Edgecliff NSW, Focus Publishing Pty Ltd, 1952. First edition, 4to.,pp.204, pictorial paper covered boards, black lettering; illustrations throughout, authors presentation inscription on half-title page, unclipped pictorial dust-jacket, fine.

London: Methuen, 1975. Reprint, 8vo., pp.lxi,266, paperback, 4 colour plates, numerous b/w plates to rear of volume, as well as b/w in-text figures; a very good copy.

Ronald Feldman Fine Arts, Inc, 1997. 4to., pp. 304, black cloth, white lettering, title in blind to front board, b/w and colour illustrations; a fine copy in a very good+ unclipped dust-jacket with light rubbing and a small mark to front.

Cambridge University Press. 8vo., pp.xii,296, blue hardcover, gilt, 16 b/w plates; ownership blindstamp to front free endpaper, small illuminated letter ink stamp to front paste-down endpaper (beneath dust-jacket flap), light foxing to top edges, a very good, clean copy, in vg unclipped dust-jacket.

Ipswich: Leiston Press, 2014. 4to., pp.48, many colour illustrations; a very good copy indeed.

Salzburg: Galerie Thaddeus Ropac, 2008. Exhibition catalogue, 4to., bilingual German and English edition, pp.129, grey hardcover, colour and b/w plates; ownership autograph to front free endpaper, a fine copy, in fine unclipped dust-jacket.

London: John Henry and Jas. Parker, 1855. 8vo., unpaginated, blue cloth, gilt, b/w frontispiece, further b/w plates; foxing and toning to endpapers, ink marking to chronological table, slight soiling and rubbing to boards, light rubbing to extremities, a very good copy. No dust-jacket.

London: Scott, Greenwood & Son. Large 8vo., pp.xiv,496, textured green cloth, gilt, five plates, 950 wood-engraved illustrations in the text; light partial sunning to cloth but gilt still bright, light toning to endpapers, contents clean, one small marginal tear but o/w a very good copy.

Country Life Books, 1976. Reprint, oblong 4to., pp.207, brown hardcover, gilt, colour plates; signed by four of the potters beneath their portraits, light toning to margins, light sellotape marking to margins of boards, rubbing to extremities, slight bruise to upper LH corner of front board, a very good copy, in unclipped dust-jacket, which is lightly sunned to spine, with 2cm closed tear to front lower margin, and light rubbing/slight chipping to extremities, else very good - now in a protective cover.

New York: Visual Studies Workshop Press, 1985. First edition, 8vo.,pp. 269, brown hardcover, gilt, b/w illustrations; lightly rubbed to extremities, a very good copy, in a very good unclipped dust-jacket, which is rubbed to extremities, with light wear to foot of spine, lightly sunned to spine.

London: Butterworth Scientific, 1600. 8vo., pp.ix,236, black hardcover, 8 colour plates, b/w illustrations; tiny handwritten ownership autograph to head of front paste-down endpaper, and owner’s handwritten catalogue number to head of front free endpaper, light shelfwear, a very good copy.

London/Harrogate: The Mercer Art Gallery and The Guildhall Art Gallery, 2011. 4to., pp.xi,180, pictorial paperback, many colour illustrations; a fine copy.

London: Tate, 2015. Exhibition catalogue, 4to., pp.176, paperback (card wrappers), colour plates; near-fine.

Milan: Skira, 2008. Exhibition catalogue, English edition, 4to., pp.250, black cloth lettered in navy, colour plates throughout, including folding plates; slight tone to edges, a fresh and near-fine copy, in near-fine unclipped dust-jacket.

London: Thames and Hudson, 1996. 4to.,pp. 215, black cloth, silver lettering to spine, silver emblem to front board, colour illustrations and fold-out illustrations, colour frontispiece; ownership autograph to front free endpaper, otherwise near-fine, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

Chicago: William and Noma Copley Foundation. Made and printed by Percy Lund, Humphries & Co. (London), 1961. Oblong 8vo., pp.(33), white hardcover lettered in black, one colour plate, 14 b/w plates as well as b/w frontispiece portrait and further b/w in-text illustrations; light toning to margins, a very good copy, in acetate wrapper, which has large area of loss to front upper margin. Includes Alain Jouffroy’s introductory essay in French as 4pp. loose-leaf insert.

London: Lund Humphries, 1955. Reprint (first published 1948; this volume covers work from 1911 to 1948), 4to., grey cloth lettered in black, colour frontispiece, colour and b/w plates; mildly ex library, with inkstamp and residue of removed bookplate to front free endpaper, otherwise unmarked, a clean and good+ copy. No dust-jacket.

Cv Publications, 2014. Small 8vo., pp.56, paperback, 6 colour plates; highlighted word to p.12, else a near fine copy.

London: Reaktion Books, 2011. 4to.,pp. 312, hardcover, silver lettering, colour and b/w illustrations, colour frontispiece; ownership autograph to front free endpaper, otherwise near-fine, in a near-fine unclipped pictorial dust-jacket.

Aldershot: Lund Humphries, in association with Manchester Art Gallery and Birmingham Museums and Art Gallery, 2005. Exhibition catalogue, 4to., pp.208, paperback, colour plates, b/w illustrations; partial sunning to front wrapper, a very good, fresh copy.