London: Methuen, 1975. Reprint, 8vo., pp.lxi,266, paperback, 4 colour plates, numerous b/w plates to rear of volume, as well as b/w in-text figures; a very good copy.

Ronald Feldman Fine Arts, Inc, 1997. 4t0., pp. 304, black cloth, white lettering, title in blind to front board, b/w and colour illustrations; a fine copy in a very good+ unclipped dust-jacket with light rubbing and a small mark to front.

Cambridge University Press. 8vo., pp.xii,296, blue hardcover, gilt, 16 b/w plates; ownership blindstamp to front free endpaper, small illuminated letter ink stamp to front paste-down endpaper (beneath dust-jacket flap), light foxing to top edges, a very good, clean copy, in vg unclipped dust-jacket.

Leeds: The British Archaeological Association/Maney Publishing, 2003. Large 8vo., pp.xii,258, navy cloth, gilt, 4 colour plates and numerous b/w illustrations; a fresh and near-fine copy, in vg(+) unclipped dust-jacket.

Ipswich: Leiston Press, 2014. 4to., pp.48, many colour illustrations; a very good copy indeed.

Salzburg: Galerie Thaddeus Ropac, 2008. Exhibition catalogue, 4to., bilingual German and English edition, pp.129, grey hardcover, colour and b/w plates; ownership autograph to front free endpaper, a fine copy, in fine unclipped dust-jacket.

London: White Cube, 2011. 4to, pp.110, publisher’s grey cloth, colour plates throughout, dust-jacket, slightly strange pagination but apparently complete, a fine copy.

London: Marlborough Fine Art, Ltd, 1979. 4to., plain paperback wrappers with dust-jacket, 17 colour plates and numerous monochromatic illustrations; a fine copy.

London: Scott, Greenwood & Son. Large 8vo., pp.xiv,496, five plates, 950 wood-engraved illustrations in the text, green cloth, gilt; light partial sunning to cloth but gilt still bright, offsetting to endpapers, contents clean and bright, one small marginal tear but o/w a very good, bright copy.

Milano, Electa Editrice, 1890. Large 8vo,.pp.231, attractively rebound in decorative hardcovers with original wrappers bound in, gilt, b/w and colour illustrations; a fine copy.

Aldershot: Ashgate (Variorum), 2001. 8vo., pp.xl,410, navy cloth, gilt, b/w illustrations; very slight marking to cloth, a fresh and near-fine copy. (No dust-jacket).

Cambridge, Mass./London: MIT Press, 1981. 4to., pp.292, beige cloth lettered in brown, colour frontispiece, b/w illustrations and plans, pictorial endpapers; a very good, clean copy, in price-clipped dust jacket, whoch has two large closed tears (5.5 and 8.5 cms) to front upper margin, with creasing between and scotch-tape repair to reverse, small closed tears to head of spine, else very good.

Country Life Books, 1976. Reprint, oblong 4to., pp.207, brown hardcover, gilt, colour plates; signed by four of the potters beneath their portraits, light toning to margins, light sellotape marking to margins of boards, rubbing to extremities, slight bruise to upper LH corner of front board, a very good copy, in unclipped dust-jacket, which is lightly sunned to spine, with 2cm closed tear to front lower margin, and light rubbing/slight chipping to extremities, else very good - now in a protective cover.

New York: Visual Studies Workshop Press, 1985. First edition, 8vo.,pp. 269, brown hardcover, gilt, b/w illustrations; lightly rubbed to extremities, a very good copy, in a very good unclipped dust-jacket, which is rubbed to extremities, with light wear to foot of spine, lightly sunned to spine.

London: Butterworth Scientific, 1600. 8vo., pp.ix,236, black hardcover, 8 colour plates, b/w illustrations; tiny handwritten ownership autograph to head of front paste-down endpaper, and owner’s handwritten catalogue number to head of front free endpaper, light shelfwear, a very good copy.

Rizzoli, 2010. 4to., pp.238, brown hardcover lettered in silver, colour plates; front upper corner lightly bruised, an otherwise near-fine copy, in very good+ unclipped dust-jacket.

Harrogate: Mercer Art Gallery, 1988. 4to., pp.180, paperback, colour-illustrated; ownership initials to half title, title, and dedication page, light partial sunning to wrappers, else very good indeed.

London: Tate, 2015. Exhibition catalogue, 4to., pp.176, paperback (card wrappers), colour plates; near-fine.

Milan: Skira, 2008. Exhibition catalogue, English edition, 4to., pp.250, black cloth lettered in navy, colour plates throughout, including folding plates; slight tone to edges, a fresh and near-fine copy, in near-fine unclipped dust-jacket.

London: Thames and Hudson, 1996. 4to.,pp. 215, black cloth, silver lettering to spine, silver emblem to front board, colour illustrations and fold-out illustrations, colour frontispiece; ownership autograph to front free endpaper, otherwise near-fine, in a very good unclipped pictorial dust-jacket, which is lightly rubbed to extremities.