London: John Van Voorst, 1868. 8vo., pp.viii,296, blue cloth, gilt, b/w frontispiece, b/w illustrations, fold-out maps to rear; toning and foxing to endpapers and lightly throughout, light foxing to maps and to tissue guard, edges cut, small tear to lower front free endpaper, spine lightly rolled, sunning to spine, light soiling to edges and to boards, light rubbing to extremities, a good copy. No dust-jacket.

London: John Henry and Jas. Parker, 1855. 8vo., unpaginated, blue cloth, gilt, b/w frontispiece, further b/w plates; foxing and toning to endpapers, ink marking to chronological table, slight soiling and rubbing to boards, light rubbing to extremities, a very good copy. No dust-jacket.

New Haven/London: Published for the Paul Mellon Centre for British Art, Yale University Press, 1560. 4to., pp.xiii,456, navy hardcover, silver gilt, colour frontispiece, b/w and colour plates, pictorial endpapers; slight roll to spine, a very good, fresh copy, in a very good unclipped dust-jacket.

Paisley/London: Alexander Gardner, 1890. First edition. 8vo., pp.448, uncut, cloth, gilt, t.e.g., b/w illustrations; ex libris bookplate to front paste-down, lightly toned, rubbing to extremities and margins of boards, light wear to head and tail band, marks and staining to boards, else a good+ copy.

Much Wenlock, Shropshire: RJL Smith & Associates, 2014. 8vo., pp.vii,84, paperback, colour and b/w illustrations; fine.

London: Mitchell and Hughes, 1900. 8vo., pp.vi,233, blue cloth, gilt, t.e.g., b/w plates, folding plates; light rubbing to extremities, a very good copy.

Peter J. Stanhope, 2015. Limited edition, signed by the author and numbered 56 of 300 copies, oblong 8vo., pp.xii,136, pictorial hardcover, b/w and colour illustrations; in blue ink to title page, a near-fine copy, in a near-fine unclipped pictorial dust-jacket.

New York: Garland Publishing, 1977. 8vo., pp.x,221,(lxx); blue cloth, silver lettering, b/w plates; ownership autograph to half title page, light rubbing to cloth, a very good copy indeed. No dust-jacket.

Milan: Skira, 2007. 4to., pp.302, black hardcover, colour and b/w plates; a slight bruise along upper joint, a fresh and very good+ copy, in a very good+ unclipped dust-jacket.

New Haven/London: The Paul Mellon Centre for Studies in British Art, by Yale University Press, in association with English Heritage, 2004. 4to., pp.vii,351, red hardcover, gilt, colour frontispiece, colour and b/w illustrations; near-fine, in vg unclipped dust-jacket.

Cambridge: Cambridge University Press, 1886. Four volumes, large 8vo., pp.cxxxiv,630;xiii,776;xi,722, Vol. IV unpaginated, quarter bound in buckram with contrasting green cloth boards, gilt-lettered spines, illustrated with many monochromatic vignettes, nineteen monochrome plates, including folding plates, to Volume I, thirty to Volume II, and five to Volume III. The 'Plans' volume contains twenty-nine monochrome plates, most being folding plans; small ownership autograph to front free endpaper (all vols.), light rubbing to cloth, a very good set.

London: John Murray, 1855. First edition, 8vo., pp.xix,287, 32 (publishers adverts), half bound in publishers leather and marbled paper, contrasting leather title inlay to spine, gilt, many b/w illustrations; slight yellowing of pages, ex libris book plate to front paste down, light rubbing to edges and boards, overall a very good copy indeed.

Berkeley: University of California Press, 2000. Large 8vo.,pp. xxiii,433, pictorial hardcover, b/w illustrations and maps; a near-fine copy. No dust-jacket.

Leeds: Richard Jackson, 1917. 4to., pp.xxiv,266, light blue cloth, gilt, decorative gilt to front board, blind detailing to front board and spine, colour frontispiece, b/w and colour illustrations throughout; ownership bookplate to front paste-down, light foxing to endpapers, particularly affecting frontispiece and title page, occasional spots throughout, toning to half-title, spine slightly rolled, light rubbing to boards, particularly affecting extremities, a few light marks and surface soil, overall a very good copy.

London: Oxford University Press, 1979. 4to., pp. xxiii,231, navy hardcover, gilt, colour frontispiece, 12 colour plates, 38 b/w plates; a near fine copy in a near fine price-clipped dust-jacket very lightly rubbed with small bump to rear left upper corner.

London: Journal of the British Society of Master Glass Painters, 2011. 8vo., pp. 334, pictorial paperback, many b/w and colour illustrations; slight rubbing to wrappers, a very good copy indeed.

Oxford: Oxford University Press, 1995. 4to., pp. xii,161, navy hardcover, gilt, 5 b/w figures, many b/w catalogue illustrations throughout text, 24 colour plates to rear; a near fine copy in a near fine unclipped dust-jacket with some very minor creasing to upper margin and very light surface marks/scratches.

Norwich: Norwich Mercury Office. Oblong 8vo.,pp. 99, paper covered boards, green laminated spine, paper title labels, b/w illustrations; toned and heavily foxed to endpapers, with lighter toning and foxing to margins, rubbed and toned to boards, with light wear to corners, hand written paper title labels to spine worn and toned, slight cracking appearing to inner hinge, all contents firm, a good copy. No dust-jacket.

London: A. Zwemmer, 1988. 4to.,pp. 240,hardcover, gilt, b/w illustrations, b/w frontispiece; a near-fine copy, in a very good unclipped pictorial dust-jacket.

The National Trust, 2007. 4to., pp.159, hardcover, silver lettering, b/w illustrations, including CD; a very good copy, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.