Koln: Snoeck, 2016. 4to., pp.288, paperback, b/w and colour illustrations, b/w frontispiece; a fresh and near-fine copy.

London: The British Museum Press, 2009. 4to.,pp. xiii,337, pictorial card wrappers, colour and b/w illustrations, colour frontispiece, decorative endpapers; ownership autograph to front wrapper verso, light creasing to spine, a very good, clean copy.

Mineola: Dover Publications, 2010. Small 4to., pp.127, paperback, 247 full colour illustrations, CD-ROM to rear pocket; a near fine copy with just very slight shelf-wear.

Cambridge University Press, 1999. Large 8vo., pp.xv,286, black cloth, gilt, b/w illustrations; a fine copy, in very good unclipped dust-jacket, which is lightly creased to extremities.

Laval: Société d’Archaeologie d’Histoire de la Mayenne. 4to., pp.xv,399, paperback, colour illustrations throughout; small ownership inscription to prelim blank, else a very good+, clean copy.

University of Glasgow, 1988. Exhibition catalogue, 8vo., unpaginated, stapled paperback wrappers, 10 b/w and 5 colour-plates; mild rubbing to extremities, light shelfwear and sticker mark on front wrapper behind the title, overall a very good copy.

Budapest: Budapest History Museum, 2008. 4to., pp.608, pictorial hardcover, colour illustrations and maps, b/w figures, colour frontispiece; light rubbing to corners of boards, a very good copy. No dust-jacket.

Ipswich: Boydell. 8vo., pp.155, grey hardcover lettered in silver, b/w illustrations; a very good, clean copy in vg lightly sunned unclipped dust-jacket.

London: The British Library, 2012. Exhibition catalogue, 4to., pp.255, paperback, colour-illustrated throughout; internally fresh, a very good copy indeed.

London: Mathaf Gallery, 1991. Bilingual text in English and Arabic, 4to., pp.247, green cloth, gilt, colour plates; light toning to upper edges of boards, a very good copy, in a very good unclipped pictorial dust-jacket.

London: Whitechapel Gallery, 1966. 8vo.,pp. 110, pictorial wrappers, b/w and colour illustrations; ownership autograph to front free endpaper, light rubbing to extremities, very good.

Manchester: Manchester University Press, 2016. 8vo.,pp.,xiii,176, pictorial hardcover, b/w illustrations; a very good, near fine copy. No dust-jacket as issued.

New Haven/London: Yale University Press, 2002. 4to., pp.xiii,349, black hardcover, gilt, colour-illustrated throughout; bumping to lower edge of rear board, otherwise fresh and fine, in very good unclipped dust-jacket, again with bumping to rear lower edge.

Princeton & Oxford: Princeton University Press, 2009. 4to., pp.xiii,464, red cloth, gilt, b/w frontispiece, 10 colour plates and 186 b/w illustrations; neat ownership nameplate to front paste-down endpaper, cloth darkened to rear upper margin from possible water-staining, otherwise very good indeed, in an unclipped dust jacket, which has inkstaining from cloth to rear upper margin (reverse of jacket), small nick with archival tape reinforcement to head of rear flap, else very good.

New York: Harry N. Abrams, Inc, 2003. 4to., pp.413, wine red cloth lettered in blind, colour-illustrated throughout; slight roll to spine, very good indeed, in a very good unclipped dust-jacket, which has slight indentation marks.

Cambridge University Press. Large 8vo., pp.xiii,281, grey hardcover lettered in silver, b/w illustrations; a very good, clean copy, in vg unclipped dust-jacket.

The Montreal Museum of Fine Arts in association with Snoeck Publishers. 4to., pp.xxi,265, pictorial harcover, colour-illustrated throughout; a fine copy. (No dust-jacket).

Ostfildern-Ruit: Hatje Cantze Verlag, 2000. 8vo., pp.403, pictorial hardcover, 270 b/w illustrations; ownership autograph to front free endpaper, very slight bump to lower edge of front board, a fresh and otherwise fine copy.

Ashington: Ashington Group Trustees, 2006. Oblong 8vo., pp.24, paperback, colour-illustrated; slight toning to upper margins, a near fine copy.

Dunbarton Oaks Center for Byzantine Studies, Trustees for Harvard University. 4to.,pp. 173, blue cloth, gilt, b/w and colour plates, b/w linecuts to rear, colour frontispiece; lightly toned to endpapers and edges, small neat pencil ownership autograph to front free endpaper, a very good copy, in a very goodpartially toned unclipped dust-jacket, which is lightly rubbed to extremities.