Dunbarton Oaks Center for Byzantine Studies, Trustees for Harvard University. 4to.,pp. 173, blue cloth, gilt, b/w and colour plates, b/w linecuts to rear, colour frontispiece; lightly toned to endpapers and edges, small neat pencil ownership autograph to front free endpaper, a very good copy, in a very goodpartially toned unclipped dust-jacket, which is lightly rubbed to extremities.

London: Geoffrey Bles, 1944. Squat 4to., pp.287, paperback, colour-illustrated; fine.

New Haven/London: Yale University Press, for the Paul Mellon Centre for Studies in British Art, 1997. Large 8vo., pp.x,188, blue hardcover, gilt, colour frontispiece, colour and b/w illustrations; owner’s handwritten catalogue numbers to half title, light spotting to top edges, else a fresh and near-fine copy, in vg+ unclipped dust-jacket.

Oxford: Clarendon Press. Second, revised and enlarged edition, 8vo., pp.xiv,402, paperback, b/w frontispiece; light crease to spine, partial sunning to wrappers, else clean and very good.

New York: Tate Publishing and The Drawing Center, 2003. 4to.,pp. 284, pictorial hardcover, white lettering, b/w and colour illustrations and fold-outs, colour frontispiece; ownership autograph to front free endpaper, occasional underlining and annotation in pencil, a very good copy, in a very good unclipped pictorial dust-jacket, which has a small puncture mark to front.

Oxford: Clarendon Press, 1992. 4to.,pp. xxiv,183, (232 illustrations); hardcover, gilt, b/w illustrations to rear; ownership autograph to front free endpaper, otherwise a near-fine copy, in a very good unclipped pictorial dust-jacket.

New Lanark: Geddes & Grosset. 4to., pp.180, blue cloth, gilt, 150 illustrations, largely in colour; ownership blindstamp to front free endpaper, a very good copy, in very good unclipped dust-jacket.

London: Phaidon, 2004. 4to., pp.304, black hardcover lettered in blind, colour-illustrated; ownership autographs to half title and to front pase-down endpaper (concealed by dust-jacket), slight bump to lower edge of front board, an otherwise fine copy, in fine unclipped dust-jacket.

Otley: Smith Settle, 1990. Oblong 4to.,pp. 117, beige cloth, red lettering, b/w and colour illustrations, b/w frontispiece; signed by the artist, inscriptions from the artist and from Arthur Haigh, written on white labels to half title page, slight toning to margins of endpapers, a very good copy, in a very good unclipped pictorial dust-jacket, which lightly rubbed.

London: Chatto and Windus. Revised, expanded edition, 4to., pp.32(text), 44 monochromatic plates, maroon hardcover, gilt; ownership inscription to front free endpaper, light rubbing to extremities, a very good, clean copy, in vg price-clipped dust-jacket, which has a little creasing to extremities and is now in a protective cover.