Cologne: Snoeck, 2011. Oblong 4to., pp.87, purple hardcover with decorative inlay, colour plates; ownership inscription to front free endpaper, light bending to boards, extremities slightly rubbed, a very good copy indeed. No dust-jacket.

Antique Collectors’ Club, 2009. 4to., pp.480, blue hardcover, gilt, colour-illustrated; a fresh and near-fine copy, in vg+ unclipped dust-jacket.

Cornwall: Belgrave St Ives Modern & Contemporary Art, 2017. 8vo., unpaginated, printed wrappers, numerous colour plates; very slight shelf-wear to extremities, a near fine copy.

London: T. Cadell and W. Davies; J. Murray. Folio, pp.viii,174, attractive, twentieth-century quarter calf with five raised bands, gilt, marbled boards, new endpapers, 20 engraved plates, including additional pictorial title and one in the text; light foxing to pictorial title, lower corner of rear board a little bumped, otherwise a very good copy indeed.

London: T. Werner Laurie Ltd. First edition, folio, pp.x,226, uncut, original parchment-backed boards, gilt, t.e.g., colour frontispiece, b/w and colour plates; neat ownership bookplates to front paste-down endpaper, toning and foxing to prelims, a very good copy, in pictorial dust-jacket, which is worn to extremities, with all-over adhesive plastic covering, and paper reinforcement to reverse of spine.

London: Lund Humphries, in association with the Barbican Art Gallery, 1993. Reprinted, 4to., pp.144, pictorial wrappers, colour and b/w illustrations; sunning to spine, lightly rubbed, else very good indeed.

London: Crosby, Lockwood and Son, 1921. Small 8vo., pp.viii,273,14, olive cloth, black lettering, b/w illustrations; small bookseller sticker to front paste-down endpaper, slight soiling to front endpapers, very slight foxing throughout, creasing to lower rear endpapers, hinge slightly visible between p.97-98, light soiling to edges and slightly to boards, light sunning to spine, rubbing and slight bruising to extremities, a good + copy. No dust-jacket.

London: Whiting & Co, 1887. 8vo., pp.4, comprises title, 3pp. of text, plus 2 b/w plates, bound into green cloth boards, gilt; from the library of Janet and C.R. Ashbee, with their nameplate to head of front paste-down endpaper, and inscribed to C.M. Ashbee on title page, a further heraldic bookplate to front paste-down endpaper, paste-action to free endpapers, foxing throughout, tobacco odour, overall a very good copy, with small spots of rubbing to extremities.

Philadelphia: University of Pennsylvania Press, 2005. 4to.,pp. 255, pictorial wrappers, b/w and colour illustrations; ownership autograph to front wrapper verso underneath front inner fold, light rubbing to extremities, otherwise a near-fine copy.

New Haven/London: Yale University Press, for The Jewish Museum, New York, 2009. 4to., pp.xi,332, black cloth lettered in red, ownership autograph to front free endpaper, else clean and near-fine, in unclipped dust-jacket, which has creasing and 4cm closed tear to spine, else very good.

Milan: Skira, 2007. 4to., pp.302, black hardcover, colour and b/w plates; a slight bruise along upper joint, a fresh and very good+ copy, in a very good+ unclipped dust-jacket.

Munich/London: Prestel/Whitechapel Gallery, 2015. Exhibition catalogue, 4to., pp.287, pictorial hardcover, colour and b/w plates; ownership autograph to front free endpaper, a fine copy.

London: Thames and Hudson, 2000. 8vo., pp.406,(xvi), grey hardcover lettered in black, 16 b/w plates to rear of volume; a fine, fresh copy, in very good+ unclipped dust-jacket.

Derbyshire Museum Service. 4to., pp.68, paperback, colour and b/w illustrations; ownership blindstamp to half title, slightly musty, light shelfwear to wrappers, else very good.

Edinburgh/Brighton/London: Scottish National Gallery of Modern Art/University of Brighton/The Paragon Press, 1997. Exhibition catalogue, 4to., pp.155, paperback, colour plates; ownership autograph to half title, a fresh and near-fine copy.

London: Newport Street Gallery, 2019. 4to., unpaginated, pictorial hardcover, many colour illustrations; a fine copy.

Farnham: Lund Humphries, 2011. First edition, 4to., pp.192, white paper-covered boards lettered in grey and black, colour and b/w plates; ownership autograph to upper margin of recto frontispiece, small bruise to upper edge of rear board, light bruising to corners, internally fine, overall a very good(+) copy.

London: George Bell and Sons, 1894. Folio, pp.xii,109, rebound in half red morocco, gilt, marbled boards, t.e.g., b/w and duochrome plates, some with caption sheets, further b/w illustrations; foxing to prelims, occasional foxing to margins, slight sunning to spine, else fresh and very good indeed.

University of Michigan, 2006. 8vo., pp.xxii,337, black cloth, bronze gilt, 117 b/w illustrations, 8 colour plates; fine with vg+ dust-jacket that has sunning to spine.

Edgecliff NSW, Focus Publishing Pty Ltd, 1952. First edition, 4to.,pp.204, pictorial paper covered boards, black lettering; illustrations throughout, authors presentation inscription on half-title page, unclipped pictorial dust-jacket, fine.