ART & ARCHITECTURE

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  • BIGGAM, C.P.
    THE SEMANTICS OF COLOUR. A Historical Approach.

    Cambridge: Cambridge University Press, 2012. 8vo., pp.xiv,257, glazed hardcover; small tear inner margin of front endpapers, lightly bruised to extremities, a very good copy. No dust-jacket.

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  • FAWCETT, Richard.
    THE ARCHITECTURE OF THE SCOTTISH MEDIEVAL CHURCH 1100-1560. The Mediaeval Town Series.

    New Haven/London: Published for the Paul Mellon Centre for British Art, Yale University Press, 1560. 4to., pp.xiii,456, navy hardcover, silver gilt, colour frontispiece, b/w and colour plates, pictorial endpapers; slight roll to spine, a very good, fresh copy, in a very good unclipped dust-jacket.

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  • XIV MEDIEVAL ART AND ARCHITECTURE IN THE DIOCESE OF ST ANDREWS. by HIGGITT, John, ed.
    HIGGITT, John, ed.
    XIV MEDIEVAL ART AND ARCHITECTURE IN THE DIOCESE OF ST ANDREWS. The British Archaeological Association conference transactions for the year 1986

    The British Archaeological Association, 1994. 8vo., pp.viii;231;(34) paperback, fold-out map, b/w plates, in-text b/w illustrations; very lightly rubbed to extremities, else very good indeed.

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  • THE WORKS OF ERNEST NEWTON R.A. by Introduction by BLOMFIELD, Reginald and Critical Appreciation by NEWTON, William Godfrey.
    Introduction by BLOMFIELD, Reginald and Critical Appreciation by NEWTON, William Godfrey.
    THE WORKS OF ERNEST NEWTON R.A.

    London: The Architectural Press, 1925. Large 4to., pp.xvi,212, red cloth, gilt, colour frontispiece, b/w plates throughout; small sticker to front paste-down endpaper, marking to front free endpaper, light thumbing and offsetting throughout, rear board working loose, light wear to extremities and light soiling to boards, a good + copy. No dust-jacket.

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  • PRINTED: images by Australian artists 1885-1955. by BUTLER, Roger.
    BUTLER, Roger.
    PRINTED: images by Australian artists 1885-1955.

    National Gallery of Australia, 2007. 4to., pp.xv,328, pictorial hardcover, colour illustrations; a small spot of rubbing to rear board, else very good indeed, in a vg unclipped dustjacket which has a spot of creasing and small tear to rear.

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  • DAVID HOCKNEY: A BIGGER PICTURE. by Preface by, HOCKNEY, David. With contributions by, BARRINGER, Tim; DEVANEY, Edith; DRABBLE, margaret; GAYFORD, Martin; LIVINGSTONE, Marco; SOLOMON, Xavier F.
    Preface by, HOCKNEY, David. With contributions by, BARRINGER, Tim; DEVANEY, Edith; DRABBLE, margaret; GAYFORD, Martin; LIVINGSTONE, Marco; SOLOMON, Xavier F.
    DAVID HOCKNEY: A BIGGER PICTURE.

    London: Royal Academy of Arts, 2012. 4to., pp. 301, pictorial wrappers, colour illustrations, colour frontispiece; a near-fine copy.

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  • LE MONDE DES TEINTURES NATURELLES. by CARDON, Dominique.
    CARDON, Dominique.
    LE MONDE DES TEINTURES NATURELLES.

    Paris: Belim, 2003. 4to., pp.586, cloth-backed lettered in white, glazed covers, colour illustrations; light toning to edges, light shelfwear, internally fresh, a good+, clean copy.

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  • THE HISTORICAL CASTLES AND MANSIONS OF SCOTLAND. by MILLAR, A. H.
    MILLAR, A. H.
    THE HISTORICAL CASTLES AND MANSIONS OF SCOTLAND. Perthshire and Forfarshire.

    Paisley/London: Alexander Gardner, 1890. First edition. 8vo., pp.448, uncut, cloth, gilt, t.e.g., b/w illustrations; ex libris bookplate to front paste-down, lightly toned, rubbing to extremities and margins of boards, light wear to head and tail band, marks and staining to boards, else a good+ copy.

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  • POTENTIAL IMAGES by GAMBONI, Dario.
    GAMBONI, Dario.
    POTENTIAL IMAGES Ambiguity and Indeterminacy in Modern art

    London: Reaktion Books, 2002. 4to., pp.304, paperback, many colour and b/w illustration; a near-fine copy.

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  • COINAGE IN THE CELTIC WORLD. by NASH, Daphne.
    NASH, Daphne.
    COINAGE IN THE CELTIC WORLD.

    London: Seaby, 1987. 8vo., pp.153, grey hardcover, gilt, b/w plates and maps; very good+, in a very good unclipped dust-jacket.

