ART & ARCHITECTURE

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  • JOHN MONKS - PAINTINGS. by MONKS, John. Introduction by Jasper Sharp.
    MONKS, John. Introduction by Jasper Sharp.
    JOHN MONKS - PAINTINGS.

    Royston: The Penchant Press, 2008. 4to., pp.144, navy hardcover, gilt, colour plates throughout; a fine copy, in fine unclipped dust-jacket.

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  • MORGAN, Nigel. With a contribution on the Palaeography by Michelle Brown. Foreword by the Archbishop of Canterbury.
    THE LAMBETH APOCALYPSE Manuscript 209 in Lambeth Palace Library.

    London: Harvey Miller Publishers, 1990. 4to., pp.383, red cloth with gilt-lettered title label to spine, b/w plates; neat ownership nameplate to front paste-down endpaper, very slight rubbing to extremities, a fine, fresh copy.

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  • HEENK, Liesbeth. With Introduction by ROSENTHAL, Nan.
    HOWARD HODGKIN PRINTS: The Complete Prints.

    London: Thames and Hudson. First paperback edition, 4to., pp.240 paperback, 209 illustrations, including 83 colour and 126 duotone illustrations; very good indeed.

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  • THE MEDIEVAL HOUSES OF KENT. by Edited by, PEARSON, Sarah.
    Edited by, PEARSON, Sarah.
    THE MEDIEVAL HOUSES OF KENT. An Historical Analysis.

    Swindon: RCHM (HMSO), 1994. 4to., pp.x,196, paperback, folding map to rear of volume; ownership autograph to half title, a very good, fresh copy.

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  • LEONARDO DA VINCI: The Biography. by ISAACSON, Walter.
    ISAACSON, Walter.
    LEONARDO DA VINCI: The Biography.

    London: Simon Schuster, 2017. 8vo.,pp. xii,599, hardcover, bronze lettering, b/w and colour illustrations, pictorial endpapers; a near-fine copy, in a near-fine unclipped pictorial dust-jacket.

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  • PONTIUS PILATE, ANTI-SEMITISM, AND THE PASSION IN MEDIEVAL ART. by HOURIHANE, Colum.
    HOURIHANE, Colum.
    PONTIUS PILATE, ANTI-SEMITISM, AND THE PASSION IN MEDIEVAL ART.

    Princeton & Oxford: Princeton University Press, 2009. 4to., pp.xiii,464, red cloth, gilt, b/w frontispiece, 10 colour plates and 186 b/w illustrations; neat ownership nameplate to front paste-down endpaper, cloth darkened to rear upper margin from possible water-staining, otherwise very good indeed, in an unclipped dust jacket, which has inkstaining from cloth to rear upper margin (reverse of jacket), small nick with archival tape reinforcement to head of rear flap, else very good.

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  • ZARNECKI, George.
    LATER ENGLISH ROMANESQUE SCULPTURE, 1140-1210.

    London: Alec Tiranti Ltd, 1953. Small 8vo., pp.68(text), black cloth lettered in white, frontispiece map, 133 b/w illustrations; ink ownership inscription to front free endpaper, else very good indeed, in good price-clipped dust-jacket, which is rubbed along folds, with chipping and small closed tears to extremities.

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  • OUSTERHOUT, Robert G.
    THE ARCHITECTURE OF THE KARIYE CAMII IN ISTANBUL. Dumbarton Oaks Studies Twenty-Five.

    Washington, D.C: Dumbarton Oaks Research Library and Collection, 1987. 4to., pp.xiv,157, 166 unpaginated b/w plates; light marking to endpapers, otherwise internally clean, very minor rubbing to extremities, a very good copy in a unclipped pictorial dust-jacket which is lightly rubbed with a few slight marks.

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  • BUTLIN, Martin.
    THE PAINTINGS AND DRAWINGS OF WILLIAM BLAKE. [In Two Volumes:] Volume I. Text; Volume II. Plates.

    London/New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1981. First edition, 4to., pp.xxviii,668;unpaginated, comprising 1193 b/w and colour plates, green cloth, gilt; very slight spotting to edges, a fine set, in fine unclipped dust-jackets.

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  • ESSICK, Robert N.
    WILLIAM BLAKE, PRINTMAKER.

    Princeton: Princeton University Press, 1980. 4to., pp.xxii,283, pale blue cloth with title band stamped in black, gilt, colour frontispiece, 231 unpaginated b/w plates; foxing to top edges and lightly to fore-edges, else fine, in very good unclipped dust-jacket, which is lightly toned to spine.

