London: Published for The British Academy by Oxford University Press, 1972. Folio, pp.xxxvi,140,153, cloth, gilt, colour frontispiece, colour and b/w plates; from the library of D.E. Luscombe, with neat ownership inscription to front free endpaper, some foxing to fore-edges, else clean and very good indeed, in very good unclipped dust-jacket, which is lightly rubbed to extremities and has a tiny closed tear at the corner of the rear cover.

London: Harvey Miller Publishers. 4to., pp.192, pictorial wrappers, b/w illustrations; a very good copy.

London: Phaidon, 2004. 4to., pp.304, black hardcover lettered in blind, colour-illustrated; ownership autographs to half title and to front pase-down endpaper (concealed by dust-jacket), slight bump to lower edge of front board, an otherwise fine copy, in fine unclipped dust-jacket.

Dorchester: Dorset Natural History and Archaeology Society. Square 8vo., pp.85, pictorial wrappers, b/w illustrations; near-fine.

London: Yale Center for British Art/National Portrait Gallery, in association with Yale University Press, 2010. Exhibition catalogue, 4to., pp.xxi,314, black cloth, gilt, colour plates; a fresh and near-fine copy, in very good+ unclipped dust-jacket.

London: Jonathan Cape, 2015. 8vo., pp.(v),344, black hardcover, gilt, colour plates, pictorial endpapers; a very good, clean copy, in a very good unclipped dust-jacket.

London: Marlborough Fine Art, 1973. Large 8vo.,pp. 27, pictorial wrappers, b/w and colour illustrations; light staining and shelf wear to wrappers, otherwise very good.

2011. Oblong 4to., pp.unoaginated, unlettered black cloth, colour plates throughout; a fine copy, in fine unclipped dust-jacket. Included is a an exhibition invitation and further postcard of a portrait by the artist.

Otley: Smith Settle, 1990. Oblong 4to.,pp. 117, beige cloth, red lettering, b/w and colour illustrations, b/w frontispiece; signed by the artist, inscriptions from the artist and from Arthur Haigh, written on white labels to half title page, slight toning to margins of endpapers, a very good copy, in a very good unclipped pictorial dust-jacket, which lightly rubbed.

Sunderland: Northern Centre for Contemporary Art, in association with Lund Humphries, London, 1993. Exhibition catalogue, with signed dedication from the author, 4to., pp.64, paperback, colour plates and b/w illustrations; inscribed by the artist to half title, slight shelfwear to wrappers, a very good+ copy. Includes loose card Invitation to the exhibition.

New Haven: The Paul Mellon Centre for Studies in British Art/ Yale University Press, 1994. 4to.,pp. viii,420, black cloth, gilt, b/w illustrations and figures, with some colour illustrations, b/w frontispiece; a near-fine copy, in a very good unclipped pictorial dust-jacket, which has light shelf wear, in a good plain card slip-case, which is slightly torn at edge.

Bristol: Sansom and Company, 2009. 4to., pp.215,(i), black hardcover lettered in silver, colour plates throughout; a fine copy, in near-fine unclipped dust-jacket, which is just lightly toned to fore-margin and spine.

Cambridge University Press, 1997. 8vo., pp.x,221, blue hardcover, gilt, 16 b/w plates; neat ownership nameplate to front paste-down endpaper, a fresh and near-fine copy, in vg unclipped dust-jacket.

London: Thames and Hudson, 2005. Exhibition catalogue, 4to., pp.191 blue hardcover lettered in white, 170 colour illustrations; a fine copy, in fine unclipped dust-jacket.

London: Her Majesty’s Stationery Office, 1980. Oblong 8vo., pp.83, oatmeal cloth, lettering in brown and gilt, colour frontispiece, 108 b/w plates; a near-fine copy, in unclipped dust-jacket, with one small closed tear to rear upper margin, else very good indeed, and now in a protective cover.

London: Chatto and Windus. Revised, expanded edition, 4to., pp.32(text), 44 monochromatic plates, maroon hardcover, gilt; ownership inscription to front free endpaper, light rubbing to extremities, a very good, clean copy, in vg price-clipped dust-jacket, which has a little creasing to extremities and is now in a protective cover.

The Dovecote Press, 1856. 8vo.,pp.72, hardcover, gilt, b/w illustrations, pictorial endpapers; a near-fine copy, in a very good unclipped pictorial dust-jacket, sunned to spine, small ink mark to front.

New Haven/London: Yale University Press, 1992. Folio, pp.463, green cloth lettered in silver, colour and b/w plates; a very good fresh copy, in unclipped dust-jacket, which is lightly creased to margins, else vg.

London: Lund Humphries/Van Gogh Museum, Amsterdam, 1996. 4to., pp.260;288, cream hardcover, gilt, colour and b/w plates; Volume I near-fine, Volume II has small mark to fore-edges and light bruising to lower corners of boards, else very good indeed, both in near-fine dust-jackets.

Cambridge: Cambridge Universtiy Press, 2013. 8vo.,pp. xiii,248, hardcover, gilt, b/w and colour plates; ownership bookplate to front paste down endpaper, ink stamp marked as damaged to publication page, a very good copy indeed in a vg+ unclipped dust-jacket.