London: Timothy Taylor Gallery/Waddington Gallleries, 2004. Exhibition catalogue, small 4to., pp.56, navy cloth, gilt, with small inlaid colour plate to front board, edges in purple, 29 colour plates; front free endpaper inscribed by the artist, a little light marking to front board, else fine. Included is the Private View invitation for the exhibition.

New York: Gagosian Gallery, 1997. Exhibition catalogue, 4to., pp.60, pictorial hardcover, b/w plates; ownership autograph to front free endpaper, a fresh and near-fine copy.

Leeds: Richard Jackson, 1917. 4to., pp.xxiv,266, light blue cloth, gilt, decorative gilt to front board, blind detailing to front board and spine, colour frontispiece, b/w and colour illustrations throughout; ownership bookplate to front paste-down, light foxing to endpapers, particularly affecting frontispiece and title page, occasional spots throughout, toning to half-title, spine slightly rolled, light rubbing to boards, particularly affecting extremities, a few light marks and surface soil, overall a very good copy.

Museums in Essex Committee, 1997. Exhibition guide, square 12mo., pp.(22), folding sheet with pictorial cardboard covers, with wrap-around title slip; very slight bruising to corners, a fresh and almost fine copy.

London: Hazell, Watson, & Viney, Ld. First edition, small 8vo., pp.ix(adverts),240,241-261(adverts), maroon cloth, gilt; rubbing to extremities, with light wear to head- and tailbands, else very good.

Edinburgh: The Pentland Press, 2000. 8vo.,pp. xii,283, hardcover, gilt, b/w illustrations, b/w frontispiece; a very good copy, in a very good unclipped pictorial dust-jacket.

London: Tate Publishing. Exhibition catalogue, 4to., pp.288, paperback, plates largely in colour; ownership autograph to half title, small knock to spine with small tear to paper wrapper, else a very good, fresh copy.

Oswestry: Tanat Books. Limited edition, one of 150 specially bound copies, 8vo., pp.234, red cloth, gilt, with inlaid paper title label to front board, b/w illustrations, endpaper maps; a near-fine copy, in plain acetate jacket, as issued.

London: George Routledge and Sons. 2 vols. bound as one, 4to., pp.xvi,382;387, two-tone brown buckram, gilt, colour frontispieces, b/w plates throughout; some marking + light overall surface soil to boards, contents clean, a very good copy.

Oxford: B.A.R. 4to., pp.xxii,262, half red cloth, gilt, marbled boards, b/w plates; small pictorial bookplate to front paste-down endpaper, ownership blindstamp to front free endpaper, slight foxing to edges of text block, a near-fine copy.

Leeds: The Thoresby Society, 1988. 8vo., pp.562, paperback, b/w plates and figures, folding plan; very good indeed.

London: Art and Technics, 1950. Small 4to., pp.104 (text pp.7-43, illustrations thereafter), orange cloth, gilt, b/w frontispiece, illustrations; light partial toning to free endpapers and to edges, ownership autograph to front free endpaper, bump to rear board at head of lower joint (with light crease to pages at upper corners), in good unclipped dust-jacket, which is worn with some loss to edges, with light surface soil to pale paper.

Merivale Editions, 1927. Limited edition of 500 copies, 8vo., pp.(ii),(5)Introduction,(9)b/w plates, decorative paper wrappers; slight rubbing to head of fold for spine, a fine copy. Includes advertisement card for the volume.

Merivale Editions, 1927. Limited edition of 500 copies, 8vo., pp.(ii),(5)Introduction,(9)b/w plates, paperback (plain wrappers), decorative dust-jacket with printed paper label; dust-jacket rubbed to head and tail of spine, with very slight crease to upper corners throughout, an o/w a fine copy.

Grasmere: The Wordsworth Trust. 4to., pp.xii,240, paperback, b/w frontispiece, b/w and colour plates; light creasing to spine, else a fresh and near-fine copy.

New York: Princeton University, in association with The Metropolitan Museum of Art, 1999. 4to.,pp. 167, green cloth, gilt, b/w and monochrome illustrations and frontispiece; lightly toning to edges of text block, white mark to lower edge of rear board, a very good copy, in a very good unclipped pictorial dust-jacket, which is rubbed to extremities and has a small piece missing to front lower margin and to corner head of spine and light wear to front upper corner, with light sunning to spine.

Salisbury: Michael Russell, 1989. Signed by the author, 8vo., pp.viii,416, green hardcover, colour and b/w plates; a near-fine copy, in very good unclipped dust-jacket, which is just lightly rubbed at corners.

Munich/London: Prestel, 2012. First edition, English language edition, folio, pp.303,(i), black hardcover, gilt, colour plates and b/w illustrations; ownership autograph to front free endpaper, a fine, fresh copy, in near-fine unclipped dust-jacket.

Barcelona: Museu Nacional d’Art de Catalunya/Electa. 4to., pp.115, paperback, colour and b/w illustrations; small ownership autograph to half title, partial sunning to wrappers, o/w clean and very good.

London: printed for Thomas Tegg; Simpkin and Marshall; R. Griffin & Co., Glasgow; J. Cumming, Dublin, 1824. Second edition, two volumes, 8vo., pp.xxvii,408;vii,453, quarter leather, gilt-lettered labels, marbled boards, complete with 9 plates; a very good, fresh set, in neat modern bindings.