Washington: National Gallery of Art, 2014. 4to., pp.xix,192, black cloth lettered in white, colour-illustrated; a fresh and near-fine copy, in unclipped pictorial dust-jacket, which has 4cm closed tear to front lower corner, else near-fine.

Cambridge University Press. 8vo., pp.xii,296, blue hardcover, gilt, 16 b/w plates; ownership blindstamp to front free endpaper, small illuminated letter ink stamp to front paste-down endpaper (beneath dust-jacket flap), light foxing to top edges, a very good, clean copy, in vg unclipped dust-jacket.

Leeds: The British Archaeological Association/Maney Publishing, 2003. Large 8vo., pp.xii,258, navy cloth, gilt, 4 colour plates and numerous b/w illustrations; a fresh and near-fine copy, in vg(+) unclipped dust-jacket.

Salzburg: Galerie Thaddeus Ropac, 2008. Exhibition catalogue, 4to., bilingual German and English edition, pp.129, grey hardcover, colour and b/w plates; ownership autograph to front free endpaper, a fine copy, in fine unclipped dust-jacket.

London: White Cube, 2011. 4to, pp.110, publisher’s grey cloth, colour plates throughout, dust-jacket, slightly strange pagination but apparently complete, a fine copy.

London: Marlborough Fine Art, Ltd, 1979. 4to., plain paperback wrappers with dust-jacket, 17 colour plates and numerous monochromatic illustrations; a fine copy.

London: Scott, Greenwood & Son. Large 8vo., pp.xiv,496, five plates, 950 wood-engraved illustrations in the text, green cloth, gilt; light partial sunning to cloth but gilt still bright, offsetting to endpapers, contents clean and bright, one small marginal tear but o/w a very good, bright copy.

Milano, Electa Editrice, 1890. Large 8vo,.pp.231, attractively rebound in decorative hardcovers with original wrappers bound in, gilt, b/w and colour illustrations; a fine copy.

Royal Commission on the Ancient and Historical Monuments of Scotland. 4to., pp.xvi,296, blue cloth, gilt, 4 folding plates to rear of volume, numerous b/w illustrations throughout; very good+, in unclipped dust-jacket, which has closed tear (and small crease) to foot of rear flap-fold, small closed tear to head of rear flap-fold, and light sunning to spine, else very good and now in protective cover.

Aldershot: Ashgate (Variorum), 2001. 8vo., pp.xl,410, navy cloth, gilt, b/w illustrations; very slight marking to cloth, a fresh and near-fine copy. (No dust-jacket).

Cambridge, Mass./London: MIT Press, 1981. 4to., pp.292, beige cloth lettered in brown, colour frontispiece, b/w illustrations and plans, pictorial endpapers; a very good, clean copy, in price-clipped dust jacket, whoch has two large closed tears (5.5 and 8.5 cms) to front upper margin, with creasing between and scotch-tape repair to reverse, small closed tears to head of spine, else very good.

Country Life Books, 1976. Reprint, oblong 4to., pp.207, brown hardcover, gilt, colour plates; signed by four of the potters beneath their portraits, light toning to margins, light sellotape marking to margins of boards, rubbing to extremities, slight bruise to upper LH corner of front board, a very good copy, in unclipped dust-jacket, which is lightly sunned to spine, with 2cm closed tear to front lower margin, and light rubbing/slight chipping to extremities, else very good - now in a protective cover.

New York: Visual Studies Workshop Press, 1985. First edition, 8vo.,pp. 269, brown hardcover, gilt, b/w illustrations; lightly rubbed to extremities, a very good copy, in a very good unclipped dust-jacket, which is rubbed to extremities, with light wear to foot of spine, lightly sunned to spine.

London: Butterworth Scientific, 1600. 8vo., pp.ix,236, black hardcover, 8 colour plates, b/w illustrations; tiny handwritten ownership autograph to head of front paste-down endpaper, and owner’s handwritten catalogue number to head of front free endpaper, light shelfwear, a very good copy.

Rizzoli, 2010. 4to., pp.238, brown hardcover lettered in silver, colour plates; front upper corner lightly bruised, an otherwise near-fine copy, in very good+ unclipped dust-jacket.

London: Tate, 2015. Exhibition catalogue, 4to., pp.176, paperback (card wrappers), colour plates; near-fine.

Milan: Skira, 2008. Exhibition catalogue, English edition, 4to., pp.250, black cloth lettered in navy, colour plates throughout, including folding plates; slight tone to edges, a fresh and near-fine copy, in near-fine unclipped dust-jacket.

London: Thames and Hudson, 1996. 4to.,pp. 215, black cloth, silver lettering to spine, silver emblem to front board, colour illustrations and fold-out illustrations, colour frontispiece; ownership autograph to front free endpaper, otherwise near-fine, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.

Princeton, N.J.; Princeton University Press. 4to., pp.xvii,178, cloth, gilt, 180 b/w illustrations; a fine copy, in fine unclipped dust-jacket.

Chicago: William and Noma Copley Foundation. Made and printed by Percy Lund, Humphries & Co. (London), 1961. Oblong 8vo., pp.(33), white hardcover lettered in black, one colour plate, 14 b/w plates as well as b/w frontispiece portrait and further b/w in-text illustrations; light toning to margins, a very good copy, in acetate wrapper, which has large area of loss to front upper margin. Includes Alain Jouffroy’s introductory essay in French as 4pp. loose-leaf insert.