Much Hadham: The Henry Moore Foundation, in Association with Lund Humphries, 2000. 4to., pp.152, black hardcover, gilt, many b/w and colour plates; slight soiling to top edge of text block, very slight rubbing to extremities, a very good copy indeed, in an unclipped pictorial dust-jacket which is slightly rubbed and has light moulding to interior, overall good+.

Cambridge: Cambridge University Press, 2012. 8vo., pp.xiv,257, glazed hardcover; small tear inner margin of front endpapers, lightly bruised to extremities, a very good copy. No dust-jacket.

Oxford: Clarendon Press. Second, revised and enlarged edition, 8vo., pp.xiv,402, paperback, b/w frontispiece; light crease to spine, partial sunning to wrappers, else clean and very good.

New Haven/London: The Paul Mellon Centre for Studies in British Art, by Yale University Press, in association with English Heritage, 2004. 4to., pp.vii,351, red hardcover, gilt, colour frontispiece, colour and b/w illustrations; near-fine, in vg unclipped dust-jacket.

Cambridge: The MIT Press, 1981. Large 8vo.,pp. 225, black cloth, grey lettering, b/w and colour illustrations and fold-outs; light toning to edges of text block, a very good copy, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

New York: Tate Publishing and The Drawing Center, 2003. 4to.,pp. 284, pictorial hardcover, white lettering, b/w and colour illustrations and fold-outs, colour frontispiece; ownership autograph to front free endpaper, occasional underlining and annotation in pencil, a very good copy, in a very good unclipped pictorial dust-jacket, which has a small puncture mark to front.

Aldershot: Ashgate, 2007. Small 4to., pp.xx,421, blue hardcover, gilt, 191 b/w illustrations; fine, in near-fine unclipped dust-jacket.

London: Faber and Faber, 1983. Reprinted, large 8vo., pp.527,unpaginated plates, hardcover, gilt, colour frontispiece, 170 b/w illustrations, numerous in-text figures; a very good copy, in a very good unclipped dust-jacket, with just light surface soil to the pale paper, and very slight rubbing/chipping to extremities (now in a protective cover).

Oxford: Clarendon Press, 1992. 4to.,pp. xxiv,183, (232 illustrations); hardcover, gilt, b/w illustrations to rear; ownership autograph to front free endpaper, otherwise a near-fine copy, in a very good unclipped pictorial dust-jacket.

New Lanark: Geddes & Grosset. 4to., pp.180, blue cloth, gilt, 150 illustrations, largely in colour; ownership blindstamp to front free endpaper, a very good copy, in very good unclipped dust-jacket.

York: Council for British Archaeology, 2004. 4to., pp.xv,201, paperback, b/w illustrations; crease to lower corner of rear wrapper and pp.189-201, light rubbing to edges of wrappers, else clean and very good.

Oxford: Phaidon/Christie’s, 1982. Small 4to., pp.288, olive cloth, gilt, colour plates and numerous b/w illustrations; a very good, clean copy, in very good unclipped dust-jacket.

Comisiwn Brenhinol Henebion Cymru/Royal Commission on the Ancient and Historical Monuments of Wales, published in association with Amgueddfa Cymru - National Museum Wales, 2011. 4to., pp.288, brown hardcover, gilt, colour and b/w plates; a fine copy, in very good+ unclipped dust-jacket.

London: Harvey Miller Publishers. 4to., pp.192, pictorial wrappers, b/w illustrations; a very good copy.

London: Phaidon, 2004. 4to., pp.304, black hardcover lettered in blind, colour-illustrated; ownership autographs to half title and to front pase-down endpaper (concealed by dust-jacket), slight bump to lower edge of front board, an otherwise fine copy, in fine unclipped dust-jacket.

London: Yale Center for British Art/National Portrait Gallery, in association with Yale University Press, 2010. Exhibition catalogue, 4to., pp.xxi,314, black cloth, gilt, colour plates; a fresh and near-fine copy, in very good+ unclipped dust-jacket.

London: Jonathan Cape, 2015. 8vo., pp.(v),344, black hardcover, gilt, colour plates, pictorial endpapers; a very good, clean copy, in a very good unclipped dust-jacket.

London: Marlborough Fine Art, 1973. Large 8vo.,pp. 27, pictorial wrappers, b/w and colour illustrations; light staining and shelf wear to wrappers, otherwise very good.

2011. Oblong 4to., pp.unoaginated, unlettered black cloth, colour plates throughout; a fine copy, in fine unclipped dust-jacket. Included is a an exhibition invitation and further postcard of a portrait by the artist.

Otley: Smith Settle, 1990. Oblong 4to.,pp. 117, beige cloth, red lettering, b/w and colour illustrations, b/w frontispiece; signed by the artist, inscriptions from the artist and from Arthur Haigh, written on white labels to half title page, slight toning to margins of endpapers, a very good copy, in a very good unclipped pictorial dust-jacket, which lightly rubbed.