London: Yale Center for British Art/National Portrait Gallery, in association with Yale University Press, 2010. Exhibition catalogue, 4to., pp.xxi,314, black cloth, gilt, colour plates; a fresh and near-fine copy, in very good+ unclipped dust-jacket.

Glasgow: Jackson, Son & Co, 1951. Three volumes, 8vo., pp.xi,568;ix,619;ii,348, navy cloth, gilt, b/w frontispiece in all three volumes; ownership inscription to front free endpaper of all three volumes, foxing to top edges, volumes I and II sunned to spine, light rubbing to extremities, lower corners of boards of Volume II bumped, some water-spotting to cloth, overall a very good set. (No dust-jackets).

London: Edward Arnold, Publisher to the India Office, 1895. First edition, 8vo., pp.(iv),328, uncut, pictorial brown cloth, gilt, frontispiece and pictorial title, b/w plates and illuminated letters; colour postcard tipped in the rear paste-down endpaper, foxing to prelims, with ownership inscriptions to front free endpaper, rubbing to extremities, gilt to spine a little dulled, a good++ copy.

London: Associated University Press, 2001. 8vo., pp.219, black hardcover, gilt, 2 b/w plates; pencilling to margins, leaves between p.157 and p.160 are uncut, very slight marking to endpapers, light rubbing to extremities, slight bruising to spine, a very good copy, in an unclipped dust-jacket which is very slightly shelf-worn and very slightly shelf-worn otherwise very good.

London: Jonathan Cape Ltd, 1935. 8vo., pp.256, two-tone pale grey cloth, black lettering; light partial toning to endpapers, foxing to cloth, but otherwise a very good, fresh copy, in a very good+ unclipped dust-jacket, which has just a couple of small nicks to edges, and slight chipping at foot of spine.

Published for The Medieval Academy of America by University of Toronto Press, 2008. 8vo., pp.x,179, blue cloth, gilt, colour frontispiece; from the library of D.E. Luscombe, inscribed to front endpapers, with date-stamp to rear free endpaper, a very good+ copy, in vg unclipped dust-jacket.

London: The Dropmore Press, 1947. Limited edition, no.390 of 550 copies, 4to., pp.59, blue cloth, lettered in gilt and with pictorial emblem in gilt to front board, decorative gilt inner dentelles, handmade paper, with wood engravings by John O’Connor, including dedication page, pictorial title, 6 full-page plates, plus illuminated letter and decorative tailpiece; foxing to edges, else very good indeed, in vg unclipped dust-jacket, which has foxing to pale paper.

Surrey: Curzon, 1997. First edition, 8vo.,pp, xxvi,293, black hardcover, gilt, b/w illustrations, a very good, clean copy in a very good unclipped dust-jacket.

Oxford: Clarendon Press, 1975. Reprint, 8vo., pp.ix,225, navy cloth, gilt; from the library of Gordon Leff, with ownership inscription to front paste-down endpaper, a very good copy indeed, in vg price-clipped dust-jacket, which has small nick to front upper edge.

London: Routledge, 1996. 8vo., pp.viii,267, black cloth lettered in silver, b/w figures; tiny ownership autograph to front paste-down endpaper, very slight spotting to edges, a near-fine copy, in very good+ unclipped dust-jacket.

Hildesheim/New York: Georg Olms Verlag, 1983. 8vo., pp.40 (Introduction), unpaginated Ms. facsimiles, paperback (blue wrappers lettered in silver); a very good copy indeed.

London: Heineman, 1982. First edition, 8vo., pp.(vi),208, grey cloth, gilt, b/w illustrations; extremities rubbed, light tone to edges, a clean and good+ copy, in vg unclipped dust-jacket, which is lightly creased and rubbed to extremities.

London: Marlborough Fine Art, 1973. Large 8vo.,pp. 27, pictorial wrappers, b/w and colour illustrations; light staining and shelf wear to wrappers, otherwise very good.

2011. Oblong 4to., pp.unoaginated, unlettered black cloth, colour plates throughout; a fine copy, in fine unclipped dust-jacket. Included is a an exhibition invitation and further postcard of a portrait by the artist.

Otley: Smith Settle, 1990. Oblong 4to.,pp. 117, beige cloth, red lettering, b/w and colour illustrations, b/w frontispiece; signed by the artist, inscriptions from the artist and from Arthur Haigh, written on white labels to half title page, slight toning to margins of endpapers, a very good copy, in a very good unclipped pictorial dust-jacket, which lightly rubbed.

Chicago: Ares Publishers, 1988. [Two volumes in one] 8vo., pp. xviii,552, paperback, b/w illustrations;ownership autograph to front free endpaper, otherwise internally clean, slightly rubbed, lightly sunned to spine, else a very good copy.

London: John Lane, The Bodley Head Limited, 1923. Square 8vo., pictorial blue cloth, 6 colour plates and 35 b/w illustrations; vertical crease to inner margin of colour plate opposite p.60, with repair to the margin, repaired closed tear to upper margin of b/w plate at p.112, two ink ownership inscriptions to front free endpaper, foxing to prelims and fore-edges, rubbing to extremities, with slight wear to cloth along lower edges, a good+ copy of a scarce title.

London: John Lane at The Bodley Head, 1923. First edition, Scarce, re-cased, 8vo., pp. x,177, pictorial blue cloth, black lettering, colour plates, b/w illustrations, colour frontispiece; ownership autograph and small inscription to front free endpaper, toning and foxing to title page, edges of text block, endpapers and occasionally quite significantly foxed to margins with occasional lighter foxing present throughout, plate to p.60 has a crease and neat repair to the margin, plate to p.112 with small marginal repair, very slight cracking to upper inner section of inner hinge, rubbing to extremities with light wear to corners and along lower edges of boards, light toning to spine, otherwise a very good copy. No dust-jacket.

Langdyke History and Archaeology Group, 2017. 8vo., pp.120, paperback, colour illustrations; near-fine.

Oxford: Oxford University Press, 1946. 8vo., pp. vi,597, red cloth, gilt, b/w frontispiece, small decorative blind to front board; pages slightly yellowed, otherwise internally clean, rubbing to extremities, a very good copy indeed in a dust-jacket, rubbed, with chipping and small areas of loss to upper and lower margin and to corners, split halfway up the fore-edge with small areas of loss along edge.