine copy.

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  • AITCHISON, Craigie.
    CRAIGIE AITCHISON: A PRIVATE COLLECTION.

    London: Waddington Custot Galleries, 2013. Exhibition catalogue, 4to., pp.111, navy hardcover lettered in gilt; light marking to boards, else fine. No dust-jacket, as issued. Includes pictorial exhibition invitation.

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