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  • THE LIFE OF J.M.W. TURNER, R.A. by THORNBURY, Walter.
    THORNBURY, Walter.
    THE LIFE OF J.M.W. TURNER, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow Academicians. In Two Volumes.

    London: Hurst and Blackett, 1862. Two volumes, 8vo., pp.xv,416;vi,425, publisher’s half red leather, four raised bands, gilt, marbled boards, speckled edges, 7 b/w plates, including frontispiece to Volume I.; ink ownership autograph to both volumes, paste action to endpapers, extremities rubbed, with wear to paper covering along edges of boards, spines uniformly sunned, a near very good set, which is internally clean.

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  • THE LAMBETH METHOD OF CAKE DECORATION AND PRACTICAL PASTRIES. by LAMBETH, Joseph A. Foreword by John J.N. Mackman.
    LAMBETH, Joseph A. Foreword by John J.N. Mackman.
    THE LAMBETH METHOD OF CAKE DECORATION AND PRACTICAL PASTRIES.

    London: Virtue and Company Limited, 1936. First edition, folio, pp.xv,308,(8) adverts, textured decorative claret cloth, gilt, top edges red, illustrated with colour and b/w plates, loose folding plate for a gondola design; occasional fingermarking to margins, light foxing to edges, 2cm tear to cloth over spine, spine lightly rolled, rubbing to extremities, overall very good.

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  • IN VENICE WITH TURNER. by FINBERG, A.J.
    FINBERG, A.J.
    IN VENICE WITH TURNER.

    London: The Cotswold Gallery, 1930. 4to., pp.xv,184, pictorial bevelled red buckram, gilt, t.e.g., tipped-in colour frontispiece, tipped-in colour plates plus b/w plates, pictorial head- and tailpieces; foxing to prelims and fore-edges, light toning to margins, a little light rubbing and marking to cloth, overall a very good copy indeed.

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  • THE LAST FLOWER PAINTINGS OF MANET by GORDONS, Robert; FORGE, Andrew; Translated by HOWARD, Richard.
    GORDONS, Robert; FORGE, Andrew; Translated by HOWARD, Richard.
    THE LAST FLOWER PAINTINGS OF MANET

    London: Thames and Hudson, 1986. 4to., pp.48, blue cloth, light blue lettering, 1 b/w illustration, 16 colour illustrations; a fine copy in a vg unclipped dust-jacket, which is sunned to spine.

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  • DEPICTION. by PODRO, Michael.
    PODRO, Michael.
    DEPICTION.

    New Haven/London: Yale University Press, 1998. 8vo., pp.viii,194, brown hardcover, gilt, colour frontispiece, colour and b/w plates; light rubbing to extremities, else near-fine, in a near-fine unclipped dust-jacket, with tiny nick to head of front flap.

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  • REYNOLDS, Graham.
    THE LATER PAINTINGS AND DRAWINGS OF JOHN CONSTABLE Vol. I: Text Vol. II: Plates

    New Haven & London: Yale University Press, 1984. Two volume set. 4to., pp.xx,324;unpaginated plates, hardcover, gilt, many b/w and colour plates to plates volume; a fine set in near-fine unclipped dust-jackets, with creasing to front overleaf of plates volume, in slipcase.

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  • HEYL, Charline von
    NOW OR ELSE

    Kerber Art, 2012. exhibition catalogue. 4to., pp. 130, paperback, many colour illustrations; one small mark to front wrapper, else very good indeed.

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  • 10001NACHT. by RICHTER, Daniel.
    RICHTER, Daniel.
    10001NACHT.

    Cologne: Snoeck, 2011. Oblong 4to., pp.87, purple hardcover with decorative inlay, colour plates; ownership inscription to front free endpaper, light bending to boards, extremities slightly rubbed, a very good copy indeed. No dust-jacket.

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  • TOVEY, John.
    WEAVES AND PATTERN DRAFTING.

    London: B. T. Batsford Limited, 1978. Reprint, small 4to., pp.100, black hardcover, gilt, numerous b/w plates; pencilling throughout, light toning to edges, slight rubbing to boards, a very good copy, in an unclipped dust-jacket which is lightly creased toned and has a large tear (21cm) to front stretching to spine and small area of loss to spine, else good.

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  • THE SCULPTURE OF LEON UNDERWOOD. by WHITWORTH, Ben.
    WHITWORTH, Ben.
    THE SCULPTURE OF LEON UNDERWOOD.

    Much Hadham: The Henry Moore Foundation, in Association with Lund Humphries, 2000. 4to., pp.152, black hardcover, gilt, many b/w and colour plates; slight soiling to top edge of text block, very slight rubbing to extremities, a very good copy indeed, in an unclipped pictorial dust-jacket which is slightly rubbed and has light moulding to interior, overall good+.

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