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  • WELLER, Alan; designed by WALDREP, Joel.
    GODS AND DEMONS.

    Mineola: Dover Publications, 2010. Small 4to., pp.127, paperback, 247 full colour illustrations, CD-ROM to rear pocket; a near fine copy with just very slight shelf-wear.

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  • SWATCH 88 89 90 91 92

    Zurich: Farner Publicis, 1992. 4to., paperback, pp. 93, 276, index unpaginated, two magazines with many full colour illustrations and a separate index book; a near fine copy in a transparent plastic slipcase.

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  • ENCYCLOPEDIA OF MEDIEVAL DRESS AND TEXTILES OF THE BRITISH ISLES, c.400-1450. by OWEN-CROCKER, Gale; COATSWORTH, Elizabeth; HAYWARD, Maria.
    OWEN-CROCKER, Gale; COATSWORTH, Elizabeth; HAYWARD, Maria.
    ENCYCLOPEDIA OF MEDIEVAL DRESS AND TEXTILES OF THE BRITISH ISLES, c.400-1450.

    Leiden: Brill, 2012. Large 8vo., pp.692, pictorial hardcover, colour plates and b/w illustrations; upper corner of front board bumped, slight bruise to tailband, internally clean and otherwise very good.

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  • ARTISTS BOOKS: A Critical Anthology and Sourcebook. by Edited by, LYONS, Joan.
    Edited by, LYONS, Joan.
    ARTISTS BOOKS: A Critical Anthology and Sourcebook.

    New York: Visual Studies Workshop Press, 1985. First edition, 8vo.,pp. 269, brown hardcover, gilt, b/w illustrations; lightly rubbed to extremities, a very good copy, in a very good unclipped dust-jacket, which is rubbed to extremities, with light wear to foot of spine, lightly sunned to spine.

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  • THE ART OF DYEING IN THE HISTORY OF MANKIND. by BRUNELLO, Franco.
    BRUNELLO, Franco.
    THE ART OF DYEING IN THE HISTORY OF MANKIND.

    Vicenza: Nevi Pozza, 1973. Large 8vo., pp.xviii,467, blue hardcover lettered in white, illustrated with 178 b/w and 7 inlaid colour plates; from the library of Penelope Walton, with ownership bookplate to front free endpaper, spine broken at rear inner hinge, with gutter open, extremities rubbed, a working copy, with very partial dust-jacket.

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  • Edited by, PANAYOTOVA, Stella; With the assistance of, JACKSON, Deirdre; RICCIARDI, Paola.
    COLOUR: The Art & Science of Illuminated Manuscripts.

    London: Harvey Miller Publishers, 2016. 4to.,pp. 420, pictorial wrappers, colour illustrations; very lightly soiled to edges of text block, otherwise near-fine.

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  • THE ARTIST AND THE COUNTRY HOUSE: A History of Country House and Garden View Painting in Britain, 1540-1870. by HARRIS, John.
    HARRIS, John.
    THE ARTIST AND THE COUNTRY HOUSE: A History of Country House and Garden View Painting in Britain, 1540-1870.

    London: Sotheby Parke Bernet Publications/ Philip Wilson Publishers, 1979. 4to., pp.xiii,376, green cloth, gilt, b/w and colour illustrations throughout, b/w title page; a near-fine copy, in a very good+ unclipped pictorial dust-jacket.

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  • GREENWOOD, Jeremy. Introduction by Richard Cork.
    THE GRAPHIC WORK OF EDWARD WADSWORTH.

    Woodbridge: The Wood Lea Press, 2002. Folio, pp.108, decorative paper-covered boards, b/w frontispiece portrait, colour and black and white plates; a fine copy, in very good plain card slipcase.

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  • GANDEE, B.F.
    THE ARTIST, OR THE YOUNG LADIES INSTRUCTOR.

    London: Chapman and Hall, 1835. 12mo., pp.254,(ii), rebacked with pale blue cloth spine, new endpapers, original textured cloth boards with decorative gilt lettering, a.e.g., pictorial title in colour, 16 full-page b/w plates with tissue guards, b/w figures and devices; edges of boards lightly worn, marking and staining to cloth, internally clean, a good+ copy.

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  • OTTO DIX. by PETERS, Olaf, ed.
    PETERS, Olaf, ed.
    OTTO DIX.

    Munich: Prestel, 2010. Exhibition catalogue, 4to., pp.257, fuschia cloth, gilt, pictorial endpapers, colour plates; small abraded area to front paste-down endpaper, slight roll to spine, else very good indeed, in very good unclipped dust-jacket.

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