Aldershot: Lund Humphries, in association with Manchester Art Gallery and Birmingham Museums and Art Gallery, 2005. Exhibition catalogue, 4to., pp.208, paperback, colour plates, b/w illustrations; partial sunning to front wrapper, a very good, fresh copy.

Hatje Cantz Publishers. First edition, 4to., pp.280, pictorial hardcover, colour plates throughout; ownership autograph to front free endpaper, very slight toning to margins, very slight shelf-wear, a very good copy indeed. No dust-jacket, as issued.

National Museums of Scotland, 1989. 4to., pp.xiii,320, paperback, b/w frontispiece, b/w illustrations; light crease to lower margin of front wrapper and early leaves, else very good.

London: (Woolley Dale Press), 1987. Limited edition, no. 65 of 100 copies, 8vo., five volumes in varicoloured card wrappers, each with an inlaid colour plate to front wrapper, colour-illustrated throughout, folded synopsis leaf; just very slight sunning to spines, a near-fine set, in navy slipcase, with title label to spine.

Atglen, PA: Schiffer, 1995. 4to., pp.176, red cloth lettered in black, colour and b/w plates; a fresh and near-fine copy, in vg+ unclipped dust-jacket.

London: Serpentine Gallery, 2001. 4to.,pp. 69, paperback, exhibition catalogue, colour illustrations, colour plates and fold-outs; light creasing to rear and along rear edge of spine, a very good copy.

London: John Murray, 1855. First edition, 8vo., pp.xix,287, 32 (publishers adverts), half bound in publishers leather and marbled paper, contrasting leather title inlay to spine, gilt, many b/w illustrations; slight yellowing of pages, ex libris book plate to front paste down, light rubbing to edges and boards, overall a very good copy indeed.

Columbia: The National Association of Watch and Clock Collectors, 2018. 4to., pp.xii,497, pictorial glazed hardcover, b/w figures; lower corner of rear board lightly curved, puncture to paper covering over spine at rear inner margin, else a fresh and near-fine copy. No dust-jacket, as issued.

Christian Brandstatter Verlag, 2006. 4to., pp.255, grey cloth lettered in black, colour plates; fine, in a very good unclipped dust-jacket.

Cambridge: The MIT Press, 1988. 8vo.,pp. 210, paperback, b/w illustrations; sunned and lightly creased to spine, light rubbing to extremities, a very good copy.

Bristol: Sansom and Company, 2000. Signed first edition, oblong 4to., pp.144, green cloth lettered in black, colour plates; light spotting to endpapers, a fresh and near-fine copy, in vg+ unclipped dust-jacket.

New Castle, Oak Knoll Press. Large 8vo.,pp.xxv,332, blue cloth, gilt; b/w illustrations and frontispiece, fine, in a fine unclipped pictorial dust-jacket.

London: Merrell Holberton/Birmingham Museums and Art Gallery, 1993. Exhibition catalogue, 4to., pp.192, paperback, colour and b/w illustrations; ownership inscription to half title, otherwise clean, a very good copy.

Wakefield: Yorkshire Sculpture Park, 2001. Exhibition catalogue, 4to., pp.79, paperback, colour-illustrated; ownership autograph concealed within flap of front wrapper, a near-fine copy.

London: Thames & Hudson, 2000. 4to.,pp. 299, brown hardcover, gilt, colour illustrations; torn along inner hinge of front endpapers, otherwise very good and clean, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

Woodbridge: The Boydell Press. 8vo., pp.x,276, black hardcover lettered in silver, b/w frontispiece; small crease to upper corners of pp.147-58, with very slight crease to several leaves thereafter, a very good copy, in very good unclipped dust-jacket.

London: British Museum Publications. 4to., pp.208, red hardcover, gilt, colour and b/w illustrations; a very good copy, in vg unclipped dust-jacket.

London: Unicorn Press, 2012. 4to., pp.120, pictorial card wrappers, colour plates; a fine copy.

Istanbul: Ada Press, 1987. 4to., pp.174, turquoise cloth, gilt, colour plates; very good indeed, in vg unclipped dust-jacket.

London: Royal Academy of Arts, 2000. 4to.,pp. 355, brown cloth, cream lettering, b/w and colour illustrations; a near-fine copy, in a near-fine unclipped pictorial dust-jacket.