London: Faber and Faber/Profile Books, 2005. Signed, limited edition, no. 134 of 250 copies produced for sale, 8vo., pp.xv,658, cloth-backed boards, b/w plates; a near-fine copy, in matching slipcase.

New York: Syracuse Uiversity Press, 2012. 8vo.,pp. xvii,331, hardcover, gilt, b/w illustrations; a fine copy, in a near-fine unclipped pictorial dust-jacket.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

1830. Original hand-coloured Italian lithograph. Dimensions: Mount W 32.7 x L 38.4 Print W 17.3 cm x L 23 cm. Michela De Vito, herself the daughter of the artist Camillo De Vito, was a Neapolitan artist working during the first half of the nineteenth century, known for her colourful yet softly rendered watercolour depictions of folk life and costume. These plates, whilst unattributed, pay careful homage to her work both in style and subject-matter, and provide glimpses of local colour from the northerly regions of Italy from around the same time.

Ann Arbor: University of Michigan Press, 1992. 8vo. pp.x,351, grey cloth, gilt; small ownership autograph to front free endpaper, light rubbing to extremities, else a fresh and near-fine copy, in very good unclipped dust-jacket.

Basingstoke: Palgrave Macmillan, 2003. 8vo., pp.xii,239, paperback, 12 b/w maps; slight creasing to lower corner of rear wrapper, a very good, clean copy.

Ashgate, 2004. 8vo., pp.xviii,413, black hardcover, gilt, b/w illustrations and figures; a fresh and near-fine copy, in vg unclipped dust-jacket, which is a little creased to upper edge.

East Linton: Tuckwell Press, 1998. 8vo.,pp. 271, paperback, b/w figures; a very good copy.

Berlin/New York: Walter de Gruyter, 2009. 8vo., pp.vii,757, pictorial hardcover; light discolouration to rear board, very slight bruising to corners, else fresh and near-fine. No dust-jacket, as issued.

New York: Teachers College Press, Columbia University, 1968. Pocket 8vo., pp.ix,256,(i), blue cloth lettered in black; edges lightly toned, else very good indeed, in a lightly edgeworn unclipped dust-jacket, with 3cm closed tear to rear lower margin.

York: The Fairfax Press, 1980. Limited edition, no. 68 of of 400 copies on Merkall mould-made paper, with two wood-engraved devices (at title and colophon) by Reynolds Stone and colour pictorial endpapers and slip-case design by Henry Moore, pp.xi,90, quarter blue cloth, gilt, grey paper-covered boards, one b/w plate; owner’s nameplate to half title, else fresh and fine, in matching slipcase with one bruised corner, else near-fine.

Cheltenham, UK/Northampton, MA: Edward Elgar, 2002. 8vo., pp.xi,280, black hardcover, gilt, b/w illustrations; a fresh and near-fine copy, in near-fine unclipped dust-jacket, which is lightly sunned to spine.

London: Thames and Hudson, 2005. Exhibition catalogue, 4to., pp.191 blue hardcover lettered in white, 170 colour illustrations; a fine copy, in fine unclipped dust-jacket.

Cambridge, Mass: Harvard University Press, 1970. Reissue (first published 1952), 8vo., pp.xii,344,(i), red cloth, gilt; fine, in a near-fine price-clipped dust-jacket.

London: R. Hett; York: John Hildyard; John Oswald; James Crokatt; J. Oliver, 1745. 8vo., pp.xiv,88,viii,14;35;30;100, full contemporary calf, five raised bands, gilt fillets; owner’s initials (J. B.) in gilt to both boards, owner’s engraved bookplate to front paste-down, darkening to calf, light wear to extremities, fillets partially rubbed, some water-staining to lower corners of 3rd section, a very good copy.

London, William Pickering. First edition, 8vo.,pp.xxxviii,314, blue hard covers, gilt; near-fine copy in unclipped pictorial dust-jacket which has some soiling to rear, small closed tears and chips to extremities o/w good.

London: Faber and Faber, 1960. First edition, 8vo., pp.337, pictorial red cloth, gilt, b/w plates and maps; slight roll forward to spine, else very good, in unclipped dust-jacket, which is rubbed to edges, with light rubbing to front, else very good.

Gloucestershire: Spellmount, 2015. 8vo., pp.256, blue hardcover, gilt, 22 b/w plates; very slight rubbing to extremities, a near fine copy, in a near fine, unclipped pictorial dust-jacket, now in a protective cover.

London: William Heinemann, 1906. Signed, limited edition, no. 48 of 100 copies, 4to., pp.viii,305, uncut, full vellum, gilt, t.e.g., tipped-in colour frontispiece and plates with caption sheets; loss to corner of mounted plate at p.163, paper-cracking to front inner hinge, with webbing visible (board firm), surface soil and light wear to edges of endpapers, a very good copy.

Hildesheim/New York: Georg Olms Verlag, 1983. 8vo., pp.23 (Introduction), unpaginated facsimile, paperback (blue wrappers lettered in silver); sunning to spine, light marking to wrappers, internally fresh, a very good copy.